STOCKHOLM: A Swedish-Eritrean journalist held incommunicado without charge in Eritrea for more than 23 years won a Swedish rights prize on Monday for his fight for freedom of expression, the jury said.
Dawit Isaak was among a group of around two dozen people, including senior cabinet ministers, members of parliament and independent journalists, who were seized in a purge in September 2001.
He was awarded the Edelstam Prize “for his outstanding contribution and exceptional courage in standing up for freedom of expression, one’s beliefs, and in the defense of human rights,” the Edelstam Foundation said in a statement.
Amnesty International considers Isaak a prisoner of conscience, and press freedom group Reporters Without Borders (RSF) says he and his colleagues detained at the same time are the longest-held journalists in the world.
UN rights experts have demanded Asmara immediately release him.
Eritrea has provided no news about him, and there are fears he may no longer even be alive. He would be 60 years old.
His daughter Betlehem Isaak will accept the award on his behalf in Stockholm on November 19.
Isaak fled to Sweden in 1987 during Eritrea’s struggle against Ethiopia which eventually led to independence in 1993.
After obtaining Swedish citizenship, he returned to Eritrea in 2001 to help shape the media landscape, and co-founded Setit, the country’s first independent newspaper.
He was arrested shortly after the paper published articles demanding political reforms.
Asmara has not provided any information about his whereabouts or health over the years, which UN experts in 2021 deemed “extremely concerning.”
But they said a credible source had indicated Isaak was still alive in September 2020.
The Edelstam Prize is awarded in memory of Swedish diplomat Harald Edelstam, who as ambassador to Chile at the time of Augusto Pinochet’s 1973 military coup granted thousands of Chileans and other Latin Americans safe conduct to, and political asylum in, Sweden.
Jailed Swedish-Eritrean journalist wins rights prize
https://arab.news/26und
Jailed Swedish-Eritrean journalist wins rights prize
- Dawit Isaak has been held incommunicado without charge in Eritrea for more than 23 years
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
