Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

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Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller. (Supplied)
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Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller. (Supplied)
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Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller. (Supplied)
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Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller. (Supplied)
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Updated 22 January 2025
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Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 25.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.