French creatives bring enchanting art experience to Jeddah

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The immersive artworks are generated using the biometric data of dancer Jeanne Morel captured during her movement in extreme environments — including in zero-gravity. (Supplied)
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The immersive artworks are generated using the biometric data of dancer Jeanne Morel captured during her movement in extreme environments — including in zero-gravity. (Supplied)
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The immersive artworks are generated using the biometric data of dancer Jeanne Morel captured during her movement in extreme environments — including in zero-gravity. (Supplied)
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The immersive artworks are generated using the biometric data of dancer Jeanne Morel captured during her movement in extreme environments — including in zero-gravity. (Supplied)
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Updated 01 May 2024
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French creatives bring enchanting art experience to Jeddah

  • For ‘ETH3R,’ Paul Marlier translates dancer Jeanne Morel’s graceful movements into digital art

JEDDAH: Artist Paul Marlier and dancer Jeanne Morel have brought an interactive digital art display dubbed “ETH3R” to Jeddah’s cultural hub, Hayy Jameel.

The French creatives feature immersive artworks generated using the biometric data of Morel captured during her movement in extreme environments — including in zero-gravity.

The unique blend of technology and creativity has captivated audiences with its perspectives on reality, and contrasts with the often mundane nature of daily life.

In an interview with Arab News, Marlier spoke about the creative process behind their digital artwork. He also highlighted the production of artworks inspired by the human and scientific data he had gathered.

“It is a real pleasure to be here, particularly in Hayy Jameel, where we blend art and science to create a sensory experience like no other,” he said. “It represents the DNA imprint of the world — the dance of our souls.” 

He added: “ETH3R encompasses paintings and dynamic installations derived from the biometric data of my wife, Jeanne Morel, who dances in diverse and extreme environments, from beneath the ocean depths to high-altitude astronaut training.”

Marlier has amalgamated this scientific data regarding human physiology with other information, including air quality, satellite imagery, and even facts from the Red Sea. “These artworks serve as emotional imprints, reminiscent of moments of grace. It’s truly a collaborative effort.”

Explaining the process, he added: “With Jeanne as the catalyst, adorned with sensors akin to a paintbrush, her dance emotions are translated through code into the digital art seen in the paintings. We explore themes of fragility, spirituality, and the inherent unity between humans and nature — the universal dance.”

“We approach data not as mere codification, but as sensations, enabling us to specify and share the experience. By capturing a wealth of information from this singular dancer, we endeavor to materialize the essence of grace,” Marlier said.

Morel added: “Dance is the way to express your deepest emotions, sometimes simpler than words.”

“Dance is the allegory of life. It allows me to stay alive, connected to the movements of the world. Our bodies are constantly dancing, moving, on this earth which itself dances around the sun and remains in balance thanks to gravity,” she added.

Of their first visit to the Kingdom, Marlier said: “The people are absolutely welcoming here. And spirituality and poetry are so present.”

Morel added: “We admire the spirituality and also the open-mindedness of this country regarding art and especially digital art.”

Waleed Harthi, an art enthusiast, said: “Witnessing art that exceeds boundaries was a mesmerizing journey, captivating our senses and sparking wonder at the fusion of art and technology. The live demonstration and dance were incredibly relaxing and offered a serene escape to some other imaginary world.”

The exhibition runs until May 11.


Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

Updated 23 December 2025
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Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

  • The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz

RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.

The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.

He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.

They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.

Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”

He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.

The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.

According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.

The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.

It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.

Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.

The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.