Trump freezes US-funded media outlets including Voice of America

A crew from Voice of America make a live report as they stand in the a causeway leading to US President-elect Donald Trump’s estate in Mar-a-Lago in West Palm Beach on December 13, 2024. (AFP)
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Updated 16 March 2025
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Trump freezes US-funded media outlets including Voice of America

  • VOA director Michael Abramowitz said he was among 1,300 staffers placed on leave Saturday

WASHINGTON: President Donald Trump’s administration on Saturday put journalists at Voice of America and other US-funded broadcasters on leave, abruptly freezing decades-old outlets long seen as critical to countering Russian and Chinese information offensives.
Hundreds of staffers at VOA, Radio Free Asia, Radio Free Europe and other outlets received a weekend email saying they will be barred from their offices and should surrender press passes and office-issued equipment.
Trump, who has already eviscerated the US global aid agency and the Education Department, on Friday issued an executive order listing the US Agency for Global Media as among “elements of the federal bureaucracy that the president has determined are unnecessary.”
Kari Lake, a firebrand Trump supporter put in charge of the media agency after she lost a US Senate bid, said in an email to the outlets that federal grant money “no longer effectuates agency priorities.”
The White House said the cuts would ensure “taxpayers are no longer on the hook for radical propaganda,” marking a dramatic tone shift toward the networks established to extend US influence overseas.
White House press official Harrison Fields wrote “goodbye” on X in 20 languages, a jab at the outlets’ multilingual coverage.
VOA director Michael Abramowitz said he was among 1,300 staffers placed on leave Saturday.
“VOA needs thoughtful reform, and we have made progress in that regard. But today’s action will leave Voice of America unable to carry out its vital mission,” he said on Facebook, noting that its coverage — in 48 languages — reaches 360 million people each week.
The head of Radio Free Europe/Radio Liberty, which started broadcasting into the Soviet bloc during the Cold War, called the cancelation of funding “a massive gift to America’s enemies.”
“The Iranian ayatollahs, Chinese communist leaders, and autocrats in Moscow and Minsk would celebrate the demise of RFE/RL after 75 years,” its president, Stephen Capus, said in a statement.

US-funded media have reoriented themselves since the end of the Cold War, dropping much of the programming geared toward newly democratic Central and Eastern European countries and focusing on Russia and China.
Chinese state-funded media have expanded their reach sharply over the past decade, including by offering free services to outlets in the developing world that would otherwise pay for Western news agencies.
Radio Free Asia, established in 1996, sees its mission as providing uncensored reporting into countries without free media including China, Myanmar, North Korea and Vietnam.
The outlets have an editorial firewall, with a stated guarantee of independence despite government funding.
The policy has angered some around Trump, who has long railed against media and suggested that government-funded outlets should promote his policies.
The move to end US-funded media is likely to meet challenges, much like Trump’s other sweeping cuts. Congress, not the president, has the constitutional power of the purse and Radio Free Asia in particular has enjoyed bipartisan support in the past.

Advocacy group Reporters Without Borders condemned the decision, saying it “threatens press freedom worldwide and negates 80 years of American history in supporting the free flow of information.”
Gregory Meeks, the top Democrat on the House Foreign Affairs Committee, and senior Democratic congresswoman Lois Frankel said in a joint statement that Trump’s move would “cause lasting damage to US efforts to counter propaganda around the world.”
One VOA employee, who requested anonymity, described Saturday’s message as another “perfect example of the chaos and unprepared nature of the process,” with VOA staffers presuming that scheduled programming is off but not told so directly.
A Radio Free Asia employee said: “It’s not just about losing your income. We have staff and contractors who fear for their safety. We have reporters who work under the radar in authoritarian countries in Asia. We have staff in the US who fear deportation if their work visa is no longer valid.”
“Wiping us out with the strike of a pen is just terrible.”
 


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.