Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York. (AFP)
Short Url
Updated 02 May 2024
Follow

Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

  • Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
  • ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says

DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.

The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”

But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.

“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.

The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.

“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.

Netflix supported the story, according to a report by Just Jared.

In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!

“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”

The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.
 


Art Cairo spotlights pioneering artist Inji Efflatoun

Updated 23 January 2026
Follow

Art Cairo spotlights pioneering artist Inji Efflatoun

CAIRO: Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26, with visitors treated to gallery offerings from across the Middle East as well as a solo museum exhibition dedicated to pioneering Egyptian artist Inji Efflatoun.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989. (Supplied)

Efflatoun was a pivotal figure in modern Egyptian art and is as well known for her work as her Marxist and feminist activism.

“This is the third year there is this collaboration between Art Cairo and the Ministry of Culture,” Noor Al-Askar, director of Art Cairo, told Arab News.

“This year we said Inji because (she) has a lot of work.”

Born in 1924 to an affluent, Ottoman-descended family in Cairo, Efflatoun rebelled against her background and took part heavily in communist organizations, with her artwork reflecting her abhorrence of social inequalities and her anti-colonial sentiments.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series. (Supplied)

One untitled work on show is a barbed statement on social inequalities and motherhood, featuring a shrouded mother crouched low on the ground, working as she hugs and seemingly protects two infants between her legs.

The artist was a member of the influential Art et Liberte movement, a group of staunchly anti-imperialist artists and thinkers.

In 1959, Efflatoun was imprisoned under Gamal Abdel Nasser, the second president of Egypt. The artist served her sentence for four years across a number of women’s prisons in the deserts near Cairo — it was a period that heavily impacted her art, leading to her post-release “White Light” period, marked dynamic compositions and vibrant tones.

Grouped together, four of the exhibited works take inspiration from her time in prison, with powerful images of women stacked above each other in cell bunkbeds, with feminine bare legs at sharp odds with their surroundings.

Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26. (Supplied)

The bars of the prison cells obstruct the onlooker’s view, with harsh vertical bars juxtaposed against the monochrome stripes of the prison garb in some of her works on show.

“Modern art, Egyptian modern art, most people, they really don’t know it very well,” Al-Askar said, adding that there has been a recent uptick in interest across the Middle East, in the wake of a book on the artist by UAE art patron Sultan Sooud Al-Qassemi.

“So, without any reason, all the lights are now on Inji,” Al-Askar added.

Although it was not all-encompassing, Art Cairo’s spotlight on Efflatoun served as a powerful starting point for guests wishing to explore her artistic journey.