Review: Debut novel of Palestinian writer explores exile, displacement through the female body

“The Coin” is the dizzying debut of Jerusalem-born Palestinian writer Yasmin Zaher. (Supplied)
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Updated 07 August 2024
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Review: Debut novel of Palestinian writer explores exile, displacement through the female body

  • Yasmin Zaher’s ‘The Coin’ delves into power imbalances, consumerism, elitist nature of fashion and wealth

JEDDAH: The 2024 novel “The Coin,” is the dizzying debut of Jerusalem-born Palestinian writer Yasmin Zaher, which hones in on the female body, and is written in a stream-of-consciousness narrative style.

Titled after a shekel coin the unnamed female protagonist believes she swallowed as a child, and is rusting and decomposing in her, the novel is essentially about an affluent yet displaced woman’s exploration — on her own terms —  of the pain and pleasures of life.

Zaher writes about the unraveling, or rather the becoming, of a Palestinian woman who moves to New York City with the hope of starting life afresh as a schoolteacher.

The coin is “resurrected” here, amid the dirt and poverty that plagues the American city, which the protagonist describes as: “How could the devil be the dream?” It seems to manifest as discomfort, linking the traumas of the past to her present.

The narrator befriends a homeless, yet elegant man whom she gets embroiled with in a Birkin scam. This is an exploration of the cosmopolitan city life’s obsession with consumerism and materialism, as well as the performative and elitist nature of fashion and wealth.

With a closet full of designer pieces, the woman’s refined taste in fashion is a ruse to help her navigate societal expectations against the call of her inner self. She asks herself: “I wondered what my true essence would be, if I were solitary, in nature, untamed and unconditioned?”

She is from Palestine, which she describes as “neither a country, nor the third world, it was its own thing.”

Moving to the Big Apple in pursuit of home and her ideal self, this triggers obsessive cleaning rituals because the city “embraced the dirt like it was an aesthetic.”

As a woman from a country under occupation, her own body becomes the site of power struggles, a site of cleansing rather than being ethnically cleansed out.

Her protagonist says “the women in my family placed lot of importance on being clean … perhaps because there was little else they could control in their lives.”

The narrative is mercurial in its depiction of her cleansing rituals that are juxtaposed with glimmers of violent and disturbing psychopathic thoughts, making her not just an intriguing protagonist to read, but an elusive one.

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Saudi French model Amira Al-Zuhair fronts Louis Vuitton campaign

Updated 25 February 2026
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Saudi French model Amira Al-Zuhair fronts Louis Vuitton campaign

DUBAI: Saudi French model Amira Al-Zuhair this week shared images from her latest campaign with French luxury label Louis Vuitton on Instagram.

Across the images, Al-Zuhair is pictured wearing several looks from the brand in beige, tan and brown tones.

In the first image she posted, she wore a coordinated outfit in a single shade of brown. The look included a long-sleeve top layered beneath a knee-length outer piece with wide sleeves, secured at the waist with a matching fabric belt, paired with loose, wide-leg trousers in the same tone.

Another outfit featured a long-sleeve printed top with a fitted silhouette and an asymmetric tie detail at the side, styled with slim brown trousers and a matching headscarf.

She was also seen in an ensemble comprising a long, neutral-toned inner garment worn beneath a loose, cape-style outer layer. The look was paired with matching trousers and finished with a structured Louis Vuitton top-handle bag in a metallic finish.

In a fourth look, Al-Zuhair wore a coordinated two-piece consisting of a long-sleeve blouse with decorative detailing across the chest, paired with high-waisted, wide-leg trousers in a similar tone.

This marks Al-Zuhair’s second campaign released during Ramadan. Earlier this month, she fronted a campaign for Italian luxury brand Loro Piana.

In images shared on the brand’s Instagram page, Al-Zuhair wears a floor-length olive-green dress featuring a V-neckline, defined waist seam, and fluid cape-style sleeves falling from the shoulders.

According to the brand’s caption, the Ramadan capsule highlights “intricate detailing and the beauty of simplicity,” presenting a wardrobe of comfortable silhouettes.

Shot in the warm, diffused light of a pottery artist’s studio, the campaign centered on elongated shapes, clean lines, and a muted palette of sage and sand tones.

Al-Zuhair, born in Paris to a French mother and Saudi father, has appeared on the runway for renowned fashion houses.

She has walked for Missoni, Maison Alaia, Brunello Cucinelli, Balmain, Dolce & Gabbana, Giambattista Valli, Giorgio Armani, Elie Saab and more.

In addition to her runway appearances, Al-Zuhair has featured in campaigns for brands including Prada, Chanel and Carolina Herrera.