Tamtam’s Goast Flower: Growing a vibrant Saudi music community

Known mononymously as Tamtam, the artist chose early in her career to go by a single name — a decision that helped to maintain her privacy while allowing listeners to focus on her message and music. (Instagram)
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Updated 13 April 2025
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Tamtam’s Goast Flower: Growing a vibrant Saudi music community

ALKHOBAR: With her signature curls and radiant smile, internationally acclaimed Saudi singer-songwriter Tamtam brought her boundless energy to Alkhobar this week, aiming to nurture and connect the Kingdom’s growing music scene from the ground up.

Known mononymously as Tamtam, the artist chose early in her career to go by a single name — a decision that helped to maintain her privacy while allowing listeners to focus on her message and music. Over time, the name became synonymous with her genre-blending sound and global appeal by singing in both English and Arabic, and her bold advocacy for creative freedom.

The event, hosted at Bohemia Cafe and supported by MDLBEAST Radio, was part of Goast Flower’s community activation — a grassroots initiative launched by Tamtam to support emerging artists and independent creatives. The gathering transformed the space into a pop-up creative hub, where artists exchanged merchandise, contacts and ideas over coffee — free to anyone with a hand stamp at the door. Entrance was free with sign-up, allowing MDLBeast Radio to collect people’s contact information to stay connected.

The event at Bohemia was hosted by MDLBEAST Radio’s Ninyaz Aziza along with Tamtam. 




The event, hosted at Bohemia Cafe and supported by MDLBEAST Radio, was part of Goast Flower’s community activation — a grassroots initiative launched by Tamtam to support emerging artists and independent creatives. (AN photo)

MDLBEAST Radio co-hosted their first such event in Tamtam’s hometown, Riyadh, a few weeks earlier — a sahoor at Beast House — and this was their second stop on this mission.

“Honestly, I’m so, so happy. This is really cool because we get to play the music,” Tamtam told Arab News.

During the Riyadh sahoor, they merely mingled but did not perform or listen to music.

“In Alkhobar, so many people showed up — people are excited. There aren’t many events going on in Alkhobar, so I really feel like everyone is super appreciative,” Tamtam said.




Zamzam with their merch exchange swag. (Photo by Goast Flower)

She added: “The whole point of this is for artists and people in the music industry to meet, and that’s what’s happening. Like literally everyone’s telling me, ‘I’ve met so many people, thank you so much.’ I’m so happy — we need it. The goal has been achieved again.”

Raised in Riyadh and now based between the Kingdom and Los Angeles, Tamtam’s music explores themes of identity, gender equality and cultural connection. She blends alternative R&B with pop and personal storytelling, and her independent streak led her to create her own platform for creative control.

“Goast Flower is an independent music label I started a couple of years ago,” she said. “I’ve been releasing my music through it — it was a way for me as an independent artist to have my own label because I don’t want to be controlled by anyone. It’s amazing to have that freedom as an artist. I’m very grateful.”

Beyond being a label, Goast Flower functions as a creative hub. Its first major project, the Saudi Music Community, is a public database designed to help local talent connect.

“I literally collected all the artists I knew. Fulana, another Saudi artist, collected all the artists she knew. We put together a Google document and made it live,” she explained. “Now there’s another document where people can join and add their information, and someone checks it. In this way, artists can find each other in Saudi Arabia. A lot of artists are like, ‘Hey, I’m looking for a female rapper,’ or ‘I’m looking for a guitar player for my live show.’ And now they can just go to the database and find people.”

In Alkhobar, the idea found fertile ground.

Singer-songwriter, architect, photographer and university professor, Yazeed Al-Amasi, who attended both the Riyadh and Alkhobar events, said: “I’ve been living here in Dhahran since 2011, and this is the first time I feel super connected to the music community,” he told Arab News. “I don’t want to say it, but I think people are friendlier and more open to collaborating in Alkhobar. Or maybe people in Riyadh were just tired from Ramadan.”




Tamtam meets Zamzam. (AN photo)

A key part of the gathering was the merchandise exchange, a concept introduced by Tamtam to encourage artistic support without the barrier of money. Participants brought T-shirts, lyric booklets, CDs, stickers and creative works to swap with one another — artist to artist.

“The idea is that instead of spending money, artists are supporting each other. It’s a gesture of support that this community is all about,” Tamtam said.

“I really, really believe in this community, and I don’t think anyone can grow without a community in any industry,” she added. “I just feel like the music industry in Saudi needs this push, and the foundation needs to be stronger.”

