Review: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

“Lilo & Stitch” is in theaters now. (YouTube)
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Updated 23 May 2025
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Review: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

  • Homage to 2002 classic while vibrantly fresh
  • Maia Kealoha, 8, playing Lilo steals the show

DUBAI: The new “Lilo & Stitch” reboot honors the 2002 classic while giving it a vibrant look and feel for a new generation.

With stunning animation, amazing casting, and a deep sense of nostalgia, the film strikes an emotional chord from the opening frame.

With the original film being one of the most beloved Disney classics, there was a lot of pressure riding on this remake, especially considering the inconsistency in the latest Disney productions.

 

 

Visually, the animation is outstandingly expressive.

The Hawaiian landscapes practically glow and the redesigns of Stitch and his alien companions retain their mischievous charm, even with the updated disguises for Jumba Pleakley.

Although many were not happy with these changes, I personally loved the scene of them learning how to walk as humans.

The emotional core of the film, however, remains unchanged: the powerful bond between sisters Lilo and Nani.

Their dynamic is portrayed with warmth and honesty, balancing cheeky sibling rivalry moments with sincere, tender ones.

The comedic timing is spot-on throughout the movie but is not overdone to the point where it becomes cringey.

Casting is another major win.

The new ensemble delivers energy and heart, with the debuting young actress, Maia Kealoha, 8, playing Lilo stealing the show. She captures Lilo’s quirky spirit, fiery independence and emotional depth perfectly.

While longtime fans may note a few subtle updates to the characters and plot, the film stays true to its core message of family, belonging, and unconditional love.

The film really tugs at the heart strings and may even leave one teary-eyed at some points.

Reintroducing the beloved story to a new generation, “Lilo and Stitch” is a must-watch this summer.


Stars sign letter condemning Berlinale’s ‘silence’ on Gaza ‘genocide’

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Stars sign letter condemning Berlinale’s ‘silence’ on Gaza ‘genocide’

DUBAI: More than 80 current and former participants of the Berlin International Film Festival, including Javier Bardem, Tilda Swinton and Adam McKay, have signed an open letter condemning the festival’s “silence” on the Gaza “genocide.”

The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza and the German government’s support for Israel.

He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics.”

On Tuesday, major figures in the film industry accused the Berlinale of “censoring” artists who have spoken out.

The signatories include Angeliki Papoulia, Saleh Bakri, Tatiana Maslany, Peter Mullan and Tobias Menzies, as well as directors Mike Leigh, Lukas Dhont, Nan Goldin, Miguel Gomes and Avi Mograbi.

“We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel’s genocide, crimes against humanity and war crimes against Palestinians, and completely end its involvement in shielding Israel from criticism and calls for accountability,” the letter stated.

The letter also noted that the Berlinale had made “clear statements” in the past about other “atrocities” including in Ukraine.

Earlier this week, festival director Tricia Tuttle defended the event. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale.

“But increasingly, filmmakers are expected to answer any question put to them. They are criticized if they do not answer. They are criticized if they answer and we do not like what they say.

“They are criticized if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

Earlier, author Arundhati Roy, who was supposed to participate in the event, withdrew because of the refusal of Wenders and the jury to condemn Israel’s “genocide.”