Italy government under fire for releasing Libyan warlord accused of war crimes

Italian opposition lawmakers and human rights groups voiced outrage Wednesday after Italy released Libyan warlord Ossama al-Masri on a technicality, after he was arrested on a warrant from the International Criminal Court accusing him of war crimes. (X/@Radio1Rai)
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Updated 22 January 2025
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Italy government under fire for releasing Libyan warlord accused of war crimes

  • Justice Minister Carlo Nordio was grilled about the release Tuesday of Ossama Anjiem, also known as Ossama Al-Masri, during a previously scheduled appearance before the Senate
  • Nordio didn’t respond to several requests for details about the release or demands that he reaffirm Italy’s commitment to upholding international justice

ROME: Italian opposition lawmakers and human rights groups voiced outrage Wednesday after Italy released a Libyan warlord on a technicality, after he was arrested on a warrant from the International Criminal Court accusing him of war crimes and crimes against humanity.
Justice Minister Carlo Nordio was grilled about the release Tuesday of Ossama Anjiem, also known as Ossama Al-Masri, during a previously scheduled appearance before the Senate. Nordio didn’t respond to several requests for details about the release or demands that he reaffirm Italy’s commitment to upholding international justice.
Al-Masri heads the Tripoli branch of the Reform and Rehabilitation Institution, a notorious network of detention centers run by the government-backed Special Defense Force. The ICC warrant, dated Jan. 18 and referenced in Italian court papers, accuses him of war crimes and crimes against humanity committed in the Mitiga prison in Libya starting in 2011, punishable with life in prison.
Al-Masri was arrested Sunday in Turin, where he reportedly had attended the Juventus-Milan soccer match the night before.
Rome’s court of appeals ordered him freed Tuesday, and he was sent back to Libya aboard an aircraft of the Italian secret services, because of what the appeals court said was a procedural error in his arrest. The ruling said Nordio should have been informed ahead of time of the arrest, since the justice ministry handles all relations with The Hague-based court.
Al-Masri returned to Tripoli late Tuesday. He was received at the Mitiga airport by supporters who celebrated his release, according to local media. Footage circulated online showed dozens of young men chanting and carrying what appeared to be Al-Masri on their shoulders at the airport.
Opposition lawmakers from several parties voiced outrage and demanded clarity, with former Premier Matteo Renzi accusing the right-wing government of hypocrisy given its stated crackdown on human traffickers.
“But when a trafficker whom the International Criminal Court tells us is a dangerous criminal lands on your table, it’s not like you chase him down, you brought him home to Libya with a plane of the Italian secret services,” said Renzi of the Italia Viva party. “Either you’re sick or this is the image of a hypocritical, indecent government.”
The Democratic Party demanded Premier Giorgia Meloni respond specifically to parliament about the case, saying it raised “grave questions” given the known abuses in Libyan prisons for which Al-Masri is accused.
Italy has close ties to the internationally recognized government in Tripoli and any trial in The Hague of Al-Masri could bring unwanted attention to Italy’s migration policies and its support of the Libyan coast guard, which it has financed to prevent migrants from leaving.
Human rights groups have documented gross abuses in the Libyan detention facilities where migrants are kept, and have accused Italy of being complicit in their mistreatment.
“It’s critical to understand why Al-Masri was in Italy and why he was freed with such urgency despite the international arrest warrant,” said the Democratic lawmaker Paolo Ciani. He said the choice “appeared to be political.”
Another senator noted that the plane sent to retrieve Al-Masri was sent to Turin before the Rome appeals court had even ruled, suggesting the decision to send him home had been already made by Meloni’s office, which is responsible for the Italian secret services.
Two humanitarian groups, Mediterranea Saving Humans and Refugees in Libya, which have documented abuses committed against migrants in Libyan detention facilities, said they were incredulous that Italy let Al-Masri go.
“Those of us who managed to survive had believed that it was really possible not only to get justice, but more importantly to prevent this criminal from still acting undisturbed,” they said in a joint statement. “Instead, in recent days we have witnessed something shameful, unbelievable in how brazenly it has been conducted.”
But Tarik Lamloum, a Libyan activist working with the Belaady Organization for Human Rights which focuses on migrants in Libya, said Italy’s release of Al-Masri was expected. He said his release shows the power of militias who control the flow of migrants to Europe through Libya’s shores.
“Tripoli militias are able to pressure (Italy) because they control the migrants file,” he told The Associated Press.
Militias in western Libya are part of the official state forces tasked with intercepting migrants at sea, including in the EU-trained coast guard. They also run state detention centers, where abuses of migrants are common.
As a result, militias — some of them led by warlords the UN has sanctioned for abuses — benefit from millions in funds the European Union gives to Libya to stop the migrant flow to Europe.
The ICC prosecutor’s office didn’t respond to requests for comment. The European Commission spokesman reaffirmed all EU members had pledged to cooperate with the court.
“We respect the court’s impartiality and we are fully attached to international criminal justice to combat impunity,” said EU commission spokesman Anouar El Anouni. In a 2023 summit, the EU leaders committed “to cooperate fully with the court, including rapid execution of any pending arrests,” he added.


