Mariah Carey flaunts jewels by Lebanese-founded diamond label

Mariah Carey showed off a diamond set by Antwerp-based, Lebanese-founded high jewelry house Levuma. (Getty Images)
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Updated 08 September 2025
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Mariah Carey flaunts jewels by Lebanese-founded diamond label

DUBAI: Pop star Mariah Carey accepted the Vanguard Award at Sunday night’s MTV Video Music Awards in a $10 million diamond set by Antwerp-based, Lebanese-founded high jewelry house Levuma.

Founded by Ali Khalil in Antwerp in 2016, the jewelry house has a long tradition in the diamond industry, beginning with Khalil’s great-grandfather. In the 1930s, Khalil’s great-grandfather began trading rough diamonds in Sierra Leone. Fast forward to 2016 and Khalil decided to name his brand after Levuma, a remote village in the southeastern part of Sierra Leone and the site of the family’s first plot of land dedicated to mining diamonds.

On Sunday night in New York, Carey showed off the Rosee Eternelle necklace and earrings by Levuma, featuring more than 204 carats of D-F color, VVS+ clarity diamonds set in platinum. The set was displayed at Jewelry Salon in Riyadh in February.

At the awards ceremony, Carey wore the jewels while performing a medley of her hits, including “Fantasy,” “Obsessed,” and more.




At the awards ceremony, Mariah Carey wore the jewels while performing a medley of her hits. (Getty Images)

During her acceptance speech, Carey reflected on her contributions to music and joked about the long wait to receive her first VMA. “What in the Sam Hill were you waiting for?” she joked.

The evening featured a nostalgic aesthetic with performances by veteran artists including Carey, Busta Rhymes and Ricky Martin, while newer performers such as Doja Cat and Tate McRae incorporated choreography heavily borrowed from the 1980s and 1990s.

Ariana Grande won the MTV Video Music Awards’ top honor on Sunday, taking home Video of the Year for “Brighter Days Ahead,” which also claimed Best Pop Song at the ceremony near New York City, AFP reported. 

Visibly emotional while accepting the evening’s most prestigious award, the 32-year-old singer-songwriter and actor delivered an extended thank-you to her fans, whom she described as “fiercely loving and supportive.”

Lady Gaga was another major winner, beating industry heavyweights including Bad Bunny, Kendrick Lamar, Taylor Swift and The Weeknd for the top artist honor.

The 39-year-old interrupted her concert series to accept the Artist of the Year award and also won Best Collaboration with Bruno Mars for “Die with a Smile.”

Rose, who is pursuing a solo career after rising to fame with K-pop group Blackpink, received Song of the Year for “APT,” also co-written with Bruno Mars.

 


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.