Jeddah’s Islamic Arts Biennale to return under theme ‘And All That Is In-Between’

The 2023 Islamic Arts Biennale at the Western Hajj Terminal of King Abdulaziz International Airport. (Diriyah Biennale Foundation)
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Updated 25 September 2024
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Jeddah’s Islamic Arts Biennale to return under theme ‘And All That Is In-Between’

RIYADH: The Hajj Terminal in Jeddah will play host to the second edition of the Islamic Arts Biennale from Jan. 25 to May 25.

Organized by the Diriyah Biennale Foundation, this edition explores how faith is experienced, expressed and celebrated through emotions, thoughts and creation.

Following the success of the first Islamic Arts Biennale in 2023 — which ran under the theme “Awwal Bait” or “First House” — this time it is titled “And All That Is In-Between.”

There will be over 30 global institutions participating from countries including Saudi Arabia, France, Egypt, Indonesia, the UK and US.

The showcase will include more than 500 historical artifacts and contemporary artworks including pieces from Makkah and Madinah. They have been loaned by museums including the Louvre in Paris and the Victoria and Albert Museum in London.

In addition, more than 20 artists and collectives from Saudi Arabia and beyond will present new commissions, including Libyan artist Nour Jaouda.

Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah bin Farhan, who serves as chairman of the board of trustees of the Diriyah Biennale Foundation, highlighted the transformative power of the arts in a statement to Arab News.

“Building on the remarkable success of the inaugural edition, the second edition of the Islamic Arts Biennale comes with greater ambition, expanded partnerships and a diverse selection of artistic and cultural institutions, patrons, as well as artists from Saudi Arabia and countries that have rich Islamic culture and traditions,” Prince Badr said.

Aya Al-Bakree, CEO of the Diriyah Biennale Foundation, said the event was growing “through its expert curatorial leadership, and in the participation of world-leading institutions and artists.”

Al-Bakree added that the program would “cement the biennale as a global platform for cultural exchange and a reference point for new research into the field.”

The biennale’s curatorial team is led by Julian Raby, Amin Jaffer and Abdul Rahman Azzam, with Saudi Arabia artist Muhannad Shono as the curator of contemporary art.

Highlights include celestial navigation, Islamic gardens and a competition for the design of a new prayer space, with the winning entry being constructed on-site.

The Vatican Library will participate in the event, showcasing several works from its collections, in “The Art of Numbers” display at the Al-Madar section of the biennale.

“The esteemed collaboration between the library and the biennale offers a tangible opportunity for fostering fraternity through universal symbols, which serve as powerful tools for understanding and connection, promoting dialogue and cooperation among diverse cultures,” archivist and librarian Angelo Vincenzo Zani said.

“This significant project aspires to build bridges between the past, present and future, celebrating the rich diversity of artistic expressions within Islamic culture and standing as a concrete model of integral anthropology.”

The prefect of the Vatican Library, the Rev. Don Mauro Mantovani, said the works going on display at the biennale were extremely rare and invaluable.

“Since the dawn of civilization, numbers, from the simplest contemplation of quantities and relationships among entities to the most intricate mathematical systems and cutting-edge digital technologies, have been a constant companion to human history, forging connections and building bridges between peoples, cultures, societies, as well as philosophical and religious perspectives,” he said.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 18 sec ago
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.