‘Singing nation’: How karaoke took over the Philippines

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Updated 03 July 2024
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‘Singing nation’: How karaoke took over the Philippines

  • Karaoke is ubiquitous in the Philippines, from malls to bars and roadside eateries
  • Popularized in the 1970s, it has since become the Philippines’ national pastime

MANILA: Videos of Filipinos singing their hearts out at karaoke machines and belting out showstopping numbers from stars like Whitney Houston and Mariah Carey have been raking in millions of views on social media.

One such clip posted on YouTube in 2012, with Zendee Tenerefe singing “I Will Always Love You,” attracted over 26 million viewers, winning the young girl an invite on “The Ellen DeGeneres Show” in the US.

While it shot her to international fame, performances like that of Tenerefe are not a unique sight in the Philippines, where people croon at singing machines at shopping malls, public transport terminals, roadside eateries, restaurants, designated karaoke bars, and in the privacy of their homes.

In public areas, Filipinos can belt their favorite hits for as little as five pesos ($0.80) a song, with the accessibility contributing to karaoke becoming a favorite pastime for everyone, regardless of social status and age.

The love for singing is so widespread that cities have been issuing ordinances regulating the time and day Filipinos can engage in public signing as the hours-long sessions usually run until the early morning.

“Karaoke culture is popular in the Philippines, as it is part of a communal activity in every celebration, whether with a family or a circle of friends,” Patricia Dizon, communication lecturer at the University of the Philippines, told Arab News, observing that its origins date centuries before the Japanese musician Daisuke Inoue invented the Juke-8 — the first karaoke machine — in 1971.

European explorers who arrived on the shores of the Philippine archipelago regularly took note of the natives’ keen musical abilities. The 16th-century Venetian scholar Antonio Pigafetta, for example, observed the Filipinos he met “played so harmoniously that one would believe they possessed good musical sense.”

Meanwhile, Antonio de Morga, a Spanish colonial official who in the late 16th and early 17th century served in the Philippines, referred to the Filipinos as a “singing nation,” as they sang during every activity.

Spanning ages, geographical locations, and social strata, the love for singing is an iconic feature of the culture, and people in the Philippines now have wide repertoire of songs to choose from in today’s ubiquitous karaoke culture.

“While karaoke has long been associated with our titos (uncles) belting the songs of Tom Jones, as well as our ates (elder sisters) singing the infamous ‘Kitchie Nadal Medley,’ there are even newer songs available at the present, including those by the likes of (P-Pop or Pinoy pop groups) SB19 and BINI,” Dizon said.

Although the first karaoke machine was created by a Japanese, it is the Filipino entrepreneur Roberto del Rosario who holds its patent and developed the Karaoke Sing-Along System in 1975.

The system, which features the prerecorded music of popular songs and lyrics on a video screen, has turned karaoke into a central part of pop culture in the Philippines

In cities, Filipinos are treated to a wide range of options to get their fill of the entertainment. Establishments called KTV (karaoke television) rooms are popular for night outs, where groups can rent a private room to sing and order food and drinks. There are also karaoke bars for more courageous people to sing in public.

Law student Crystal Arcega, 26, and her friends frequent such bars to blow off steam in the middle of a grueling academic semester.

“I usually go for karaoke during midterms or after finals season. It’s a great way to hang out with my friends, especially after a long day,” she said.

“When I was younger, we would go to a karaoke booth in the mall every Sunday to sing after going to Mass. It was very wholesome.”

Both in her childhood and now, the love for singing has always had an important social or family dimension to it.

“Karaoke is a way for us to bond,” Arcega said. “Whether it’s to unwind or make memories with our loved ones, I think karaoke as an activity makes us come together and focus on a single thing that we can do together.”

Some, like Emmelle Petalder, 25, also do it alone, at home, with voiceless tunes that are widely available on YouTube.

“This happens two to three times a week,” she said. “Whenever I feel like it, or when there’s a song stuck in my head.”

She usually goes to KTV bars with friends to celebrate special moments as the social nature of karaoke draws everyone in.

“When Filipinos do karaoke, everyone sings along, even those who are not holding the mic,” she said.

“Karaoke gives us the opportunity to let those feelings out by singing our hearts out.”


Cambodia takes back looted historic artifacts handled by British art dealer

Updated 28 February 2026
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Cambodia takes back looted historic artifacts handled by British art dealer

  • The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia

PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.