Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil), the series makes a strong first impression. (Supplied)
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Updated 05 March 2025
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Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

  • First 2 episodes of series make a strong first impression
  • Retains signature moody, atmospheric, violent aesthetic

DUBAI: After years of anticipation, reshoots and creative switcheroos, “Daredevil: Born Again” has finally arrived, and its first two episodes waste no time reintroducing audiences to the brutal, morally complex world of Hell’s Kitchen.

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil) and Vincent D’Onofrio’s chilling return as Wilson Fisk, the series makes a strong first impression.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Matt Murdock (@daredevil)

Marvel’s grittiest hero is back in top form, thanks largely to “Punisher’s” Dario Scardapane, who took over as showrunner mid-production.

The opening episodes set a relentless and heart-wrenching tone, beginning with a violent confrontation between Daredevil and Bullseye (Wilson Bethel) at Josie’s Bar that quickly escalates into a rooftop clash.

The fight sequences, a hallmark of the original “Daredevil” series from Netflix, remain meticulously crafted — visceral, bloody and free of unnecessary embellishment.




Charlie Cox as Matt Murdock and Nikki M. James as Kirsten McDuffie. (Supplied)

A year later, Murdock, still struggling with the burdens of his dual identity, now operates a new law firm alongside Kirsten McDuffie (Nikki M. James).

He appears to be forging a new romantic connection with psychiatrist Heather Glenn (Margarita Levieva). Yet, despite his efforts to build a more stable life, shadows from his past loom large.

Wilson Fisk, long absent from the scene, reemerges from the shadows with a new and menacing agenda, turning his ambitions toward the political arena.

His aspirations to become mayor of New York City suggest a fresh and dangerous evolution of his character — one that D’Onofrio plays with a practiced and quiet menace that is as captivating as ever.

Cox remains a commanding presence, portraying Murdock with an understated intensity that exudes rage, resilience and exhaustion, all at once.




Charlie Cox and Vincent D’Onfrio in ‘Daredevil: Born Again.’ (Supplied)

His reunion with Fisk — in a masterfully-crafted, tense diner scene — serves as a stark reminder that their ideological battle is far from over.

Visually, the series retains its signature aesthetic — moody, atmospheric, and unflinching in its depiction of violence. The action is raw, the dialogue sharp, and the stakes higher than ever.

All in all “Daredevil: Born Again” does not try to reinvent itself but instead refines what made its predecessor so compelling.


Amr Diab and Sherine top Spotify list of 2025 MENA artists

Updated 17 December 2025
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Amr Diab and Sherine top Spotify list of 2025 MENA artists

  • Egyptian stars and icon Fairuz continue to resonate in region
  • Artists shaping rap, mahraganat, hybrid sounds feature

DUBAI: Spotify has released its list of the Top Middle East and North Africa artists and songs globally, shaped by streams from listeners both inside and outside the region, offering a snapshot of how MENA music travelled in 2025.

Topping the global MENA artists list is Amr Diab, a mainstay of Arab pop. He also led Egypt’s Wrapped this year, while his catalogue — spanning both older hits and newer releases — continued to draw sustained global engagement.

The return of “Tamally Maak” to the global Top Tracks list underlines the lasting appeal of his music across generations.

Sherine is one of the year’s most emotionally resonant voices with four tracks in the global Top 10. Her classics “Kalam Eineh,” “El Watar El Hassas” and “3la Bali,” alongside her newer release “Btmanna Ansak,” reached listeners from Egypt to Germany and the UK.

Spotify data shows her catalogue maintaining a strong, personal connection with audiences throughout 2025.

Regional classics also featured prominently. Nancy Ajram’s early-2000s hit “Ya Tabtab Wa Dallaa” found renewed popularity in markets including Indonesia and Turkiye, while Khaled’s “C’est la vie” continued to cross borders, resonating with listeners from France to India.

Fairuz remained a fixture in daily listening habits, anchoring morning and coffee playlists across the Arab world and the diaspora.

Beyond pop, artists shaping rap, mahraganat and hybrid sounds maintained strong global visibility.

ElGrandeToto, Morocco’s Top Artist on Spotify from 2020 to 2025, continued to spotlight the evolution of Moroccan hip-hop, which in 2025 blended rai, chaabi and local rhythms with trap influences.

His collaboration with Spanish-Moroccan rapper Morad, “Ojos Sin Ver,” featured on the global MENA Top Tracks list, highlighting the genre’s cross-regional and European appeal.

Egyptian rapper Marwan Pablo also remained a prominent global presence, recognized for his introspective approach within the country’s hip-hop scene.

Mahraganat artists Essam Sasa and Eslam Kabonga appeared in the global rankings as well, underscoring the genre’s expanding reach beyond its local roots.

The global MENA Top Tracks list included “KALAMANTINA,” a collaboration between Saint Levant and Marwan Moussa that blends hip-hop and pop within a hybrid electro-shaabi sound.