All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’

Ollie Robinson, Benedict Cumberbatch, Olivia Colman and Delaney Quinn in 'The Roses.' (Supplied)
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Updated 19 September 2025
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All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’

DUBAI: Jay Roach’s take on Warren Adler’s acrid 1981 novel “The War of the Roses” may be less overtly savage than the 1989 adaptation starring Michael Douglas and Kathleen Turner, but it still lands plenty of punches.

Roach trades open marital warfare for a more contemporary clash of egos and expectations, infusing the story with sharp humor and modern-day sensibilities. 

Two great British actors — Olivia Colman and Benedict Cumberbatch — anchor the film as Ivy and Theo Rose, whose seemingly ideal relationship implodes inside their sleek, custom-built dream home. Colman gives a layered, hysterically funny performance, while Cumberbatch captures Theo’s hurt pride and resentment as Ivy’s almost-dead career as a chef gets revitalized just as his, as an architect, nosedives overnight due to a freak catastrophe. The couple must navigate a new power dynamic within a previously loving relationship. 

Roach and screenwriter Tony McNamara keep the dialogue sharp and darkly comic. The movie kicks off with an imploding couples-therapy scene that turns gratitude lists into barbed attacks. 

Colman balances dry humor with quiet fury, and Cumberbatch moves seamlessly from bubbling hurt to explosive rage, making the breakdown of the Roses’ marriage both believable and extremely riveting.

The rest of the cast is stacked with talent too, though they’re mostly sidelined. Andy Samberg and Kate McKinnon play Barry and Amy, a couple whose physical chemistry is all but dead. And Jamie Demetriou’s Rory and Zoe Chao’s Sally bottle up resentment after resentment, while Allison Janney gives a singularly vicious performance as a divorce lawyer. But it’s the leads who hold the focus throughout.

Coming in at under two hours, “The Roses” moves briskly. Roach’s update is less a remake than a reimagining — one that recognizes how contemporary ambition and shifting gender roles can destabilize even the most loving and chemistry-packed marriage. But it fails to deliver the no-holds-barred meanness of the original and, in the process, loses some of its soul.

For audiences seeking sharp dialogue and sensational acting, though, “The Roses” delivers. Colman and Cumberbatch turn a familiar tale of marital collapse into a darkly amusing battle of wills that is worth seeing.


Amr Diab and Sherine top Spotify list of 2025 MENA artists

Updated 17 December 2025
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Amr Diab and Sherine top Spotify list of 2025 MENA artists

  • Egyptian stars and icon Fairuz continue to resonate in region
  • Artists shaping rap, mahraganat, hybrid sounds feature

DUBAI: Spotify has released its list of the Top Middle East and North Africa artists and songs globally, shaped by streams from listeners both inside and outside the region, offering a snapshot of how MENA music travelled in 2025.

Topping the global MENA artists list is Amr Diab, a mainstay of Arab pop. He also led Egypt’s Wrapped this year, while his catalogue — spanning both older hits and newer releases — continued to draw sustained global engagement.

The return of “Tamally Maak” to the global Top Tracks list underlines the lasting appeal of his music across generations.

Sherine is one of the year’s most emotionally resonant voices with four tracks in the global Top 10. Her classics “Kalam Eineh,” “El Watar El Hassas” and “3la Bali,” alongside her newer release “Btmanna Ansak,” reached listeners from Egypt to Germany and the UK.

Spotify data shows her catalogue maintaining a strong, personal connection with audiences throughout 2025.

Regional classics also featured prominently. Nancy Ajram’s early-2000s hit “Ya Tabtab Wa Dallaa” found renewed popularity in markets including Indonesia and Turkiye, while Khaled’s “C’est la vie” continued to cross borders, resonating with listeners from France to India.

Fairuz remained a fixture in daily listening habits, anchoring morning and coffee playlists across the Arab world and the diaspora.

Beyond pop, artists shaping rap, mahraganat and hybrid sounds maintained strong global visibility.

ElGrandeToto, Morocco’s Top Artist on Spotify from 2020 to 2025, continued to spotlight the evolution of Moroccan hip-hop, which in 2025 blended rai, chaabi and local rhythms with trap influences.

His collaboration with Spanish-Moroccan rapper Morad, “Ojos Sin Ver,” featured on the global MENA Top Tracks list, highlighting the genre’s cross-regional and European appeal.

Egyptian rapper Marwan Pablo also remained a prominent global presence, recognized for his introspective approach within the country’s hip-hop scene.

Mahraganat artists Essam Sasa and Eslam Kabonga appeared in the global rankings as well, underscoring the genre’s expanding reach beyond its local roots.

The global MENA Top Tracks list included “KALAMANTINA,” a collaboration between Saint Levant and Marwan Moussa that blends hip-hop and pop within a hybrid electro-shaabi sound.