‘No safe place’: Writer’s group PEN International calls for arms embargo on Israel

Founded in London in 1921, PEN International has grown into a global cultural institution. It has not remained untouched by the rippling political effects of the Gaza war. (AFP/File)
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Updated 03 June 2025
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‘No safe place’: Writer’s group PEN International calls for arms embargo on Israel

  • NGO says Palestinian writers have built growing body of evidence demonstrating systematic Israeli efforts to erase the Palestinian people and their cultural heritage
  • Open letter details ‘irreversible loss of much of Gaza’s tangible and intangible cultural heritage’

LONDON: Writer’s group PEN International on Monday urged the international community to impose an arms embargo on all parties involved in the war in Gaza, calling specifically for a ban on weapons used by Israel in attacks that have targeted Palestinian civilians across the Occupied Palestinian Territory.

In an open letter, the London-based association expressed outrage at what it described as the global community’s failure to hold Israel accountable for the “ongoing genocide against Palestinians in Gaza.”

The letter condemned the daily killing of civilians and the prolonged blockade, calling for immediate action to halt the assault.

“PEN International has documented harrowing testimonies of Palestinian writers across the OPT, all of whom have reported and corroborated the growing body of evidence demonstrating concerted and systematic efforts by Israel to erase the Palestinian people and their cultural heritage, particularly in Gaza,” the open letter said.

The group said it shared the view of other international organizations that “genocide is being perpetrated against Palestinians in Gaza through various means,” and reported that at least 23 writers — excluding artists and other cultural workers — have been killed in Israeli bombardments since Oct. 7, 2023.

Describing the current period as “the deadliest for writers since the Second World War,” PEN International said the assault on Palestinian culture — through the destruction of heritage sites, cultural spaces, and the targeting of writers and journalists — was “a deliberate strategy to silence and erase the Palestinian people.”

The NGO joins a growing number of organizations, experts and legal scholars that have concluded Israel’s conduct in Gaza meets the threshold of genocide.

The International Court of Justice ruled last year that Palestinians face a “plausible risk of genocide,” and UN experts, aid agencies, and hundreds of legal specialists and genocide scholars have echoed that assessment.

Even former Israeli prime minister Ehud Olmert, writing in Haaretz, recently described the offensive as a “war of extermination,” though he stopped short of using the term “genocide.”

PEN International’s letter also detailed the “irreversible loss of much of Gaza’s tangible and intangible cultural heritage,” including independent cultural institutions, personal libraries and literary work, many of which were created under extreme restrictions and later destroyed in the war.

As of the end of May, UNESCO confirmed damage to 110 cultural sites in Gaza since the war began, including religious landmarks, historic buildings, museums and archaeological sites.

Testimonies gathered by PEN International also described the conditions faced by Palestinian writers amid the persistent threat to their lives.

“The relentless Israeli military operations, the indiscriminate bombardment of so-called ‘safe zones’ with high explosives, unexploded ordnance, sniper attacks targeting civilians, and the ongoing arbitrary restrictions and ban on humanitarian aid — are a grim, daily reality,” the letter read.

“All writers who spoke to PEN International have consistently stressed that: ‘There is no place safe in Gaza’.”

Founded in London in 1921, PEN International has grown into a global cultural institution. It has not remained untouched by the rippling political effects of the Gaza war.

In September 2024, the group passed a resolution condemning the rise in targeted killings, arbitrary detentions, and restrictions on access to information in both Palestine and Israel following the Oct. 7 attacks. The resolution placed primary responsibility for these violations on Israeli authorities.

In April 2024, PEN America, the group’s US branch, was forced to cancel its annual literary awards after several authors boycotted the event over what they viewed as the organization’s failure to take a clear stance against Israel’s war on Gaza.

The decision followed an open letter signed by dozens of authors and translators who withdrew their work from the awards in protest.


A look back at how Arab News marked its 50th anniversary

Updated 31 December 2025
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A look back at how Arab News marked its 50th anniversary

  • In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
  • Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube

RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.

Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.

And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity. 

For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.

“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”

Faisal J. Abbas, editor-in-chief of Arab News. (Supplied)

The solution, he added, came down to two words: “Artificial intelligence.”

For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.

“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.

Noor Nugali, deputy editor-in-chief of Arab News. (Supplied)

One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.

“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.

The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.

The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.

To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.

The project marked a regional first in newsroom-led AI audio production.

The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.

Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.

“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.

“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”

Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.

“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.

The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.

The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

It was also nominated for an Association for International Broadcasting award.

In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.

“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”

Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.

Prince Turki Al-Faisal, the former Saudi ambassador to the US. (AN photo)

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.

Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.

The Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama (far left). (AN photo)

Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.

The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders. 

During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.

The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)

The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.

The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.

As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.

For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.