Art Week Riyadh: Al-Mousa Center brings together pioneering and emerging artists 

In the heart of Saudi Arabia’s capital city, the Al-Mousa Center has transformed into a vibrant hub for creativity, with over 15 galleries presenting a mix of solo and group exhibitions as part of Art Week Riyadh. (AN Photo/Huda Bashatah)
Short Url
Updated 08 April 2025
Follow

Art Week Riyadh: Al-Mousa Center brings together pioneering and emerging artists 

RIYADH: In the heart of Saudi Arabia’s capital city, the Al-Mousa Center has transformed into a vibrant hub for creativity, with over 15 galleries presenting a mix of solo and group exhibitions as part of Art Week Riyadh. The event brings together trailblazing artists and rising stars from the region and beyond, offering a dynamic platform for contemporary artistic expression.

Once a bustling commercial complex in the 1980s, the Al-Mousa Center originally served as a premier destination for wedding attire — where some of the city’s best tailors still practice their craft today. The building’s dated architectural style adds a nostalgic vibe to the space, evoking memories of the past while providing a fitting backdrop for contemporary art.




Nasser Al-Kharji, who founded Art Connection, one of the participating galleries. (AN Photo/Huda Bashatah)

When a framing shop opened and quickly flourished, art began to gradually replace garments in the complex. While a few stores continue to sell suits and dresses, the mall has since transformed into a lively cultural center, now housing approximately 20 art galleries.

“When I heard about Art Week Riyadh, I was excited to be part of it. I’m a third-generation Saudi artist with 28 years of experience as an aircraft maintenance engineer, pilot and instructor pilot. Now, I’m an artist. I’m from Riyadh, and this is a chance for us to celebrate art and showcase our local talent,” said Nasser Al-Kharji, who founded Art Connection, one of the participating galleries.




Art Connection, one of the participating galleries.​​​​​​ (AN Photo/Huda Bashatah) 

Al-Kharji’s father launched a pioneering cartoon column in a local Saudi newspaper in 1965 — a legacy that Al-Kharji honors by framing the columns prominently in his gallery, alongside his own work and that of other regional artists.

Perched upstairs, galleries such as Ahlam Gallery relocated to their current expansive 360-square-meter space in 2022, offering a dynamic platform for both emerging and established artists. Founded by Dr. Ahlam Al-Shedoukhy, a retired medical doctor who turned to art as a source of healing, the gallery now stands as one of the largest spaces in the complex.

Other participating galleries include Abdullah Hammas Studio, Errm Art Gallery, Marsami Gallery, and Alestudio, each contributing to the rich diversity of Riyadh’s growing art scene.

While most of the curated talks during Art Week Riyadh are taking place at JAX District in Diriyah, a special panel titled “The Value of the Past is a Measure of the Future” was held at the Al-Mousa Center on Monday. The discussion focused on how Saudi Arabia’s visual arts heritage is not only a part of the nation’s history but also continues to serve as a wellspring of inspiration, shaping the future of art in the Kingdom.

The inaugural Art Week Riyadh, organized by the Visual Arts Commission, runs from Apr. 6 to 13, activating galleries and creative spaces across the city. Anchored in JAX District in Diriyah, the weeklong program features a range of exhibitions, talks, and curated events that underscore the diversity and dynamism of the Kingdom’s evolving visual arts scene.


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
Follow

Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.