Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

CEO of the Nuwah Foundation Sheikha Hala bint Mohammed Al-Khalifa spoke to Sayidaty Magazine. (Courtesy: Sayidaty magazine/Photos by Ali Rifai)
Short Url
Updated 17 December 2024
Follow

Sheikha Hala Bint Mohammed Al-Khalifa: ‘Colors awaken something in my soul’

  • The Bahraini artist and politician talks creativity, culture, and colors

RIYADH: “Art is a driver for creativity and beauty,” Bahraini artist Sheikha Hala Bint Mohammed Al-Khalifa, CEO of the Nuwah Foundation, said in an interview with the region’s leading Arabic lifestyle magazine for women, Sayidaty, for its December cover story to mark Bahrain’s National Day. 

Among other topics, including her own artistic process, the conversation covered the role that cultural institutions can play in boosting knowledge, raising awareness of history, and stimulating creativity — all ways of assisting the advancement of society. Aside from her work with the Nuwah Foundation — which, according to its website, “empowers changemakers that illuminate our collective future … (to build) a creative, healthy and prosperous society in the Middle East and North Africa” — Sheikha Hala has also developed a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. She also contributed to preserving intangible heritage and took part in Bahrain’s Artist in a School initiative. 




Sheikha Hala spoke about the role that cultural institutions can play in boosting knowledge. (Courtesy: Sayidaty magazine/Ali Rifai)

Sheikha Hala stated that her passion for the arts was inherited from her mother, Sheikha Mai bint Mohammed Al-Khalifa — a prominent figure in the regional cultural scene and the daughter of a senior member of the Bahraini royal family — who, she said, taught her that history fuels perceptions of the present and that historians can feed museums’ contemporary insights and the way societies are presented through their artistic heritage. 

“I belonged to the world of art from a young age; it has always been my inspiration and an integral part of who I am,” Sheikha Hala said. “Fine art and colors have the greatest impact in my heart — they awaken something in my soul. And culture is part of the vibrant fabric of any society. Our heritage — its beauty and diversity — constitutes all parts of my identity. 

“I am truly grateful for my family’s support — it is one of the most important foundations for building self-confidence and motivating people to pursue their dreams,” she continued. “My parents are my biggest supporters, and because of them I was able to study art at university. For the record, none of them objected to me entering this field.” 




Sheikha Hala advises young artists to draw inspiration from culture, local identity, and personal experiences. (Courtesy: Sayidaty magazine/Ali Rifai)

Art has always been a vital part of self-expression for Sheikha Hala. “Art, for me, translates the psychological state surrounding me. In many instances, it’s anxiety that generates an important painting,” she said. She elaborates on this thought on her website, where she has written: “While painting I am in a turbulent state of tension — the making of art has never been a harmonious exercise for me.” 

Sometimes, she told Sayidaty, the driving force behind a piece is a specific message. “In many of my works, there are distinct messages, such as the subject of the gargoor — a traditional fishing tool — which repeatedly appeared in many pieces I worked on. There’s also the theme of war, displacement, and the use of boats to transport people from one place to another in search of a better and safer life,” she said. The latter is seen particularly in her series “Fate.”  

Sheikha Hala is one of many women from prominent Gulf families patronizing and promoting the arts through various initiatives. “Gulf women have made an obvious mark on our society. In the artistic and cultural arena, for example, there are women who, through their education and passion, have started a clear renaissance and we are proud of their creativity,” she told Sayidaty. “I see in (today’s women) the continuity of their grandmothers’ and family’s past. I think modern Gulf women took the most beautiful legacy, and worked on communicating their countries’ identities to the world.” 




Sheikha Hala has worked on developing a wide range of programs, including “Food is Culture,” as well as documentaries as part of the Oral History Project. (Courtesy: Sayidaty magazine/Ali Rifai)

Part of this communication, she stressed, is informing the public about the region’s artistic and cultural history. “I believe that the Arab identity is present in the mind of this generation’s artists,” she said. “However, I regret to say that we tend to resort to foreign languages when we speak and write as an easier path to expression, and we forget the depth and importance of maintaining our identity through our Arabic language. I really hope that the new generation of artists will go back to this rich language and take pride in it, so it can withstand the challenges of globalization.” She cited the words of the great Egyptian poet Ahmed Shawqi when he wrote about Arabic: “He who filled languages with charms, instilled beauty and its secret into the Arabic language.” 

Sheikha Hala also offered further advice to young creatives. “Always open the door to knowledge, listen to every new idea, and draw inspiration from their culture, local identity, and personal experiences,” she said. “This ensures that the work is genuine and carries a part of who you are. Every artist has their own language of expression, but when presenting an art piece, their message must be profound and carry something unique to them. 

“The challenge faced by any artist is to be true to their art — to present work that stirs emotions and creates a unique imprint,” she continued. “This is the biggest challenge.” 

This article is based on a Q&A first published in Arabic in Sayidaty magazine on Dec. 15, 2024.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
Follow

At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.