Saudi star Fahad Albutairi on his new family comedy film

Fahad Albutairi plays a workaholic dad in Maitha Alawadi’s Saudi-Emirati film ‘Al Eid Eiden.’ (Supplied)
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Updated 12 July 2024
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Saudi star Fahad Albutairi on his new family comedy film

  • Albutairi plays workaholic dad in Maitha Alawadi’s Saudi-Emirati film ‘Al Eid Eiden’

DUBAI: Saudi actor, writer and comedian Fahad Albutairi cites two main reasons for taking on the role of beleaguered workaholic dad Rashid in the new family comedy movie “Al Eid Eiden,” which follows a young Saudi-Emirati couple and their three unruly children on vacation at Abu Dhabi’s Yas Island.

“What attracted me to the character initially was the fact that Rashid was a father. And I became a father myself recently,” the 39-year-old tells Arab News. “Also, it’s not very common to see millennials being portrayed as parents in productions in the region, and specifically in the GCC.”

Albutairi ’s second reason involved the film’s all-Emirati female crew, including award-winning director Maitha Alawadi, producer Rawia Abdullah and screenwriter Sara Al-Sayegh.

“Sara has been a colleague and a friend for quite some time now. But this was her screenwriting debut. And, for me, I was really curious about the script,” he says. “The fact that it wasn't slapstick in any way, or a little too on the nose when it came to the comedy… It was very much situational. And the premise just got me hooked.

“I also met online with the director Maitha Alawadi and saw that she was a very collaborative person,” he continues. “So that got me really excited about the film.”




Fahad Albutairi and Meera Al-Midfa star as a married couple with three children in ‘Al Eid Eiden.’ (Supplied)

Emirati actress Meera Al-Midfa, making her feature-length debut, plays Rashid’s wife, while Abdulmajeed Fahad, Layal Fahad, and Abdulmohsen Al-Harbi feature as their energetic children: mischievous Ali, headstrong Mariam, and shy Mohammed.

“I immediately picked up on Meera’s tininess,” says Albutairi, laughing. “So that helped with a lot of the physical comedy in the film. I had never seen her in anything before, so then I looked up her short film ‘Monster,’ which she was wonderful in, but that was a drama. Working on comedy scenes is a two-way street; it’s a collaborative effort. If the other person doesn't have good comedic timing, it can ruin (a) funny moment. That was never the case with Meera. She really came into her own when it came to the comedy. I think she’s one of the funniest characters in the film.”

At the heart of the story, Albutairi says, lies “the struggle of parents who are trying to excel professionally as well as have a pretty stable family life. It's a very delicate balance between the two. And in the case of Rashid, I think he's swayed one way more than the other. And the film explores how he turns it around.”

Albutairi — who rose to fame in the early 2010s with his YouTube sketch show “La Yekthar” and, in 2016, was reportedly the first Saudi stand-up to perform at the Laugh Factory in Hollywood — is delighted to be appearing in a movie representing local culture, humor, and family life. It’s something he believes we need more of in the Saudi entertainment scene.

“We have one of the biggest box offices in the region, if not the biggest,” he says. “And it’s happened over a short period of time since we opened cinemas in Saudi (in 2018). With that comes a huge hunger for content and for more representative films that people can watch and relate to a little more — especially if they're made by Saudi filmmakers.

“I'd like to see more family films like this one. But we also need a diversity of genres. There’s definitely a need for more action stuff, more sci-fi stuff. And I'd love to see that happen very soon,” Albutairi continues. “We’re still testing the waters and seeing what the audience's tastes are. As a content creator and filmmaker myself, I’d like to know more about the audience's thoughts through their reactions and appetite for different productions.”


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.