During the event, guests took the mic to introduce themselves and share what they were seeking — producers, vocalists, instrumentalists, collaborators. Photographers offering band headshots and live performance images also stepped forward, strengthening the bonds in the room.

“I actually discovered local musician Zamzam through the Saudi Music Community when I was putting this together,” Tamtam said.

Zamzam, a frequent Bohemia performer and lover of all music genres, walked in as Tamtam was speaking about her. Zamzam, who also goes by a mononym, found the database through Tamtam’s initiative and was excited to meet her in person.

Both shrieked in delight on noticing they were face-to-face.

“Maybe we will have a Tamtam and Zamzam collaboration in the future,” someone said in the background.

“I added myself to the database!” Zamzam told Arab News. “I follow Tamtam and I saw the (Instagram) story about Goast Flower. Whenever I see a label or something that could be a creative hub, I want to connect.”

The venue itself played a role. Bohemia Cafe has become something of a beacon for alternative and indie creatives in the Eastern Province.

One of them, Fatima Falath, shared that she had written a song inspired by her visit to Bohemia.

“Two years ago, I was sitting at Bohemia and got inspired by the drawing on their cup,” Falath told Arab News.

“I had some matcha — even in the song we mentioned matcha,” Falath said with a laugh. “I sang and wrote the lyrics, and my friend and producer, who goes by Hajj Alibaba, did the background music. I made all my friends and family listen to it — it’s a driving-around-in-the-car song. I haven’t published it yet, but I’m inspired to publish it tonight at this event because we wrote it here.”

Everyone at Bohemia had a chance to listen to Falath’s creation for the very first time, and many other musicians joined after and played their songs.

Rohit Jayakaran of MDLBEAST Radio drove in from Riyadh to support the event along with Tamtam and the team. For nearly four hours, they were fired up to be there. He was beaming as the songs were being played.

“We’re very excited to be part of the Saudi music community and support it as MDLBEAST Radio,” Jayakaran told Arab News. “We believe that great things will come out of this community. Bohemia — this is the place where people come for music in Sharqiya. What I discovered today is that there is a community — and it’s a growing community. It’s eclectic. It has all sorts of dynamic energies in here. And it’s just really nice to have this here because it didn’t exist before. It’s amazing. It’s awesome.”

Jayakaran hopes that connections made will showcase their collaborative talents at the next live show at Bohemia, in Riyadh, or just in general.

For now, Goast Flower remains Tamtam’s personal label — though she doesn’t rule out signing other artists in the future.

“I really, really respect the artist. Unless I know I can invest a lot of money in the artist — money, time and effort — I’m not going to sign them,” she said. “A lot of the big people in this industry take advantage of artists. Artists don’t make enough money from streaming. The music business has a lot of work to do.”

She hopes that Saudi Arabia can do things differently.

“Saudi is such a special place right now because it’s the beginning of the music industry. We are in a place where we can shape it in a different way — we don’t have to copy the West. We can learn from the mistakes happening in other industries.”

Next, Goast Flower is headed to Jeddah, where they will host a similar activation on April 16 at Hayy Jameel.

It will essentially go from the heart of the Kingdom to the two coasts, like a hug to the music community in Saudi Arabia.


Adrien Brody reflects on craft, collaboration and creative resolve at RSIFF 2025

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Adrien Brody reflects on craft, collaboration and creative resolve at RSIFF 2025

JEDDAH: Two-time Academy Award winner Adrien Brody captivated audiences at the Red Sea International Film Festival in Jeddah, where he spoke candidly about craft, collaboration, and the evolving landscape of global cinema.

Brody, who first made history in 2003 as the youngest-ever Best Actor Oscar winner for “The Pianist,” arrived at the festival following a triumphant year with Brady Corbet’s “The Brutalist,” a film that has earned him the Academy Award, BAFTA, Golden Globe, and Critics’ Choice Award for Best Actor.

The film, which premiered to acclaim at Venice and has since become an international success, features Brody as architect Laszlo Toth in one of his most demanding roles to date. His career, spanning decades and genres, includes standout performances in “Asteroid City,” “Blonde,” “Succession,” “The Grand Budapest Hotel,” “Peaky Blinders,” and “Winning Time.” He has collaborated with some of cinema’s most distinct voices, from Wes Anderson and Peter Jackson to Spike Lee and Roman Polanski.

Beyond acting, Brody leads Fable House Films and maintains a parallel career as a visual artist, exhibiting works in New York, Art Basel and international galleries. Raised in New York City, he trained at LaGuardia High School and the American Academy of Dramatic Arts, roots he often credits for shaping his artistic appetite.

