Dubai Lynx announces 2025 jury president lineup

The festival recently announced changes to its structure such as hosting year-round events and updates to award categories. (Supplied)
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Updated 13 December 2024
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Dubai Lynx announces 2025 jury president lineup

  • Festival to evolve beyond annual event, host year-round sessions
  • Award categories updated to better reflect ‘current state of play’Award categories updated to better reflect ‘current state of play’

DUBAI: Dubai Lynx, a prominent creative festival and awards program organized by Cannes Lions, has announced the jury presidents for the 2025 awards.

They will gather in Dubai early next year, along with the jury panelists, to judge the entries. The deadline for entries is Jan. 23 and winners will be announced at the awards ceremony on April 9.

Jury presidents “play a pivotal role” in upholding the festival’s values of creativity and innovation “bringing their unparalleled expertise and unique perspectives to the judging process,” said Dubai Lynx chairman Philip Thomas.

They come from creative and advertising agencies in different markets including the UK, US, India, Australia and Germany.

The jury presidents for the 2025 edition include Chris Beresford-Hill, global chief creative officer of BBDO; Ryan McManus, chief creative officer of VML UK; Chioma Aduba, president of Droga5 New York; Mayuri Nikumbh, head of design at Conran Design Mumbai, India; Mihnea Gheorghiu, global chief creative officer of LePub; and Neo Mashigo, chief creative officer of The Up&Up Group, South Africa.

The others are Matt Murphy, global chief creative officer of 72andSunny; Aisha Blackwell, head of production services, Serviceplan MAKE Germany; Roberta Raduan, managing director, Klick Health, Latin America; Fiona Johnston, CEO of media, client and commercial at dentsu Australia; and Vanessa Ho Nikolovski, chief client and growth officer for Asia Pacific at Weber Shandwick.

The festival recently announced changes to its structure “designed to support the evolution of the industry across the Middle East and North Africa,” said Kamille Marchant, director of Dubai Lynx.

One change is the introduction of a mandatory requirement to provide cultural context when submitting an entry.

“This is something that we’ve seen play an increasingly important role in the jury rooms,” Marchant told Arab News.

“The question is designed to help the jury understand the cultural nuances, but also how the brand connects with this particular cultural insight and why it’s relevant at that particular moment in time,” she explained.

Additionally, instead of hosting one event a year, the festival will feature a year-round program offering “more intimate, focused, and high-impact experiences that cater to our community’s needs year-round,” Marchant said.

Based on roundtable discussions at Dubai Lynx 2024, the festival team has identified key areas that will inform the topics of upcoming meetups, C-suite roundtables, brand breakfasts and talent and training programs hosted by the festival.

“Our audience is looking for more than just a standalone event; they want opportunities to engage, learn, and celebrate throughout the year,” Marchant said.

The 2025 Dubai Lynx awards will also see changes to some categories such as the evolution of the Digital Lynx category to the Digital Craft Lynx.

This change is meant to celebrate “technological artistry” and reflects “the rapid shifts in the digital landscape, where groundbreaking ideas are infused with high-level craft to create impactful and immersive experiences across a growing range of digital platforms,” Marchant explained.

Other changes include an update to the Audio & Radio category to reflect the expansion of audio work beyond radio.

There will also be tweaks to the PR Lynx category to accurately reflect the current PR industry “not only in amplifying brand and campaign messages, but also in managing perceptions and connecting brands with culture,” she added.

Dubai Lynx has also introduced a Use of Humor sub-category in the Culture & Context category in response to feedback from the industry “who wanted us to create space for work that uses humor to engage audiences to be championed,” Marchant said.

“Over the past couple of years there has been a shift in (the) tone of the work that has been winning — with a lot more irreverence and playfulness — so the timing felt right to create a category where this kind of work can compete,” she added.

Lastly, new sub-categories have been added to the Social & Influencer category to “recognize the increasingly significant role creators play in shaping and amplifying brand messages,” Marchant said.

The changes to the awards are a result of industry collaboration. Dubai Lynx has an awards research and development team that speaks to experts across industries and countries to gather their input on “the current state of play while also previewing the future direction of the industry,” she added.

 


Foreign media group slams Israel for refusing to lift Gaza press ban

Updated 07 January 2026
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Foreign media group slams Israel for refusing to lift Gaza press ban

  • Foreign Press Association expresses 'profound disappointment' with Israeli government’s response to a Supreme Court appeal
  • Israel has barred foreign journalists from independently entering the devastated territory since the war started

JERUSALEM: An international media association on Tuesday criticized the Israeli government for maintaining its ban on unrestricted media access to Gaza, calling the move disappointing.
The government had told the Supreme Court in a submission late Sunday that the ban should remain in place, citing security risks in the Gaza Strip.
The submission was in response to a petition filed by the Foreign Press Association (FPA) — which represents hundreds of journalists in Israel and Palestinian territories — seeking immediate and unrestricted access for foreign journalists to the Gaza Strip.
“The Foreign Press Association expresses its profound disappointment with the Israeli government’s latest response to our appeal for full and free access to the Gaza Strip,” the association said on Tuesday.
“Instead of presenting a plan for allowing journalists into Gaza independently and letting us work alongside our brave Palestinian colleagues, the government has decided once again to lock us out” despite the ceasefire in the territory, it added.
Since the outbreak of the Gaza war in October 2023, triggered by an attack on Israel by the Palestinian militant group Hamas, the government has barred foreign journalists from independently entering the devastated territory.
Instead, Israel has allowed only a limited number of reporters to enter Gaza on a case-by-case basis, embedded with its military inside the blockaded Palestinian territory.
The FPA filed its petition in 2024, after which the court granted the government several extensions to submit its response.
Last month, however, the court set January 4 as a final deadline for the government to present a plan for allowing media access to Gaza.
In its submission, the government maintained that the ban should remain in place.
“This is for security reasons, based on the position of the defense establishment, which maintains that a security risk associated with such entry still exists,” the government submission said.
The government also said that the search for the remains of the last hostage held in Gaza was ongoing, suggesting that allowing journalists in at this stage could hinder the operation.
The remains of Ran Gvili, whose body was taken to Gaza after he was killed during Hamas’s 2023 attack, have still not been recovered despite the ceasefire.
The FPA said it planned to submit a “robust response” to the court, and expressed hope the “judges will put an end to this charade.”
“The FPA is confident that the court will provide justice in light of the continuous infringement of the fundamental principles of freedom of speech, the public’s right to know and free press,” the association added.
The Supreme Court is expected to issue a ruling on the matter, though it is unclear when a decision will be handed down.
An AFP journalist sits on the board of the FPA.