Saudi Arabia’s Ithra launches open call for $100,000 art prize

Farah Abushullaih, Ithra’s head of museum. (Supplied)
Short Url
Updated 25 July 2025
Follow

Saudi Arabia’s Ithra launches open call for $100,000 art prize

DHAHRAN: Artists across the region are invited to apply for the Ithra Art Prize, with $100,000 up for grabs and the chance to have their work displayed at one of the Middle East’s leading cultural institutions.

The King Abdulaziz Center for World Culture (Ithra) announced the open call for the seventh edition, with the head of the museum calling it one of area’s “most generous and influential” art grants.

Artists from across the Arab world can submit their proposals via the Ithra website, with a deadline of Oct. 16. This edition will also, for the first time, recognize five finalists with production grants. Their work, along with the winning commission, will be exhibited at Ithra’s headquarters in spring 2026. 

Launched in 2017, the prize initially focused on Saudi and Saudi-based artists but was expanded in its fourth edition to include contemporary artists of Arab heritage across 22 countries.

Farah Abushullaih, Ithra’s head of museum, told Arab News it served as “an open invitation to artists to speak in their own voice.”

She said: “We’re looking for proposals that reflect depth, authenticity and a clear vision. What stands out is work that is intellectually grounded and emotionally resonant.”

Both new commissions and re-contextualized existing works are accepted, provided they are closely linked to the artist’s ongoing research and creative trajectory. 

Applicants must be aged 18 or older and of Arab heritage or residing in one of the 22 Arab countries. Both individual artists and collectives may apply.

“The prize is about expanding the region’s cultural conversations through bold, original ideas. Ithra is committed to supporting them every step of the way, from conception to creation and beyond,” said Abushullaih.

The Ithra Art Prize has played a pivotal role in advancing contemporary art from the region since its inception. Past winners have displayed their works at leading cultural events including Art Dubai, the Diriyah Contemporary Art Biennale and the AlUla Arts Festival.

Abushullaih said: “Ithra continually evolves its programs to reflect the changing artistic landscape and needs of the Kingdom and the region. In the case of the Ithra Art Prize, this goes beyond funding; we offer a platform for dialogue, critical thinking and meaningful cultural exchange.”

She added sustaining this impact was an ongoing commitment. “It requires long-term investment in artists’ development, authentic community engagement and creating opportunities for works to resonate, both locally and globally. We want Ithra to be a meeting place for cultures to interact, share, and grow,” she said.

Looking ahead, Ithra is already in discussions to present the winner’s work beyond Dhahran.

“Partnerships and collaborations have always been central to how we develop our programs and extend the reach of the artists we support,” said Abushullaih.

“We are in dialogue with institutions based in Saudi Arabia and internationally to explore ways for the seventh edition of the prize to be seen by a wider audience and experienced in new contexts beyond Ithra.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
Follow

Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”