Saudi Oscar entry ‘Hijra’ has glittering premiere at RSIFF 2025

Nawaf Aldaferi, Mohamed Al Daradji, Shahad Ameen, Lamar Faden, Ali Al Daradji, Khairia Nazmi, Raghad Bokhari, Baraa Alem, Mohamed Hefzy and guests attend the "Hijra" screening at the Red Sea International Film Festival 2025 on December 06, 2025 in Jeddah, Saudi Arabia. (Getty Images)
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Updated 07 December 2025
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Saudi Oscar entry ‘Hijra’ has glittering premiere at RSIFF 2025

DUBAI: Saudi filmmaker Shahad Ameen’s inter-generational road movie had a glittering premiere at the Red Sea International Film Festival in Jeddah.

The red carpet saw celebrities like Egyptian-British star Amir El-Masry, Egyptian actress Asmaa Galal and US actress Emily Ashby attend.

“Hijra” follows a grandmother and her two granddaughters as they journey from Taif to Makkah. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women.

Set against the backdrop of the Hajj pilgrimage, “Hijra” portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Shot across eight Saudi cities, the film provides a deep dive into the Kingdom’s rich cultural tapestry.

“I had this missing girl idea that I had been playing around with for years. I had a script about a younger sister looking for her older sister with her father in Jeddah. The whole script was ready to go … And then, all of a sudden, I hated it. I outgrew it. I thought it was childish. I threw it out,” said director Ameen in an interview with Variety.

“Then, years later, I was talking to my producer Mohamed Al-Daradji — we really collaborate a lot on writing — and he said: ‘Aren’t you tired of the (patriarchal) father story that you already did in “Scales”? What if you make a woman’s story with a grandmother in a multi-generational context?’ So that’s how it restarted.”

Speaking about her personal connection to the story, Ameen said, “Well, my family — it’s not something I say a lot — but my father’s family are immigrants from China, fifth generation. So, I thought: ‘What if the missing girl is an immigrant?’ That became an exciting thread. Then, I went back to the earlier script, and the best scene in that was when they passed a checkpoint through Makkah with all the pilgrims and all of that during Hajj. And suddenly everything was connected, and it became a story about immigration. It’s a story about a girl trying to escape from her grandmother to a different country.”


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.