NEW YORK: Meta’s oversight board on Tuesday called on the company to end its blanket ban on a common usage of the Arabic word “shaheed,” or “martyr” in English, after a year-long review found the Facebook owner’s approach was “overbroad” and had unnecessarily suppressed the speech of millions of users.
The board, which is funded by Meta but operates independently, said the social media giant should remove posts containing the word “shaheed” only when they are linked to clear signs of violence or if they separately break other Meta rules.
The ruling comes after years of criticism of the company’s handling of content involving the Middle East, including in a 2021 study Meta itself commissioned that found its approach had an “adverse human rights impact” on Palestinians and other Arabic-speaking users of its services.
Those criticisms have escalated since the onset of hostilities between Israel and Hamas in October. Rights groups have accused Meta of suppressing content supportive of Palestinians on Facebook and Instagram against the backdrop of a war that has killed tens of thousands of people in Gaza following Hamas’ deadly raids into Israel on Oct 7.
The Meta Oversight Board reached similar conclusions in its report on Tuesday, finding Meta’s rules on “shaheed” failed to account for the word’s variety of meanings and resulted in the removal of content not aimed at praising violent actions.
“Meta has been operating under the assumption that censorship can and will improve safety, but the evidence suggests that censorship can marginalize whole populations while not improving safety at all,” Oversight Board co-chair Helle Thorning-Schmidt said in a statement.
Meta currently removes any posts using “shaheed” in referring to people it designates on its list of “dangerous organizations and individuals,” which includes members of Islamist militant groups, drug cartels and white supremacist organizations.
The company says the word constitutes praise for those entities, which it bans, according to the board’s report. Hamas is among the groups the company designates as a “dangerous organization.”
Meta sought the board’s input on the topic last year, after starting a reassessment of the policy in 2020 but failing to reach consensus internally, the board said. It revealed in its request that “shaheed” accounted for more content removals on its platforms on than any other single word or phrase.
A Meta spokesperson said in a statement that the company would review the board’s feedback and respond within 60 days.
Meta oversight board urges company to end ban on Arabic word ‘shaheed’
https://arab.news/wpf99
Meta oversight board urges company to end ban on Arabic word ‘shaheed’
- Year-long review found Facebook approach was “overbroad,” unnecessarily suppressed speech of millions of users
- The ruling comes after years of criticism of the company’s handling of content involving the Middle East
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
