Sean ‘Diddy’ Combs asks judge for ‘mercy’ ahead of sentencing

Sean ‘Diddy’ Combs. (AP/Invision)
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Updated 03 October 2025
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Sean ‘Diddy’ Combs asks judge for ‘mercy’ ahead of sentencing

NEW YORK: Sean “Diddy” Combs, who faces more than two decades in prison following a blockbuster trial that saw the music mogul accused of harrowing crimes, on Thursday asked the judge determining his fate for “mercy” and “another chance.”
Following two months of testimony and arguments in the New York federal case, jurors rejected the most serious charges of sex trafficking and racketeering, sparing the 55-year-old the prospect of life in prison.
But he still faces upwards of two decades behind bars for his conviction on two prostitution-related counts.
Late Thursday, his lawyers submitted a letter signed by Combs in which he told Judge Arun Subramanian he was “scared to death” to be away from his family and vowed he “will never commit a crime again.”
“This has been the hardest 2 years of my life, and I have no one to blame for my current reality and situation but myself,” Combs wrote in the three-and-a-half page letter.
The once-powerful hip-hop innovator apologized for physically assaulting Casandra Ventura, his former girlfriend for more than a decade, who testified of gruesome beatings as well as devastating emotional and sexual abuse he inflicted on her.
“The scene and images of me assaulting Cassie play over and over in my head daily. I literally lost my mind. I was dead wrong for putting my hands on the woman that I loved,” he wrote.
Ventura said in a previous letter she had moved her family out of the New York area for fear of “retribution” if Combs walks free.
He also apologized for having “hurt” a woman who testified under the pseudonym Jane, who also described abuse in wrenching detail over their years-long relationship.
Both women said that Combs, with the help of his staff and inner circle, coerced them into performing so-called “freak-offs“: sexual marathons with hired men that Combs directed and sometimes filmed.
Combs did not mention those instances in the letter.

His defense has insisted the sex was consensual and the violence domestic abuse. They convinced jurors the sometimes days-long events did not meet the legal threshold for the most serious charges Combs faced.
But jurors did find that he violated a federal statute that makes it illegal to transport people across state lines for prostitution.
“I am so sorry for the hurt that I caused, but I understand that the mere words ‘I’m sorry’ will never be good enough as these words alone cannot erase the pain from the past,” Combs said in his letter to the judge.
He blamed his behavior on drugs, excess and “selfishness” and said his more than a year in a notorious Brooklyn jail left him “reborn.”
“Prison will change you or kill you — I choose to live,” he wrote.
He cited his rags-to-riches story in the entertainment industry and his childhood trauma of losing his father to murder. Combs described abhorrent prison conditions, inner work on himself that’s led to a “spiritual reset,” his sobriety, and the positive relationships he’s tried to build with fellow inmates.
Combs’s defense team says he should be released before the end of 2025.
The prosecution says he is “unrepentant” and a public threat who should serve at least a decade more. Several of his victims have written letters to the judge to that effect.
During Friday’s sentencing hearing lawyers as well as at least one witness called by the prosecution is expected to address the court.
And Combs is expected to speak directly to the judge.
His letter offered a preview of what can be expected.
“I ask you for mercy today, not only for my sake, but for the sake of my children,” he wrote. “I can’t change the past, but I can change the future.”
“I have been humbled and broken to my core.”


Turkish-language drama ‘Yellow Letters’ wins Berlin Film Festival’s top prize

Updated 22 February 2026
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Turkish-language drama ‘Yellow Letters’ wins Berlin Film Festival’s top prize

  • The report ⁠did ⁠not say who was to blame for the attacks

BERLIN: “Yellow Letters,” a Turkish-language drama about what happens to a marriage put under extraordinary political pressure, ​won the Berlin Film Festival’s Golden Bear top prize on Saturday night.
The drama filmed in Germany but set in Turkiye follows a married actor and playwright who have to leave behind their comfortable lives after the husband is targeted by the state for posting critical content online.
“I know what (this win) means to my cast and crew who came from Turkiye, who now are getting a visibility that is on an international scale,” Turkish-German director Ilker Catak told Reuters after the award ceremony.
The director, whose previous Berlin entry “The Teachers’ Lounge” was nominated for an Oscar, said it was important that the film was not just about Turkiye, but Germany as well.
“There is a ‌sign that says ‌1933 and what we’ve seen in this country before, we must never ​forget,” ‌he ⁠said, referring ​to ⁠the year that Adolf Hitler came to power.
This year’s jury president, legendary German director Wim Wenders, praised the winner as “a movie that speaks up very clearly about the political language of totalitarianism.”
In total, 22 films had been in the running.

POLITICAL FESTIVAL
The festival maintained its reputation as the most overtly political of its peers, Venice and Cannes, with the war in Gaza in particular dominating public discussions about the films.
“If this Berlinale has been emotionally charged, that’s not a failure of the Berlinale, and it’s not a failure of cinema,” said festival director Tricia Tuttle at the opening ⁠ceremony, using the festival’s nickname.
Wenders used his final appearance as jury president to ‌urge filmmakers and activists to act as allies, not rivals, after ‌his comment that filmmakers should not be political caused Indian novelist Arundhati Roy ​to pull out.
Several award winners used their speech ‌to express solidarity with the Palestinians and other oppressed peoples.
“The least we can do here is to ‌break the silence and remind them that they are not really alone,” said Turkish filmmaker Emin Alper, whose film “Salvation” took the second-place Silver Bear Grand Jury Prize.
Palestinian-Syrian director Abdallah Al-Khatib, whose “Chronicles From the Siege” won the Perspectives section for emerging filmmakers, criticized the German government for its stance on Gaza despite concerns about crossing a red line.
“I was under a lot of ‌pressure to participate in Berlinale for one reason only, to stand here and say: ‘The Palestinians will be free,’” he said.

SANDRA HUELLER WINS AGAIN
German actor Sandra Hueller, ⁠who starred in 2024 Oscar-winning ⁠films “Anatomy of a Fall” and “Zone of Interest,” continued her winning streak by taking home best actor for the period piece “Rose,” in which she dresses as a man.
“To me, it’s special because I won my first-ever recognition as an actor in a film at this festival 20 years ago,” Hueller told Reuters, who won best actress in 2006 for “Requiem.”
“Queen at Sea,” a drama that follows French star Juliette Binoche as she deals with her mother’s advanced dementia and its effects on her marriage, won two prizes: the third-place jury prize and best supporting actor, shared by its two elderly performers, Anna Calder-Marshall and Tom Courtenay.
Director Lance Hammer, who last competed at the festival in 2008, said he hoped that maybe “people will see this and feel some comfort or relief that they’re not alone.”
Director Grant Gee won best director for “Everybody Digs Bill Evans,” a black-and-white biographical drama starring Norwegian actor ​Anders Danielsen Lie as the US jazz pianist.
“Nina ​Roza,” about an art curator who returns to Bulgaria to verify whether a child painting prodigy is genuine, won best screenplay while “Yo (Love is a Rebellious Bird)” took the prize for outstanding artistic contribution.