Salone del Mobile Milano comes to Riyadh 

A render of Gio Forma's site-specific installation for Salone del Mobile Milano in Riyadh. (Supplied)
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Updated 06 November 2025
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Salone del Mobile Milano comes to Riyadh 

  • The president of the Italian design fair gives us the lowdown on what to expect from its Middle East debut 

RIYADH: Salone del Mobile Milano — billed as the world’s largest design and furniture fair — will make its Middle East debut in Riyadh’s King Abdullah Financial District on Nov. 26.  

Titled “Red in Progress. Salone del Mobile.Milano meets Riyadh” the three-day showcase is being organized in partnership with the Architecture and Design Commission under the Ministry of Culture. 




King Abdullah Financial District, Riyadh. (Getty Images)

“The question on everyone’s mind is: ‘Why Riyadh?’ Salone has always been held in Milan,” says Maria Porro, president of Salone del Mobile Milano. “The need was to go to a place where big changes are happening, strictly connected with our sector. Riyadh is probably the center of the major urban changes happening; the city really is an incredible hub for creativity, architecture and design. And that is why, now, in this historical moment, the place to be is Saudi Arabia, specifically Riyadh.” 

The move marks an historic step for the fair, which has been a benchmark for global design since 1961. While it has hosted international collaborations before, this is its first edition in the Middle East. 

“We are working with Sumayah Al-Solaiman (CEO of the Architecture and Design Commission), together with all the team of the Design Commission. At the same time, we chose to work with (Milan-based studio) Gio Forma, which also has an office in Saudi Arabia,” Porro says. 




Maria Porro, president of Salone del Mobile Milano. (Photo by Diego Ravier)

The collaborative effort will leave a vivid red (the signature hue of Salone) imprint through a scenographic installation designed by Gio Forma. The site-specific space will transform KAFD into an immersive exhibition that embodies flexibility, modularity and sustainability. 

The fair will bring 38 leading Italian brands to Riyadh to mingle with the local design community and collectively carve out a space filled with innovation and cultural connection. Salone aims to promote Italian design excellence while fostering exchange with Saudi Arabia’s growing design community, aligning with Vision 2030’s focus on creative cities and cultural development. 

Porro describes the project as a slice of Milan with the flavors of Riyadh, having “all the ingredients to bake the cake.” 

She continues: “Riyadh somehow reminds me of Milan because it’s a financial place, it’s a business place, it’s a place that is changing. There’s a sort of affinity with Milan — Jeddah is more like Rome.” 

Porro emphasizes that the fair is not just about products, but about people and partnerships too. 

“Being in Riyadh is like being in a city in transformation — you see buildings being built, new squares,” she says. “I feel so welcome (in Riyadh). The team from the ministry and the commission showed a real willingness to build something together; a common project.” 




 A render of the inside of Gio Forma's installation. (Supplied)

She highlighted the importance of local engagement, noting that Italian company owners will personally attend rather than send representatives, ensuring deeper, meaningful interactions with Saudi counterparts.  

Education and talent development will also play a major role. SaloneSatellite — dedicated to designers under 35 — will be part of the Riyadh edition, connecting young Saudi designers with international mentors, offering exposure to Italian universities, and encouraging ongoing collaboration and skill exchange.  

The fair will also feature 12 masterclasses, roundtables, and The Forum, a platform focused on urban transformation in Saudi Arabia. Meanwhile, the Business Lounge — designed by Lissoni & Partners — will host meetings and presentations for decision-makers, architects and developers. 

The Lifestyle Area, created in collaboration with KAFD retailers and featuring Italian and Saudi food and beverage brands, will highlight the art of convivial living — something Porro looks forward to experiencing over a cup of her much-loved Saudi coffee. 

Sustainability is another cornerstone. The temporary installations and materials ensure minimal environmental impact. Porro stresses that quality and sustainability go hand in hand, saying every element is designed with care and purpose. 

The Riyadh edition, she notes, will be an entirely new experience for everyone involved — one tailored to a different culture, climate, and set of functional needs.  

“Salone is creating a new project, in dialogue with local needs. For me, it’s about both business opportunity and cultural project-centric opportunity, having locals and people from all over the world coming together,” she says. “It’s curated, purposeful, and about experiencing life.” 


Amr Diab and Sherine top Spotify list of 2025 MENA artists

Updated 56 min 33 sec ago
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Amr Diab and Sherine top Spotify list of 2025 MENA artists

  • Egyptian stars and icon Fairuz continue to resonate in region
  • Artists shaping rap, mahraganat, hybrid sounds feature

DUBAI: Spotify has released its list of the Top Middle East and North Africa artists and songs globally, shaped by streams from listeners both inside and outside the region, offering a snapshot of how MENA music travelled in 2025.

Topping the global MENA artists list is Amr Diab, a mainstay of Arab pop. He also led Egypt’s Wrapped this year, while his catalogue — spanning both older hits and newer releases — continued to draw sustained global engagement.

The return of “Tamally Maak” to the global Top Tracks list underlines the lasting appeal of his music across generations.

Sherine is one of the year’s most emotionally resonant voices with four tracks in the global Top 10. Her classics “Kalam Eineh,” “El Watar El Hassas” and “3la Bali,” alongside her newer release “Btmanna Ansak,” reached listeners from Egypt to Germany and the UK.

Spotify data shows her catalogue maintaining a strong, personal connection with audiences throughout 2025.

Regional classics also featured prominently. Nancy Ajram’s early-2000s hit “Ya Tabtab Wa Dallaa” found renewed popularity in markets including Indonesia and Turkiye, while Khaled’s “C’est la vie” continued to cross borders, resonating with listeners from France to India.

Fairuz remained a fixture in daily listening habits, anchoring morning and coffee playlists across the Arab world and the diaspora.

Beyond pop, artists shaping rap, mahraganat and hybrid sounds maintained strong global visibility.

ElGrandeToto, Morocco’s Top Artist on Spotify from 2020 to 2025, continued to spotlight the evolution of Moroccan hip-hop, which in 2025 blended rai, chaabi and local rhythms with trap influences.

His collaboration with Spanish-Moroccan rapper Morad, “Ojos Sin Ver,” featured on the global MENA Top Tracks list, highlighting the genre’s cross-regional and European appeal.

Egyptian rapper Marwan Pablo also remained a prominent global presence, recognized for his introspective approach within the country’s hip-hop scene.

Mahraganat artists Essam Sasa and Eslam Kabonga appeared in the global rankings as well, underscoring the genre’s expanding reach beyond its local roots.

The global MENA Top Tracks list included “KALAMANTINA,” a collaboration between Saint Levant and Marwan Moussa that blends hip-hop and pop within a hybrid electro-shaabi sound.