Malone Souliers designers talk Middle East ties and signature looks 

Valerio Bava and Coco Fong. (Supplied)
Short Url
Updated 06 July 2025
Follow

Malone Souliers designers talk Middle East ties and signature looks 

DUBAI: As luxury footwear brand Malone Souliers continues to evolve under new creative leadership, its designers open up about their connection to the Arab world, their design process and why wearability always comes first.

Since its creation in 2014 by Mary Alice Malone, footwear label Malone Souliers has built a cult following. From Beyonce sporting a bespoke pair of fringed boots during a performance to Jennifer Lawrence stepping out in their iconic “Maureen” pumps, the brand’s celebrity fanbase is long-standing and ever-growing.

Known for its distinctive silhouettes, rich colour palettes and sculptural lines, the brand has carved out a significant niche in the luxury footwear space. Under the creative direction of Coco Fong and Valerio Bava, the London-based label is evolving — staying true to its design roots while embracing new ideas and deepening its presence in the Middle East.

While both designers officially assumed their roles in 2023, their journey with the brand began much earlier.

“We’ve been part of the brand for a long time — I joined two years after it was founded. Now that we’re leading the creative, it feels like a natural continuation of something we’ve always helped shape,” Bava said.

Their aesthetic blends feminine silhouettes with subtle nods to nostalgia, drawing inspiration from vintage references, pop culture and personal memories. While rooted in storytelling, their designs remain grounded in practicality — shoes made to be worn, not just admired.

“I think at the end of the day, we’re both quite practical in how we think. That mindset naturally comes through in the shoes — we never want them to feel overly fussy or difficult to wear. I want to be able to slip them on easily, and I want my mum to feel the same. We design shoes that are meant to be lived in,” Fong said.

Craftsmanship is critical to the Malone Souliers approach. The brand’s shoes are made primarily in Italy, with a close relationship between the designers and the artisans who bring each prototype to life. From sketch to sample, wearability is considered at every stage.

“Even the most expressive designs go through rounds of testing to ensure they’re comfortable and durable. We take that process seriously,” Bava said.

In the brand’s journey, the Middle East has emerged as one of its most engaged markets. “The region has become one of our biggest champions,” Fong said. “We receive consistent feedback — from buyers, from clients — and that dialogue has helped shape the way we design. There’s a real openness and honesty from customers here, and that has made the relationship incredibly valuable.”

In 2022, the brand partnered with Arab designer Dima Ayad on an exclusive capsule facilitated by footwear department store Level Shoes. The collaboration highlighted Malone Souliers’ interest in working with regional creatives and marked the beginning of a more localised strategy.

“I think what really connected us was her love of color and materials, which aligns closely with what we value in our own designs,” Fong said. “The silhouettes were kept simple, but there was a strong focus on texture and detail — plisse, pleats, shimmer, lurex and mesh—all elements we naturally gravitate towards in our collections.”

Looking ahead, the brand is continuing to expand its product offering, including a growing accessories line. When asked to choose one style that encapsulates their joint creative direction, Fong and Bava point to the Roxanne — a mule with a new block heel, combining comfort and simplicity but equally cool.

“It’s the kind of shoe we’ve always aimed to create. It feels modern, feminine and very much in line with what Malone Souliers stands for today,” Bava said.

 


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
Follow

‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”