Who’s Who: Dr. Hartwig Fischer, founding director of Museum of World Cultures

Dr. Hartwig Fischer
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Updated 24 July 2024
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Who’s Who: Dr. Hartwig Fischer, founding director of Museum of World Cultures

Saudi Arabia’s Museums Commission has appointed Dr. Hartwig Fischer as the founding director of the Museum of World Cultures, set to open in 2026 within the Royal Arts Complex in King Salman Park, Riyadh.

He is a distinguished scholar, art historian and museum director with more than 30 years’ experience at major cultural institutions in Europe.

In his new role, Fischer is responsible for the development and implementation of the museum’s strategic plan, overseeing its construction and operations, and curating a collection of artifacts and artworks that represent the diverse cultural heritage of humanity.

He is also tasked with building partnerships with international institutions, developing innovative exhibitions and programs, and promoting public engagement and outreach.

Before his role in Riyadh, Fischer served as director of the British Museum from 2016-2023, spearheading a comprehensive masterplan for the museum’s renewal, securing significant funding for capital projects and transforming the museum’s physical and digital presence.

He also oversaw the development of exhibitions that reached diverse audiences and fostered global networks through collection sharing, research and training programs.

Before heading the British Museum, Fischer was director general of the State Art Collections in Dresden from 2012-2016. He oversaw major renovation and reconstruction projects, secured substantial funding and collaborated internationally to expand the collections’ reach.

He also held positions at the Museum Folkwang in Essen and the Kunstmuseum Basel, demonstrating a commitment to strategic leadership and innovation.

Fischer has a long history of fostering international collaboration and partnerships. He has overseen research and heritage partnerships, innovative exhibition series on world cultures, and extensive community and outreach programs. He has expanded global connections between Europe, Asia, the Middle East, Africa and the Americas, providing leadership to distinguished professionals and developing international teams.

While working with renowned museums of world cultures with vast historical collections, he has maintained his expertise in the field of modern and contemporary art, and integrated the work of living artists in these institutions, for example, by expanding the collection of modern and contemporary art of the Middle East and North Africa at the British Museum.

His expertise encompasses a wide range of areas, including museum management and strategic planning, capital project development and implementation, collection development and research, exhibition design and programming, global partnerships and collaboration, fundraising and philanthropy.

His academic background includes extensive studies in art history, archeology and history, pursued at universities in Bonn and Berlin, Rome and Paris.

Fischer earned his Ph.D. from Bonn University in 1994. He has published extensively on topics related to art history, museum studies and cultural heritage. He is fluent in English, German, French and Italian.


‘Masterpieces of Saudi Orchestra’ shine at Maraya in AlUla

The “Masterpieces of Saudi Orchestra” concert opened at Maraya Concert Hall in AlUla on Thursday. (Supplied)
Updated 23 January 2026
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‘Masterpieces of Saudi Orchestra’ shine at Maraya in AlUla

  • The concert on its opening night presented a seamless artistic journey, where orchestral works met Saudi musical identity
  • It underlined the Music Commission’s aim to present Saudi artistry at a high professional level

RIYADH: The “Masterpieces of Saudi Orchestra” concert opened at Maraya Concert Hall in AlUla on Thursday under the patronage of the Kingdom’s Minister of Culture and Chairman of the board of the Music Commission Prince Bader bin Abdullah.

Organized by the Music Commission, the concert on its opening night presented a seamless artistic journey, where orchestral works met Saudi musical identity.

The Saudi National Orchestra and Choir, conducted by Maestro Hani Farhat, led audiences through carefully curated pieces reflecting heritage and modern creativity.

The repertoire combined traditional influences with orchestral scoring, offering listeners heritage-based compositions alongside recent arrangements.

Regional rhythms and layered musical textures were used to echo the Kingdom’s history, while pieces rooted in Saudi classical music tradition connected audiences with familiar cultural references in a fresh format.

The concert underlined the Music Commission’s aim to present Saudi artistry at a high professional level.

The series seeks to honor national heritage while encouraging contemporary artistic engagement, and its growing local and international presence was highlighted throughout the evening.

The program also featured a visual dimension led by the Theater and Performing Arts Commission, which staged live performances of Saudi folk arts. 

Audiences saw presentations of Samri, Dahha, Rafeihi, Yanbawi, Zair and Khabeeti, synchronized with the orchestra to create one integrated artistic experience.

These folk elements were arranged to complement the orchestral sound, reinforcing the richness and variety of Saudi cultural identity. The combination of music and movement aimed to show how traditional forms can engage with large-scale concert settings while retaining their historical character and community roots.

This performance is an extension of the series of successes achieved by the Saudi Orchestra’s masterpieces both locally and internationally, and reaffirms the Music Commission’s commitment to showcasing Saudi music in its finest form.