Brody began his “In Conversation” session by expressing admiration for Saudi Arabia’s rapid creative growth: “It’s been pretty packed. Lots of activities but just wonderful to be here and witness the evolution of the festival and what Saudi’s doing in film and creative empowerment for so many people.”

He went on to praise the new generation of storytellers emerging from the region:

“New directors, women whose voices are underserved, and I find that really wonderful and admirable … It’s been very special.”

Before taking the stage, the packed audience was shown a clip from “The Brutalist,” a fitting prelude for a conversation that dove deeply into the complexity of portraying driven, conflicted characters.

Saudi director Hakeem Jomah, who moderated the session, asked Brody about the pressure of embodying characters shaped by real history.

Brody began by clarifying the creative space within “The Brutalist,” saying: “As real and true to life that ‘Brutalist’ is, it’s a fictional story … My journey primarily is about the struggle for driven artistic people to persevere and have their vision endure in spite of the wants and needs of the benefactor.”

He explained how the film reflects universal challenges faced by artists and creators, adding: “Sometimes you are blessed with the support of your financiers … and sometimes you’re not. This film really delves very deeply into the oppressiveness of that.”

Brody emphasized the personal and emotional toll these narratives carry.

“Every film, every role that an actor agrees to undertake is its own journey,” he said, describing acting as an intensely internal and empathetic process.

Brody described his method as one rooted in emotional truth and responsiveness:

“If you can find ways to connect at least to the emotionality and the circumstances that feel relatable … it is expressed somehow through the responsibility of carrying out the dialogue.”

He acknowledged the difficulties of portraying experiences far removed from his own, especially in films set in other eras or involving trauma. Actors, he said, must “find ways to understand those better, internalize them” and convey them responsibly.

When asked whether he prefers working collaboratively or in isolation during preparation, Brody emphasized balance: “I have to show up knowing who I am, what I’m here to do … There has to be a degree of malleability because making a movie is a collaboration … yet an actor has a very distinct responsibility.”

He added that defending a character’s authenticity is sometimes necessary, noting how fortunate he has been to work with directors who are “greatly respectful and inspiring.”

He explained that cinematography and performance must function as a unified language, saying the camera’s distance or intimacy can radically shape the emotional connection with the audience. This, he stressed, requires alignment among actor, director, and cinematographer to ensure that the visual storytelling truly serves the narrative.

Brody reflected briefly on his long experience in the industry, “I’ve been working professionally on camera since I was 12.”

He expressed gratitude for a lifetime in film, noting that his experience helps him support the process while also recognizing that the director ultimately shapes the final work. He spoke about the unpredictable nature of filmmaking, technical issues, lost footage, and the surprises of the editing room, reminding the audience that even the best work can be undone by a corrupted file or a physical flaw on celluloid.

Shifting to the physical and emotional demands of filmmaking, Brody explained that there is no such thing as holding back on set.

He noted that time feels distorted during a production, especially one as intense as “The Brutalist,” which, despite being a three-and-a-half-hour epic shot on VistaVision, was completed in just 23 days. The process left the entire team depleted but also bonded them through shared stamina and commitment.

Brody described his own methods of preserving emotional depth: “I don’t hang out with my fellow actors and crew when I have any heavy lifting … I’m often alone. I sometimes won’t eat lunch to not be tired.”

These disciplined rituals allow him to show up fully for demanding scenes, though he reminds younger actors that “it’s not a science, and you’re not a machine.”

When Jomah asked how Brody decides which scripts to accept, the actor joked warmly about the host’s career change: “These are wonderful questions and thank you … This man is a doctor as well … I’m very impressed by him.”

He then explained his criteria for choosing projects, calling each film “a journey” that must offer artistic meaning and the potential for personal discovery. Commercial success, he noted, is a consideration, but never the only one.

Asked whether his accolades make him feel freer or more pressured in his choices, Brody responded, “I assumed that I had less to prove … but you have a responsibility to a career trajectory … I’ve not taken films since ‘The Brutalist’ … They didn’t feel quite right.”

Brody closed with reflections on the transformations reshaping the industry: “We’re living in a time that there’s immense shifts in every field … Technology is a major factor.”

He spoke nostalgically about growing up before digital devices, learning from filmmakers who relied on physical stunts and in-camera effects. While he acknowledged the power of new tools, he stressed that technology must never overshadow human emotion.

“There is nothing to replace emotion … We should always cherish and support the creative process and the beauty of filmmaking.”