Slovenia calls for Israel’s exclusion from Eurovision 2025

The Eurovision Song Contest is scheduled to take place in May 2025 in Basel, Switzerland, following the country’s victory in 2024 with Nemo’s song “The Code.” (AFP/File)
Short Url
Updated 24 December 2024
Follow

Slovenia calls for Israel’s exclusion from Eurovision 2025

  • Slovenia threatened to withdraw from Eurovision if its demand to exclude Israel over Gaza attacks is rejected by the European Broadcasting Union
  • Organizers cautioned that Israel’s plan to privatize its Kan broadcaster could lead to the country’s removal from the competition

LONDON: Slovenia has called on the European Broadcasting Union to disqualify Israel from the 2025 Eurovision Song Contest over its ongoing military actions in Gaza, Israeli media reported.

Slovenia’s public broadcaster, RTV SLO, formally submitted a letter to the EBU urging Israel’s exclusion, citing its attacks on the Gaza Strip as grounds for disqualification.

The broadcaster warned that Slovenia might withdraw from the contest entirely if its request is denied.

The controversy follows Slovenian President Natasa Pirc Musar’s recent comments condemning Israel and Russia for violating the UN Charter with their respective wars in Gaza and Ukraine. She emphasized that Israel’s actions were on a “much larger scale.”
Eurovision, which celebrates its 69th edition next year, has faced repeated criticism over Israel’s participation.

In the most recent competition, several artists called for Israel’s boycott, arguing that its military operations in Gaza conflicted with the contest’s values.

Protests also erupted earlier this year in Malmo, Sweden, during Israel’s qualification for the finals.

Organizers resisted calls to disqualify Israel maintaining that Eurovision is a “non-political event” and noting that Russia’s exclusion in 2022 was due to the suspension of Russian broadcasters from the EBU for “persistent breaches of membership obligations and violations of public service values.”

Israel’s place in Eurovision faces further uncertainty amid domestic moves to privatize Kan, the country’s public broadcaster.

While Israel qualifies for Eurovision as a member of the EBU, the union warned this week that Kan’s privatization would result in Israel’s removal from the organization.

“Privatising Kan would lead to its removal from our union, limit Israel’s role in international events like Eurovision and prevent Israeli viewers from accessing content such as the 2026 World Cup” the letter from EBU read.

Alon Gellert, Kan’s representative in the Knesset, described attempts to exclude Israel from Eurovision as part of efforts by “antisemitic organizations and Palestinian activists.”

He warned, however, that dismantling Kan could inadvertently achieve those objectives.

“The state of Israel fights tirelessly to prevent such exclusion. Now, through our own actions, we risk achieving their goals,” Gellert said.

The Eurovision Song Contest is scheduled to take place in May 2025 in Basel, Switzerland, following the country’s victory in 2024 with Nemo’s song “The Code.”


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
Follow

Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.