‘Souk Wonders’ to give final performances as show nears end

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Performers at Diriyah Season’s Souk Wonders entertained visitors from Saudi Arabia and around the world. (AN Photo/Loai Elkellawi)
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Performers at Diriyah Season’s Souk Wonders entertained visitors from Saudi Arabia and around the world. (AN Photo/Loai Elkellawi)
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Performers at Diriyah Season’s Souk Wonders entertained visitors from Saudi Arabia and around the world. (AN Photo/Loai Elkellawi)
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Performers at Diriyah Season’s Souk Wonders entertained visitors from Saudi Arabia and around the world. (AN Photo/Loai Elkellawi)
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Performers at Diriyah Season’s Souk Wonders entertained visitors from Saudi Arabia and around the world. (AN Photo/Loai Elkellawi)
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Updated 27 February 2025
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‘Souk Wonders’ to give final performances as show nears end

  • Ghada Sheri: ‘We have been doing it for a month now and we have done 33 shows and it’s been amazing’
  • Sheri: ‘I get to sing to people every day and see their reactions and I share the stage with amazing performers’

RIYADH: Diriyah Season’s “Souk Wonders,” featuring trampolines, circus acrobatics, musical entertainment, balancing acts, and a variety of culinary experiences will come to a close on Friday.

“We have been doing it for a month now and we have done 33 shows and it’s been amazing — honestly, I love it here and I am really sad for it to be over,” Ghada Sheri, a singer and songwriter, told Arab News.

“I get to sing to people every day and see their reactions and I share the stage with amazing performers as well so that has been amazing,” she said.

“Souk Wonders” features traditional Najdi architecture, tents, a majlis, and an oversized marketplace scale that spins as guests are seated on it.

The performances kick off with a daring show featuring performers jumping off the edges of the traditional Najdi structures towards the crowd and onto a trampoline.

The routines come back-to-back, leaving audience members anticipating which way to turn next.

Carina Pires, a nurse from Portugal, has lived in the Kingdom for 12 years, and attended “Souk Wonders” with her friends.

“It’s been amazing. We have just been mesmerized. We don’t know where to look, it’s been so many things with so many emotions, it’s really good,” Pires told Arab News.

“It was amazing, I have been experiencing things here that I didn’t in my country,” she added.

When asked what her favorite part of the show was, Pires said: “Everything was amazing, I cannot point to one, it was everything.”

A unique feature of “Souk Wonders” is the currency. Although real money can be used, visitors are taken back in time as they are presented with gold Diriyah Season coins to make their purchases.

For example, a water bottle would cost guests 1 coin, with each coin valued at SR5 ($1.33). A regular ticket gives visitors 18 coins, and the platinum ticket allows for 24.

Along with live performances, “Souk Wonders” has restaurant and cafe booths that feature unique dishes that pay tribute to traditional flavors with modern-day twists all crafted by Saudi chefs especially brought in to design the menu for the event.

Saudi chef Samira Jan was the mind behind the Sand of Zaatar booth, featuring flavors from the Levant region, including a Palestinian musakhan tart as well as a sweet Syrian basbousa tart.

Other Saudi-crafted creations included soft drinks and mixed mocktails at Al Bar booth.

One unique feature of “Souk Wonders” is the interactive performances from the actors of the who remained in character throughout whilst interacting with guests.

“Souk Wonders” will put on its final shows on Feb. 28 at 7:45 p.m. to 9:45 p.m. and then at 10:45 p.m. to 12:45 a.m. in Venue before coming to a close for Ramadan.


Lebanese filmmaker turns archival footage into a love letter to Beirut

Updated 55 min 37 sec ago
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Lebanese filmmaker turns archival footage into a love letter to Beirut

LONDON: Lebanese filmmaker Lana Daher’s debut feature “Do You Love Me” is a love letter of sorts to Beirut, composed entirely of archival material spanning seven decades across film, television, home videos and photography.

The film premiered at the 82nd Venice International Film Festival in September and has since traveled to several regional and international festivals.

Pink Smoke (2020) by Ben Hubbard. (Supplied)

With minimal dialogue, the film relies heavily on image and sound to reconstruct Lebanon’s fragmented history.

“By resisting voiceover and autobiography, I feel like I had to trust the image and the shared emotional landscape of these archives to carry the meaning,” Daher said.

A Suspended Life (Ghazal el-Banat) (1985) by Jocelyne Saab. (Supplied)

She explained that in a city like Beirut “where trauma is rarely private,” the socio-political context becomes the atmosphere of the film, with personal memory expanding into a collective experience — “a shared terrain of emotional history.”

Daher said: “By using the accumulated visual representations of Beirut, I was, in a way, rewriting my own representation of home through images that already existed."

Whispers (1980) by Maroun Bagdadi. (Supplied)

Daher, with editor Qutaiba Barhamji, steered clear of long sequences, preferring individual shots that allowed them to “reassemble meaning” while maintaining the integrity of their own work and respecting the original material, she explained.

The film does not feature a voice-over, an intentional decision that influenced the use of sound, music, and silence.

The Boombox (1995) by Fouad Elkoury. (Supplied)

“By resisting the urge to fill every space with dialogue or score, we created room for discomfort,” Daher said, adding that silence allows the audience to sit with the image and enter its emotional space rather than being guided too explicitly.

 The film was a labor of love, challenging Daher personally and professionally.

“When you draw from personal memory, you’re not just directing scenes, you’re revisiting parts of yourself and your childhood,” she said. “There’s vulnerability in that.”