Amal Clooney steps out in vintage look at Venice Film Festival

Amal wore a striking fuchsia vintage Jean-Louis Scherrer gown with a dramatic train. (Getty Images)
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Updated 29 August 2025
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Amal Clooney steps out in vintage look at Venice Film Festival

  • Praise for George Clooney’s film ‘Jay Kelly,’ competing for top honors

DUBAI: Lebanese British human rights lawyer Amal Clooney and her husband, American George Clooney, made a glamorous appearance at the Venice Film Festival this week for the premiere of the actor’s latest film “Jay Kelly.”

Amal wore a striking fuchsia vintage Jean-Louis Scherrer gown with a dramatic train. The strapless dress featured a ruched bodice and a high slit, and she completed the look with silver Aquazzura heels, a Jimmy Choo bag, and soft, side-swept waves.

George complemented her look in a classic black tuxedo with sharp satin peak lapels, a crisp white dress shirt and a black bow tie.

“Jay Kelly” explores themes of self-discovery while humorously examining celebrity life. The film follows famous movie actor Jay Kelly and his devoted manager Ron, played by Adam Sandler, as they embark on a whirlwind and unexpectedly profound journey through Europe, confronting past choices, relationships and the legacies they will leave behind.

In addition to Clooney and Sandler, the film features a cast including Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig, Alba Rohrwacher, Josh Hamilton, Lenny Henry, Emily Mortimer, Nicole Lecky, Thaddea Graham, and Isla Fisher.

Hours before the premiere, Clooney was reportedly absent from the press conference with a “bad sinus infection.”

His co-star Dern praised his “amazing, raw, true performance” in the film, which is in competition for the festival’s top honors. 

“Jay Kelly” was directed by Noah Baumbach, who co-wrote with Mortimer.

Arab designers and stars also made their mark at the festival.

Saudi fashion influencer Nojoud Al-Rumaihi walked the red carpet for “Bugonia” in a black gown by Lebanese designer Rami Kadi, who noted on Instagram that the look was embellished with cruelty-free feathers, crystals and beads.

“Bugonia” had its world premiere on Thursday evening, and is in competition for the top prize, the Golden Lion. Focus Features is releasing the film in North American theaters on Oct. 24.

The film, which stars Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, and Alicia Silverstone, is a remake of the 2003 Korean film “Save the Green Planet!” It blends elements of science fiction, horror and comedy.

Al-Rumaihi was not the only one dressed in Kadi’s designs. Italian influencer Beatrice Valli graced the “La Grazia” red carpet at the opening ceremony of the festival in a strapless white pearl gown with a beaded bodice and flowing muslin skirt from the designer’s latest L’Eventail couture collection.


Saudi designer Njoud Alghamdi: ‘We want to sustain our cultural identity in a new form’ 

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Saudi designer Njoud Alghamdi: ‘We want to sustain our cultural identity in a new form’ 

  • The Saudi designer on revamping the date-serving experience with Muntj Studio 

 

DUBAI: Saudi product designer Njoud Alghamdi brought a culturally rooted product to last month’s Dubai Design Week with “Nawat” — showcased under the Designed in Saudi initiative by the Saudi Architecture and Design Commission. 

Alghamdi is the co-founder and lead product designer of Muntj Studio, which she describes as “a cultural design studio where we focus on sustaining our cultural identity.” 

But Alghamdi isn’t interested in simply reproducing products from the past. “I am passionate about cultural innovation,” she told Arab News.  

“Nawat” — which she describes as the studio’s “signature piece” — is a perfect example of that innovation. It was created to address an issue that occurs in gatherings across Saudi Arabia and the Gulf. 

“Nawat” is the studio’s “signature piece,” according to Njoud Alghamdi. (Supplied) 

 “As you know, dates hold a very special place for us,” she said. But Alghamdi and her team identified a common concern. “Usually when people eat dates, they are embarrassed dealing with the pits themselves,” she explained. “So usually, they hide it in their pockets or in a tissue.  

“We asked ourselves, ‘How we can solve this problem to make the experience easier for the users?’” she continued. The elegant result is “Nawat,” a rounded wooden vessel with openings designed to store date pits out of sight.  

Those openings were inspired by traditional Najdi architectural elements, with a particular focus on the motifs used in old Najdi doors. During the research phase, she and her team reviewed a range of patterns but chose not to use the sharper shapes found in older houses.  

“We didn’t want to use motifs like the triangle,” she said. “So, we found the perfect circular motif and used that. Najdi doors are also a symbol of welcoming.” 

This connection aligned naturally with the social role of dates in Khaleeji culture. “The date pit holds a very special place for us at every table,” she said. “We hope that reflects how friendly this object is.” 

The final product was crafted in Riyadh by local artisans, she explained. “They used natural wood with natural finishes as well.”  

The final product was crafted in Riyadh by local artisans. (Supplied) 

The studio is now developing an entire “Nawat” range, Alghamdi said, explaining that the collection will include different sizes and dimensions to fit a wider range of occasions.  

Alghamdi described the studio’s broader focus as creating contemporary objects that sustain cultural identity. “Most of our products reflect our Saudi identity in a new format,” she said. “We want to sustain our cultural identity in a new form that can share our story with the whole world.” 

Current projects include an incense burner inspired by the camel hump, intended to “support a more comfortable daily incense ritual.” She added that the studio is also working on “cultural games,” which she described as ways to express Saudi identity in an interactive way.  

“Playing a game is the perfect way to communicate,” she said. “We believe that by expressing our identities through these games, it will help us to spread our identity and culture to the whole world.” 

Dubai Design Week was a small step towards that goal.  

“Actually, this is one of my proudest moments, to be honest,” Alghamdi said. “Exhibiting with the Architecture and Design Commission is something really special to me. 

“We’re always grateful for all the support and empowerment that (the commission is) giving us,” she continued. “As a Saudi designer, they always ensure that we get the best (opportunities) to present our work. This is something that makes every Saudi designer super-excited to come up with the best designs, because (we have the chance to) reflect our identity and the (wider design) scene.”