Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive

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A wrestler is doused in oil by an ‘oiler, during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkiye on July 5, 2025. (AP)
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A referee announces the victory of a young wrestler in a round during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkiye on July 6, 2025.(AP)
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Wrestlers compete during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkiye on July 5, 2025. (AP)
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Spectators watch wrestling rounds during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkiye on July 6, 2025. (AP)
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Young wrestlers prepare as they wait for their turn to compete during the 664th annual Historic Kirkpinar Oil Wrestling Championship, in Edirne, northwestern Turkiye on July 6, 2025. (AP)
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Wrestlers compete during the 664th annual Historic Kirkpinar Oil Wrestling championship, in Edirne, northwestern Turkey, Saturday, July 5, 2025. (AP Photo/Khalil Hamra)
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Updated 08 July 2025
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Turkiye’s youngest oil wrestlers keeping a 14th-century tradition alive

  • The sport, which is on UNESCO’s intangible cultural heritage list, sees wrestlers cover themselves in olive oil and try to press their opponent’s back to the ground to win the bout

EDIRNE, Turkiye: On a grass field slick with olive oil and steeped in tradition, hundreds of boys as young as 11 joined the ranks of Turkiye’s most time-honored sporting event: the annual Kirkpinar Oil Wrestling Championship.

Held every summer in the northwestern city of Edirne, the event is said to date back to the 14th century as a way of keeping the Ottoman Empire’s fighting men fit and ready for battle.

The sport, which is on UNESCO’s intangible cultural heritage list, sees wrestlers cover themselves in olive oil and try to press their opponent’s back to the ground to win the bout.

Alongside the men contesting, youngsters also don the iconic “kispet” leather trousers to embark on a slippery test of strength, skill and stamina under the scorching sun.

The boys are ranked in divisions based on age, height and build, with the youngest generally placed in the “minik,” or tiny, category. Under strict safety regulations, their matches are shorter and closely supervised.

Most young wrestlers train year-round at local clubs, often in towns where oil wrestling is passed down through generations.

While the youngest competitors aren’t wrestling for titles like “baspehlivan,” the grand champion of the men’s matches, their participation is no less significant as it is key to the continuity of a sport that holds deep cultural importance across Turkiye.

This year’s contest – the 664th in its history – saw 36-year-old Orhan Okulu win his third men’s title.

“My goal was the golden belt in Kirkpinar and thanks to my God, I succeeded,” Okulu said of the coveted prize.


Egypt reveals restored colossal statues of pharaoh in Luxor

Updated 14 December 2025
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Egypt reveals restored colossal statues of pharaoh in Luxor

  • Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt

LUXOR: Egypt on Sunday revealed the revamp of two colossal statues of a prominent pharaoh in the southern city of Luxor, the latest in the government’s archeological events that aim at drawing more tourists to the country.
The giant alabaster statues, known as the Colossi of Memnon, were reassembled in a renovation project that lasted about two decades. They represent Amenhotep III, who ruled ancient Egypt about 3,400 years ago.
“Today we are celebrating, actually, the finishing and the erecting of these two colossal statues,” Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, said ahead of the ceremony.
Ismail said the colossi are of great significance to Luxor, a city known for its ancient temples and other antiquities. They’re also an attempt to “revive how this funerary temple of King Amenhotep III looked like a long time ago,” Ismail said.
Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt. The pharaoh, whose mummy is showcased at a Cairo museum, ruled between 1390–1353 BC, a peaceful period known for its prosperity and great construction, including his mortuary temple, where the Colossi of Memnon are located, and another temple, Soleb, in Nubia.
The colossi were toppled by a strong earthquake in about 1200 BC that also destroyed Amenhotep III’s funerary temple, said Ismail.
They were fragmented and partly quarried away, with their pedestals dispersed. Some of their blocks were reused in the Karnak temple, but archeologists brought them back to rebuild the colossi, according to the Antiquities Ministry.
In late 1990s, an Egyptian German mission, chaired by German Egyptologist Hourig Sourouzian, began working in the temple area, including the assembly and renovation of the colossi.
“This project has in mind … to save the last remains of a once-prestigious temple,” she said.
The statues show Amenhotep III seated with hands resting on his thighs, with their faces looking eastward toward the Nile and the rising sun. They wear the nemes headdress surmounted by the double crowns and the pleated royal kilt, which symbolizes the pharaoh’s rule.
Two other small statues on the pharaoh’s feet depict his wife, Tiye.
The colossi — 14.5 meters and 13.6 meters respectively — preside over the entrance of the king’s temple on the western bank of the Nile. The 35-hectare complex is believed to be the largest and richest temple in Egypt and is usually compared to the temple of Karnak, also in Luxor.
The colossi were hewn in Egyptian alabaster from the quarries of Hatnub, in Middle Egypt. They were fixed on large pedestals with inscriptions showing the name of the temple, as well as the quarry.
Unlike other monumental sculptures of ancient Egypt, the colossi were partly compiled with pieces sculpted separately, which were fixed into each statue’s main monolithic alabaster core, the ministry said.
Sunday’s unveiling in Luxor came just six weeks after the inauguration of the long-delayed Grand Egyptian Museum, the centerpiece of the government’s bid to boost the country’s tourism industry. The mega project is located near the famed Giza Pyramids and the Sphinx.
In recent years, the sector has started to recover after the coronavirus pandemic and amid Russia’s war on Ukraine — both countries are major sources of tourists visiting Egypt.
“This site is going to be a point of interest for years to come,” said Tourism and Antiquities Minister Sherif Fathy, who attended the unveiling ceremony. “There are always new things happening in Luxor.”
A record number of about 15.7 million tourists visited Egypt in 2024, contributing about 8 percent of the country’s GDP, according to official figures.
Fathy, the minister, has said about 18 million tourists are expected to visit the country this year, with authorities hoping for 30 million visitors annually by 2032.