Rami Malek: ‘I consider myself fortunate to have shared the screen with these actors’ 

Rami Malek as Charlie Heller and Caitriona Balfe as Inquiline in ‘The Amateur.’ (Supplied) 
Short Url
Updated 10 April 2025
Follow

Rami Malek: ‘I consider myself fortunate to have shared the screen with these actors’ 

  • The first actor of Arab descent to win an Oscar discusses his latest movie ‘The Amateur’ 

DUBAI: Oscar-winner Rami Malek is expanding his role behind the camera with “The Amateur,” now showing in cinemas across the Middle East. Teaming up with British director James Hawes and an ensemble cast, Malek – as lead star and producer – crafts a modern spy thriller that blends classic genre tension with timely urgency, and a cerebral update. 

“I just love to see things from beginning to end all the way through — every element,” Malek tells Arab News. “I hope it’s not a perfectionist aspect, but I’ve always found myself remembering moments on certain cameras, certain lenses on other actors that I would talk to the directors about, or in post-production and wanting to make sure we get the best of the best. I heard about a lot of actors who come into the editing suite, and I thought, ‘How could I do that without having to do it in this kind of sneaky manner?’ 

“And so (this was) the way to do that. And it was nice to see this develop, to work on the script with Dan Wilson and, of course, the great (producer) Hutch Parker, and James Hawes, and sit down day in and day out and try to make this feel as authentic and unique as possible from beginning to end.” 

Malek stars as Charlie Heller, a brilliant but introverted CIA codebreaker whose life is upended when his wife (Rachel Brosnahan) is killed in a terrorist attack in London. When the agency refuses to act, Heller sets off on a dangerous, global pursuit of those responsible — using his intelligence skills to outwit enemies and seek justice on his own terms. 

Apart from Malek and Brosnahan, the film also stars Laurence Fishburne, Caitriona Balfe, Jon Bernthal, and Emmy winner Julianne Nicholson, among others. 

“I got to galvanize some of my favorite actors — people I’ve always wanted to work with — in this ensemble,” Malek says. “I think everyone recognizes them as people working at the top of their game. Every actor in this film is someone I consider myself fortunate to have shared the screen with. And yeah, I’m very proud of that. It’s quite the feat.” 




 Rami Malek on set during the shooting of  ‘The Amateur.’ (Supplied)

Balfe — the Irish actress and model known for her role as Claire Fraser in the historical drama “Outlander” — plays Inquiline Davies, Heller’s asset, a hacker with whom he communicates via secure messages online. 

“Rami is amazing. I have known him socially for many years, but I always wanted to be able to work with him. And so when this project came along, I was so excited to be able to get that opportunity,” said Balfe. 

“And he was an incredible producer as well. We had long, long days shooting, and he’s in practically every scene of the movie. And yet he would go home and watch the rushes from the day before, and he’d have his notes when he came in the next day about what was great, or maybe things that were missed, or script changes. It was a lot on his shoulders, but he was brilliant and very generous with his time. And very welcoming and kind to everybody too, which is so important.” 




Rami Malek in ‘The Amateur.’ (Supplied)

Balfe also revealed that, despite the time constraints of shooting a movie across multiple countries, “everybody was having so much fun” on set. 

“Even though it was a very intense shoot and people were under real time pressure, it was such a lovely group of people to work with,” she says. “That was the best thing.” 

British director Hawes is no stranger to the world of espionage drama, having worked on the acclaimed UK spy series “Slow Horses.” 

“I’d been able to play in that world,” Hawes says. “Those are the kinds of films I’m drawn to — moody, atmospheric, but rooted in realism.” 

While “The Amateur” nods to classic spy thrillers, Hawes aimed to update the genre for today’s world. One major change was relocating key scenes from Prague — “a city more known for beer bikes than Cold War intrigue” — to Istanbul, which he felt offered an urgent, unpredictable energy. 

“We wanted it to feel contemporary — not just in the politics, but in the tech, the pacing, the stakes,” he says. “Hopefully, it still carries the soul of those older stories, but in a way that speaks to now.”


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
Follow

Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.