Saudi Arabia fights to revive a vanishing flower

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The flower typically grows between 30 and 80 centimeters tall, forming dense, woody bushes with leathery, oval-shaped leaves that remain green during the entire year. (SUPPLIED)
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Oubaid Alouni Environmental consultant. (SUPPLIED)
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Updated 08 November 2025
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Saudi Arabia fights to revive a vanishing flower

  • Globularia alypum is making a fragile comeback amid threats of overgrazing

RIYADH: Once found across parts of Saudi Arabia, Globularia alypum — a delicate blue-flowered shrub — has recently been rediscovered in the Kingdom’s northwest regions. 

Yet, despite this encouraging sighting, the species is now listed as critically endangered due to overgrazing and land degradation, according to environmental consultant and former adviser at the National Center for Vegetation Cover Development and Combating Desertification, Oubaid Alouni.

“The primary cause of extinction is overgrazing, as it is an excellent grazing species. The second cause is land degradation. The third cause is neglect,” he said.

Belonging to the Plantaginaceae family, Globularia alypum — locally known as “Zuraiqa” or “Aynon Kuhli” and internationally as the blue daisy — is a perennial evergreen shrub native to the Mediterranean basin. It is typically found in North Africa, southern Europe, and Southwest Asia, particularly in mountainous and rocky regions.

“This plant is highly grazing, so it is not found in plains or open areas because camels heavily graze it. Therefore, it is more commonly found in mountainous or calcareous regions,” commented Alouni.

According to Alouni, the NCVC has been intensifying its efforts to protect native plants and rehabilitate degraded lands. To preserve Globularia alypum, he recommends replanting it in its natural northwestern habitats, encouraging home cultivation, and raising public awareness about its ecological and medicinal value. Crucially, he stresses the need to preserve its seeds in the Ministry of Agriculture’s seed bank to safeguard its future.




The native habitat for The Globularia alypum is the Mediterranean area like in North African countries, southern Europe, and Southwest Asia. (SUPPLIED)

Typically growing between 30 and 80 centimeters tall, the shrub forms dense, woody bushes with leathery, oval leaves that remain green year-round. Its spherical clusters of pale blue to deep violet flowers bloom from October through June, adding vibrant color to arid landscapes.

“The advantage of this shrub, which is perennial and not annual, is that it can become an annual in some places that are very hot, so that the seeds fall into the soil, and if winter comes and the weather becomes mild and the rains come, it sprouts again,” said Alouni.

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He added: “Its distinctive feature and captivating beauty is that it blooms abundantly and has branching limbs... like a beautiful dress with its lovely navy-blue color and round shape.”

Beyond its striking appearance, Globularia alypum has long been valued in traditional medicine for its anti-inflammatory, antioxidant, hepatoprotective, and antidiabetic properties.




As the interest in plants in the kingdom grows globally, Globularia alypum is one of the greate example of how ancient botanical knowledge and modern science can converge to promote human health and environmental sustainability. (SUPPLIED)

Research published by the National Institutes of Health supports these claims, showing that extracts from the plant can help lower blood glucose levels and improve insulin sensitivity — benefits attributed to its rich polyphenolic content that aids carbohydrate metabolism and reduces oxidative stress.

“It is useful as an anti-rheumatic, antidiabetic, and anti-intermittent fever, in addition to its use as a laxative,” said Alouni.

Although the plant has been observed recently in Saudi Arabia’s northern regions, Alouni noted that some specimens remain undocumented in the Kingdom’s flora classification, likely due to their rarity. He emphasized the importance of properly recording and updating plant data nationwide to preserve botanical knowledge.

DID YOU KNOW?

• Globularia alypum has recently been rediscovered in the Kingdom’s northwest regions. 

• It has been used in traditional medicine in the past as a treatment for various health issues.

• It is a winter-flowering plant, blooming mainly from October to June.

“In addition to the Saudi flora, we take the scientific name… those who classify plants are few, and researchers take information from classifiers because they are the ones who write the scientific name (referring to them as a source of data),” Alouni told Arab News.

For Alouni, documenting species such as Globularia alypum is not only vital for science but also for sustaining the Kingdom’s natural heritage. The flower stands as a reminder of how traditional ecological wisdom and modern science can work hand in hand — ensuring that this once-abundant shrub, with its medicinal promise and stunning beauty, does not fade from Saudi Arabia’s landscape.

 


Historic Bab Al-Bunt in Jeddah reborn as Red Sea Museum

Updated 07 December 2025
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Historic Bab Al-Bunt in Jeddah reborn as Red Sea Museum

  • From manuscripts to contemporary art, the museum takes visitors on a journey through seven galleries celebrating the Red Sea’s heritage

JEDDAH: The recently renovated Bab Al-Bunt building in Historic Jeddah, known as Al-Balad, opened on Saturday night as the Red Sea Museum, giving visitors a first glimpse of a space celebrating the region’s cultural and natural heritage.

