What We Are Reading Today: ‘How to Have Willpower’

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Updated 18 July 2025
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What We Are Reading Today: ‘How to Have Willpower’

  • In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying “yes” against our better judgment

Authors: Prudentius and Plutarch 
Edited and translated by Michael Fontaine

“How to Have Willpower” brings together two profound ancient meditations on how to overcome pressures that encourage us to act against our own best interests—Plutarch’s essay On Dysopia or How to Resist Pressure and Prudentius’s poetic allegory Psychomachia or How to Slay Your Demons. 
Challenging the idea that humans are helpless victims of vice, these works—introduced and presented in vivid, accessible new prose translations by Michael Fontaine, with the original Latin and Greek texts on facing pages—emphasize the power of personal choice and the possibility of personal growth, as they offer insights and practical advice about resisting temptation.

In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying “yes” against our better judgment. And in a delightfully different work, Prudentius, a Latin Christian poet, dramatizes the necessity to actively fight temptation through the story of an epic battle within the human soul between fierce warrior women representing our virtues and vices.

 

 


What We Are Reading Today: A Defence of Pretence by Indira Ghose

Updated 13 December 2025
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What We Are Reading Today: A Defence of Pretence by Indira Ghose

Is civility merely a matter of reinforcing status and exclud-ing others? Or is it a lubricant in a polarized world, enabling us to overcome tribal loyalties and cooperate for the common good? 
In “A Defence of Pretence,” Indira Ghose argues that it is both. 
Ghose turns to the drama of Shakespeare’s time to explore the notion of civility. The theater, she suggests, was a laboratory where many of the era’s conflicts played out. 
The plays test the precepts found in treatises on civility and show that, in the complexity and confusion of human life, moral purity is an illusion.