‘Freakier Friday’: Lindsay Lohan and Jamie Lee Curtis talk ‘more mature’ sequel

Jamie Lee Curtis and Lindsay Lohan in ‘Freakier Friday.’ (Supplied)
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Updated 04 August 2025
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‘Freakier Friday’: Lindsay Lohan and Jamie Lee Curtis talk ‘more mature’ sequel

  • In “Freakier Friday,” the highly anticipated sequel, the duo returns as mother and daughter, but with a new twist

DUBAI: More than 20 years after their beloved body-swap comedy “Freaky Friday” first hit the cinemas, Lindsay Lohan and Jamie Lee Curtis are back — and this time, they are switching roles with the next generation.

In “Freakier Friday,” the highly anticipated sequel, the duo returns as mother and daughter, but with a new twist: A four-way body swap involving two younger characters, played by Julia Butters and Sophia Hammons.




Lindsay Lohan — a resident of the UAE for the last decade — returns as Anna Coleman in the film. (AFP)

When asked what it takes to convincingly pull off a body swap, the actors both agree — it is all about the details.

“Mannerisms, the physicality, is a big part of it,” Curtis explained in an interview with Arab News. “You have to mirror each other. It’s not like you’re doing the mirror exercise, but in a way, you are.”

Lohan — a resident of the UAE for the last decade — picked up on subtle changes too, saying: “Harper (Coleman) was slouching more, and she had a slower way of responding to things. She would kind of be more to herself and in her head. Anna would stay up straight more. Those were two of the things I would do.”

But no matter how much prep you do, Curtis says, the real test comes on set. She said: “You can work with the director and vocal coaches and all the rest of it, until that director says action — and the four of you have swapped, and you’re looking in the mirror — you just can’t know if it’s going to work. And I will tell you, when we shot the scene in the mirror, which is why it’s in the end credits, we knew it was working. The crew knew, the director knew, the producers knew, the studio knew — and then we relaxed.”

Both Lohan and Curtis also took on the role of executive producers for the film, a first for Lohan and a return to producing for Curtis. Stepping behind the scenes gave them more creative control and a deeper sense of ownership over the story.

“It feels so nice,” Lohan said. “Especially because women in Hollywood have come such a long way … it feels so encouraging to be executive producing with someone like Jamie and having more of a say in how things go in the movie. Just seeing it from the ground up feels so, what’s the word I’m looking for? Empowering.”

Fans of the original film will be thrilled by the return of Pink Slip, the fictional band fronted by Lohan’s character Anna. For Lohan, slipping back into Anna’s combat boots was as nostalgic as it was exhilarating.

“It was really fun,” she said. “I haven’t really been singing that much, and I haven’t been playing guitar in my daily life as much. So, it was nice to relearn guitar again and brush up on that and then sing and just be there, back with the band. We had so much fun. It was a really, really good time.”

While “Freakier Friday” is packed with physical comedy and music, both actors agree the film’s heart lies in its message of empathy.

“There’s a beautiful message in it,” Lohan said. “Walk a mile in my shoes. Get to know me before you assume things about me. Really know who I am first. And I think that’s a message we should all take with us every day, everywhere in the world — especially now.”

Curtis is in agreement. “It’s basically everything she just said. The first movie was funny and moving; this one is funnier, more moving … and therefore, it’s freakier. But the same themes are there: compassion, understanding, conflict, conflict resolution, physical comedy. It just feels richer, fuller, more mature.”


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.