The exclusive preview marked the culmination of years of meticulous restoration, preserving one of Jeddah’s most historic landmarks while creating a space that bridges past and present.

The event was attended by Prince Saud bin Mishaal bin Abdulaziz, the deputy governor of Makkah, and Prince Badr bin Abdullah bin Farhan, minister of culture and chairman of the Museums Commission.

Prince Badr said that the Red Sea Museum provides a broad space for creativity and provides a comprehensive cultural platform that fosters dialogue between civilizations and encourages cultural and intellectual exchange.

He noted that the museum reflects the Kingdom’s commitment to preserving its cultural and natural heritage and is a key part of the effort to revive Historic Jeddah. Supported by the Kingdom’s leadership, this initiative contributes to building a vibrant cultural future where diverse forms of culture and the arts can flourish.

Eman Zidan, director of the Red Sea Museum, said: “Red Sea Museum is a revival of Bab Al-Bunt, originally built in 1866. It once served as a bustling port for travelers, pilgrims, and adventurers arriving by sea, and now it opens its doors to visitors, retelling the stories of the Red Sea. It is a cultural anchor that celebrates the legacy, heritage, and rich diversity of the people of the Red Sea."

Zidan detailed the care taken in the restoration, noting the use of original materials such as coral stone and concrete to return the building to its original form.

“This was achieved through a thorough study by experts — architects and heritage specialists — who were able to restore Bab Al-Bunt to its origins. Now the museum speaks to the people and the community, telling the stories of pilgrimage, biodiversity, maritime exchange, and the open dialogue between the countries on the Red Sea,” she added.

Zidan also emphasized the museum’s commitment to providing an enriching visitor experience through diverse programs, from archaeological objects and historical artifacts to modern and contemporary artworks.

Collaborations with local artisans and artists, including Ahmad Angawi, founder of Zawiya97, have produced Red Sea-inspired projects, while the Red Sea Symphony, featuring children’s choirs, is organized with the Tariq Abdulhakim Museum to celebrate the region’s musical traditions.

“Composing a symphony of seven movements representing the countries of the Red Sea, with the participation of the children’s choir, adds a lot, because this is the kind of rebirth of music that unites people and connects them from everywhere,” Zidan said.

Ibrahim Alsanousi, CEO of the Museums Commission, said: “What makes this museum unique is that we rehabilitated and revitalized a historic building with a powerful story to tell, transforming it into the Red Sea Museum, which is now a public space, just as it was before as a port building.”

Alsanousi added that the museum not only displays artifacts from the Red Sea region but also integrates contemporary art to create a dialogue between past and present.

“We hope first and foremost that it is an open and accessible museum, a living space where people feel welcome and a sense of belonging. This is a place for them to come, learn, create, and discover,” he said.

“We also hope that, in the future, there will be more museums reflecting Jeddah’s historic district. While nothing specific is planned yet, several excavations have uncovered numerous objects, some of which will be exhibited here. There may even be potential for a museum dedicated entirely to the district’s artifacts.”

Tayeb Altayeb, acting director of the Tariq Abdulhakim Museum, said: “The Red Sea Museum is one of the unique additions to the historic district. It is a great addition to the city of Jeddah and a testament to how we view experiences through museology — in a modern way, while preserving heritage.”

Speaking about the Silk Road Symphony, Altayeb emphasized the museum’s focus on connecting the Red Sea’s seven countries through music. He highlighted the extensive research and collaboration that went into composing the seven-movement symphony, which draws inspiration from the traditional music, soundscapes, and coastal cultures of Saudi Arabia, Yemen, Jordan, Egypt, Sudan, Eritrea, and Djibouti.

The symphony was performed by the acclaimed Silk Road Ensemble during the opening ceremony, accompanied by a children’s choir, bringing the region’s diverse musical heritage to life. “The idea is communication through the universal language that is music,” he said.

Angawi also highlighted his collaboration with the museum, creating works inspired by the Red Sea’s natural and cultural heritage.

“I was inspired by the sea, its waves, and sea creatures like fish. In my work with the Mangurs, I have been documenting this for many years and innovating new units and openings. With the Red Sea Museum, I developed the idea of the wave, designing pieces that align with the sea view and the beautiful directional geometry.

“Each design works with the museum team to develop a full story and narrative,” he said, noting that this project is just the beginning of ongoing collaborations to produce Red Sea-inspired objects and products.

The museum offers visitors a journey through seven thematic sections that span 23 galleries, displaying more than 1,000 artifacts and artworks. From manuscripts and maps to coral reef specimens and contemporary art, it celebrates the Red Sea’s tangible and intangible heritage.

Temporary exhibitions, such as The Gate of Gates by Saudi photographer Moath Alofi, along with workshops, talks, and special events such as Music of the Red Sea, complement the permanent displays, inviting visitors of all ages to engage with the region’s cultural and natural legacy.