L’Atelier Nawbar gains fans in Hollywood

Cynthia Erivo was spotted wearing The Buoy Hoops from L’Atelier Nawbar’s latest collection. (Getty Images)
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Updated 23 April 2025
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L’Atelier Nawbar gains fans in Hollywood

  • British star Cynthia Erivo wears label’s jewelry at Coachella
  • Dima and Tania Nawbar head family business set up in 1881

DUBAI: Dima and Tania Nawbar, the sisters behind Lebanese jewelry label L’Atelier Nawbar, have added a new Hollywood name to their list of fans: Cynthia Erivo.

The British singer and actress was spotted this week wearing The Buoy Hoops from L’Atelier Nawbar’s latest Lot No. 91 collection during her Coachella debut.

Crafted from 18-karat yellow gold, the statement earrings were paired with a cream lace gown featuring wide bell sleeves layered over a black satin base. The look combined varied textures and was styled with over-the-knee black boots.

The sisters took to Instagram to share a picture of the star wearing the earrings and wrote: “In love!!!”

L’Atelier Nawbar was established in 2011. Dima and Tania are fourth generation jewelers. They are the first women to take over the family’s Beirut-based business which was founded by their great-great-grandfather in a gold souk in 1881.

Since establishing their own modern take on the brand, the sisters have gone on to see their designs worn by international celebrities including Queen Rania of Jordan and Joey King.

And they have their collection of rings, pendants, necklaces and bracelets stocked at major retailers including Harrods, Bloomingdales and Moda Operandi.

The designers previously told Arab News that they wanted trendy, multipurpose jewelry for every day and night. Their designs can be worn in various ways, with pendants serving also as rings, which reduces investment costs.

The sisters also decided to move away from the traditional business model and offer something new. “We didn’t want to traditionally follow the family business as it was,” Dima said.

So the sisters decided to embrace individuality by remodeling pieces and creating new bespoke jewelry for clients.

Clients are able to bring their own jewelry into the atelier, and the designers will upcycle and redesign the pieces into something fresh and modern.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.