Festival film shows Gaza circus yearning for ‘one more show’

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Festival film shows Gaza circus yearning for ‘one more show’

  • Shot during the summer of 2024, as war raged in Gaza, “One More Show,” co-directed by Egyptian Mai Saad and Palestinian Ahmed el-Danaf, followed the daily life of the Free Gaza Circus
  • “It was the first time I heard someone want to make a film about daily life, not just the bombing and the suffering,” Danaf told AFP

CAIRO: Amid bombed-out buildings, Palestinian circus performers juggled and cartwheel and tried to spread joy despite war and famine, as shown in a documentary screened at the Cairo International Film Festival.
Shot during the summer of 2024, as war raged in Gaza, “One More Show,” co-directed by Egyptian Mai Saad and Palestinian Ahmed el-Danaf, followed the daily life of the Free Gaza Circus.
Danaf, 26 — who is still in the devastated Palestinian enclave — recorded footage of the clowns, jugglers and stilt walkers to bring Saad’s idea to life.
“It was the first time I heard someone want to make a film about daily life, not just the bombing and the suffering,” he told AFP, in a text message.
“The obstacles in front of me were quite clear: communications down, difficulties moving around, constant danger and the lack of equipment. But I felt we had to see it through.”
Slowly but surely, the footage was fed to Saad in Cairo, who put the film together over the course of a year.
“Everything we see in the news is from above — you only see people as these numbers, numbers, numbers... I wanted to make a film from below, from among the people,” the 41-year-old director told AFP.
The result is a heartfelt film in which humor, fatigue and the innocence of childhood are woven together, all under the incessant fear of Israeli air strikes.

- Helping each other -
Performers are seen taking turns scraping what little face paint they have left, helping each other prepare for a show in a school-turned-shelter.
Dozens of children gather around a clown with a bright red nose, singing, laughing and clapping along.
The point “was for these kids to see something besides the war and destruction that surrounds them all the time,” troupe founder Youssef Khedr told AFP by phone from Gaza.
A few weeks into filming, Israeli forces separated north Gaza from the rest of the tiny Palestinian territory.
Short distances became impassable, and the directors had to rely on footage shot by the performers themselves as they escaped to shelters, scrambled to put any kind of show together, or spent terrifying nights under air strikes.
Khedr — who specializes in gymnastics and parkour — fled the circus tent in Gaza City and headed south.
From his tent in southern Gaza, he told AFP he “did his best to keep training” so he could continue performing.
But, as the humanitarian conditions in Gaza worsened, the potatoes and eggs that some performers are seen preparing soon became a luxury.
In July, the circus announced it was suspending activities because of “the severe famine,” saying they could not “offer psychological support to those who haven’t had a bite to eat to ease their hunger.”

- ‘Exhausted by hunger’ -
By August, the United Nations confirmed that famine had set in in Gaza City, the main urban hub in the territory, where the health ministry says 157 children have starved to death.
“Even we as artists have been exhausted by hunger,” Khedr said.
“There were days when we couldn’t find anything to eat. I would buy 20 grams of sugar for $15, and sometimes all we had was formula milk,” he added.
The war was unleashed after Hamas’s unprecedented October 7, 2023 attack on Israel, which resulted in the deaths of 1,221 people.
More than 70,000 people have since been killed in Gaza by the Israeli military, according to the Hamas-run territory’s health ministry.
Since the war began, two of the troupe’s performers have been killed and three injured in strikes. The building in northern Gaza where they used to rehearse and host workshops was destroyed.
After a fragile truce went into effect in October, the circus performances began again, but with far fewer resources than before.
Danaf spent months shuttling from shelter to shelter to find an Internet connection so he could send Saad the footage.
He could not make it in person to the premiere, as Palestinians are not permitted to leave Gaza.
But, in a way, he did make it to the red carpet. Saad carried a tablet with a video call through the premiere and onto stage when the film won the Youssef Cherif Rizkallah Audience Award.
The award’s $20,000 prize money will go toward rebuilding a center for the circus in Gaza, Saad told AFP.