XP Music Futures launches docuseries exploring Saudi music scene

A new docuseries from Saudi Arabia’s XP Music Futures, titled “ASHOO,” delves deep into the Kingdom’s burgeoning music scene. (Supplied)
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Updated 25 August 2024
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XP Music Futures launches docuseries exploring Saudi music scene

DUBAI: A new docuseries from Saudi Arabia’s XP Music Futures, titled “ASHOO,” delves deep into the Kingdom’s burgeoning music scene.

Directed by Chndy and Abu Hamdan and created in collaboration with Badiya Studio, the series “unveils the sounds and untold stories of the Kingdom’s streets, offering viewers an authentic and unfiltered look at the cultural landscape of Saudi music,” according to a press statement.

The six-episode series — which launched its first episode on Aug. 10 — features intimate interviews with key music figures who have played a significant role in shaping the country’s musical identity.

As Saudi National Day approaches, the docuseries aims to serve as a celebration of the nation’s rich cultural heritage.

Chndy and Hamdan said in a statement: “In this project, we believe these stories are important and often overlooked. Our aim was to capture them as authentically and honestly as possible by allowing the people to tell their own stories in their own words. Through this approach, we have been able to showcase the raw emotions, passion, history, and love that these individuals have for their craft and interests.

“It was essential to us to preserve the integrity of their narratives, providing a window into their worlds that is both genuine and powerful,” they added.

Two episodes have been released so far. The first, titled “Jalsat Tarab,” is an introduction to the world of traditional drums and harmonic melodies, where a group of musicians showcase their craft, honed over years of improvisation and passion.

The second episode, titled “Khabiti” and released last week, offers a journey into Saudi folk music and culture, higlighting how artistic heritage remains a vital part of the national identity.

New episodes will drop weekly, with the final episode expected on Saudi National Day on Sept. 23.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.