Mona Tougaard stars in new Marc Jacobs campaign

Model Mona Tougaard is the face of Marc Jacobs’ Fall 2024 eyewear collection “The Sunglasses.” (Supplied)
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Updated 22 July 2024
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Mona Tougaard stars in new Marc Jacobs campaign

DUBAI: Model Mona Tougaard is the face of Marc Jacobs’ Fall 2024 eyewear collection “The Sunglasses.”

The catwalk star, who has Danish, Turkish, Somali and Ethiopian ancestry, took to Instagram to announce the campaign, posting a photo along with a simple heart emoji.

Last month, Berlin-based magazine-turned-fashion label 032c presented its menswear spring/summer 2025 collection at Paris Fashion Week, where Tougaard featured.

She strutted down the runway in a form-fitting suit with a cropped blazer and a blue buttoned-shirt layered underneath. The look was complemented with dark shades and her hair was slicked back in a low bun.

She was not the only regional model on the runway; Tougaard was joined by British-Moroccan model Nora Attal, who wore a sheer, reflective fishnet-like black dress.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Marc Jacobs (@marcjacobs)

The collection, designed by Maria Koch, is titled “Everything Counts” and included outerwear, feminine suiting and versatile denim co-ords suitable for day and night wear.

Collarless 032c jackets featured tonal gothic lettering, while army parkas and deconstructable cargo pants were paired with boxy vinyl tops.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Joerg Koch / 032c (@032c)

Last month, 032c also announced on Instagram that Tougaard had been named the artistic talent director for the collection.

“Tougaard is an inherent member of the 032c universe, who has starred on our magazine covers, our editorials, and our previous FW-24 show. It is an organic progression to involve Tougaard more closely in 032c’s creative processes together with creative director Maria Koch and fashion director Ras Bartram,” the post read.

Tougaard started 2024 with a bang, gracing the runway for Chanel during Paris Haute Couture Week in January. Tougaard wore a black thigh-high coat-style dress with white buttons and a sheer white skirt underneath, teamed with wore white stockings and black heeled sandals.

Tougaard started her modeling career in 2017 after winning the Elite Model Look Denmark competition at the age of 15. Since then, she has become a prominent figure in the fashion industry, known for her work with top designers and luxury brands including Prada, Louis Vuitton, Fendi, Chanel and Valentino.


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.