Saudi artist Reem Al-Nasser discusses her Diriyah Art Futures Residency 

Reem Al-Nasser has been selected for the inaugural Mazra’ah Media Arts Residency. (Credit: Jawad Tabatabai)
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Updated 16 May 2025
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Saudi artist Reem Al-Nasser discusses her Diriyah Art Futures Residency 

  • Al-Nasser says she is inspired by area’s ‘natural beauty’ 

DUBAI: Saudi artist Reem Al-Nasser has been selected for the inaugural Mazra’ah Media Arts Residency, a new initiative from Diriyah Art Futures.  

The residency, which runs until July, brings together artists and scholars to explore emerging ecologies, speculative futures, and the evolving relationship between technology, nature and cultural heritage. 

Organized by the Museums Commission under the Saudi Ministry of Culture, the residency supports experimental research and production in the field of digital and new media art.  




Al-Nasser, one of three Saudi artists participating, described being selected as both an honor and a milestone in her artistic journey. (Supplied)

Participants are provided with a production budget and technical support, as well as access to labs and studios. The spring cohort includes artists and scholars from Saudi Arabia, India, Japan, France, Germany and the UK. 

Al-Nasser, one of three Saudi artists participating, described being selected as both an honor and a milestone in her artistic journey.  

“I felt immense happiness and deep honor,” she told Arab News. “Being chosen for such a prestigious residency was a validation of my artistic journey and gave me a sense of responsibility and excitement.” 

The theme of the inaugural residency is “High-Resolution Dreams from the Sands.” Artists are encouraged to examine the intersections of land and technology. Al-Nasser’s interpretation of the theme centers on the flower known in Arabic as Al-Samh — a plant native to Saudi Arabia, which she uses as a symbol of resilience, healing and shelter.  




Sketch of her upcoming work for the residency. (Supplied)

“I’m working on archiving the ancient behaviors associated with this flower as a symbol of defense and protection, incorporating its intricate details into digital artworks that simulate its essence,” she said.  

Al-Nasser is developing a series of interactive digital installations that integrate visual projection, augmented reality and artificial intelligence to animate the symbolic qualities of the flower and bring them into a contemporary digital art context. Her goal is to create a multi-sensory experience that immerses viewers in the story of the flower, blending visual detail with conceptual depth. 

“These tools allow me to present the intricate details of the Samh flower in a stunning and unprecedented way,” she said. 

Al-Nasser often draws inspiration from traditional storytelling and behavioral patterns, using art to reframe these ideas through a modern lens. “My style is a blend of digital and physical media, with a focus on storytelling — restructuring and connecting ancient knowledge with modern elements,” she said. “Being in Diriyah opened my eyes to the importance of drawing inspiration from local elements and presenting them in a contemporary manner. It’s also encouraged me to experiment with modern techniques I haven’t used before.  




Sketch of her upcoming work for the residency. (Supplied)

“Diriyah has also inspired me with its natural beauty, palm gardens and ancient forts, which have become a central focus in my work,” she continued. “The environment here encouraged me to deeply reflect on the relationship between nature and art and to celebrate its elements through technology. I hope people feel the profound connection between environmental science and the Desert Samh Flower and appreciate the power of nature in creating symbols that inspire art and creativity. I want them to reflect on the relationship between heritage and technology and how art can bridge the two.” 

As the Kingdom invests more heavily in cultural infrastructure and platforms such as DAF, Al-Nasser believes local artists are increasingly positioned to shape the global conversation around digital and new media art. 

“Saudi artists are producing remarkable works that are rooted in cultural heritage while integrating modern technologies,” she said. “They have the potential to revolutionize the global art scene by highlighting the beauty of local nature, like the Samh flower, in innovative ways.” 




'Bakila Recipe,' 2024, presented in Paris. (Supplied)

Al-Nasser’s journey into art began in her teenage years, driven by a fascination with creative expression and storytelling. “Art became my way of understanding the world and sharing my perspective,” she said, adding that her creative inspirations often stem from historical and behavioral patterns.  

“Ancient storytelling and understanding personal experiences were my primary sources of inspiration,” she explained. “I’ve always been fascinated by the beauty of subtle details in behaviors, their connection to time, and how art can highlight and center them in storytelling.” 


Bella Hadid leaves Paris for Los Angeles launch event

Updated 11 March 2026
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Bella Hadid leaves Paris for Los Angeles launch event

DUBAI: Supermodel Bella Hadid jetted from Paris to Los Angeles this week to launch her latest campaign with US fashion retailer Revolve.

The Palestinian US Dutch model was on hand in France earlier in the week, where she hit the runway at the Saint Laurent show during Paris Fashion Week.

She then flew across to Los Angeles to launch a campaign with Los Angeles-founded retailer Revolve, which was set up in 2003 by Michael Mente and Mike Karanikolas.

Hadid fronts a campaign launching the e-commerce department store’s first-ever in-house brand, Revolve Los Angeles.

“Born from a deep understanding of the modern woman and inspired by the city where it all began, our eponymous fashion house is a new expression of effortless glamor,” the new fashion label posted on Instagram alongside black-and-white images of Hadid in a selection of looks.

Prior to her trip to Los Angeles, the model showed off French label Saint Laurent’s latest collection in Paris.

Creative Director Anthony Vaccarello, marking his own 10th anniversary at the helm, sent out a parade of razor-sharp Smokings — the house term for its iconic women’s tuxedo — with plunging necklines and elongated silhouettes that crackled with the same transgressive energy founder Yves Saint Laurent unleashed in the 1960s, the Associated Press reported.

But Vaccarello didn’t stop at evening wear.

He extended the same sensual, body-skimming tailoring into daytime suits in fluid pinstripe fabrics with almost no interlining, effectively arguing that the tuxedo silhouette belongs in a woman’s life around the clock.

Plenty of brands in Milan showed strong black pantsuits this season, but the Saint Laurent version still occupies its own territory — sleeker, sharper, more loaded with meaning.

The other half of Vaccarello’s equation was lace, stiffened with latex and tailored into structured cardigan-like jackets and straight skirts.

It was lace with backbone — tough, not delicate.

Paired with smoky eyes, chunky gold jewelry and slingback heels, the collection made a case that Saint Laurent’s codes are as potent as ever.