Atomic bomb movie ‘Oppenheimer’ crowned best picture at the Oscars

(L-R) Takashi Yamazaki, winner of Best Visual Effects for "Godzilla Minus One", and Christopher Nolan, winner of Best Director for "Oppenheimer", attend the Governors Ball during the 96th Annual Academy Awards at Dolby Theatre on March 10, 2024 in Hollywood, California. (AFP)
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Updated 11 March 2024
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Atomic bomb movie ‘Oppenheimer’ crowned best picture at the Oscars

  • Oppenheimer, blockbuster biopic about race to build first atomic bomb, claimed seven awards at Oscars
  • A three-hour drama about science and politics, it became an unlikely box office hit, grossing $953.8 million

LOS ANGELES: “Oppenheimer,” the blockbuster biopic about the race to build the first atomic bomb, claimed seven Academy Awards including the prestigious best picture trophy on Sunday as Hollywood celebrated a triumphant year in film.

Irish actor Cillian Murphy won best actor for playing theoretical physicist J. Robert Oppenheimer, leader of the US effort in the 1940s to create a weapon that ended World War Two. “Oppenheimer” director Christopher Nolan took home the directing Oscar.

“We made a film about the man who created the atomic bomb, and for better or worse we are living in Oppenheimer’s world,” Murphy said as he held his trophy on stage. “So I would really like to dedicate this to the peacemakers everywhere.”

A three-hour historical drama about science and politics, “Oppenheimer” became an unlikely box office hit and grossed $953.8 million, in addition to widespread critical praise.

It was the first of Nolan’s films to win best picture. The director has previously won acclaim for “The Dark Knight” Batman trilogy, “Inception,” “Memento” and other movies.

As he accepted his gold statuette, Nolan noted that the movie business was a century old and still evolving.

“To know you think I’m a meaningful part of this means the world to me,” he said.

EMMA STONE WINS BEST ACTRESS

Emma Stone was named best actress for playing a woman revived from the dead in the dark and wacky comedy “Poor Things.” It was the second Academy Award for Stone, who landed the best actress honor for 2016 musical “La La Land.”

“This is really overwhelming,” she said on stage.

The best actress race had been considered one of the tightest competitions with Lily Gladstone nominated for “Killers of the Flower Moon.” Had she prevailed, Gladstone would have been the first Native American to win an acting Oscar.

In supporting actor categories, Robert Downey Jr. of “Oppenheimer” and “The Holdovers” star Da’Vine Joy Randolph claimed their first Academy Awards.

Downey, who was nominated for an Oscar in 1993 before his career was derailed by drug use, won his honor on Sunday for playing Oppenheimer’s professional nemesis, Lewis Strauss.

“I’d like to thank my terrible childhood and the Academy, in that order,” Downey joked before he saluted his wife Susan, who he said found him as a “snarly rescue pet” and “loved him back to life.”

Randolph received the best supporting actress trophy for playing a grieving mother and cafeteria worker in the comedy set in a New England boarding school.

“For so long, I always wanted to be different, and now I realize I just need to be myself,” she said. “I thank you for seeing me.”

Winners were chosen by the roughly 10,500 members of the Academy of Motion Picture Arts & Sciences.

After 2023 was marred by labor strikes by actors and writers, the Oscars gave Hollywood a chance to celebrate two blockbusters, “Oppenheimer” and “Barbie,” which brought in a combined $2.4 billion at theaters and made movies the center of pop culture last summer.

“Barbie” ended the night with one Oscar.

Billie Eilish and Finneas O’Connell landed best original song for the ballad “What Was I Made For?” The pair had performed the song on stage earlier with Eilish singing at a microphone next to O’Connell, her brother and co-writer, on piano.

Ryan Gosling donned a hot pink suit, gloves and a cowboy hat to belt out rock ballad “I’m Just Ken,” surrounded by male dancers dressed in black.

Amid the upbeat moments, international conflicts were on the minds of attendees, winners and protesters outside the theater.

Israel’s war on Gaza plays a role

When Holocaust drama “The Zone of Interest” was named best international feature, director Jonathan Glazer addressed Israel’s war on Gaza in his acceptance speech.

“Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people.
 Whether the victims of October the 7th in Israel or the ongoing attack on Gaza. All the victims of this dehumanization. How do we resist?” he said to cheers and applause.

A handful of celebrities, including Eilish, Mahershala Ali and Mark Ruffalo, wore red pins calling for a ceasefire in Gaza.

Outside, hundreds of pro-Palestinian protesters angered by Israel’s war on Gaza shouted and slowed traffic in the streets surrounding the Dolby Theatre. “While you’re watching, bombs are dropping,” one sign read.

“The Oscars are happening down the road while people are being murdered, killed, bombed,” said 38-year-old business owner Zinab Nassrou.

On the red carpet, stars strutted in strong silhouettes, sparkles and a splash of Barbie-inspired pink.

Talk show host Jimmy Kimmel, hosting the show for the fourth time, opened the ceremony by complimenting, and taking jabs at, many of the nominees and their films.
The comedian praised “Barbie,” the pink-drenched doll adventure, for remaking a “plastic doll nobody even liked anymore” into a feminist icon.

Before the film, there was “a better chance of getting my wife to buy our daughter a pack of Marlboro Reds” than a Barbie, Kimmel said on the broadcast, which was shown live on the US ABC network.

Kimmel said many of this year’s movies were too long, particularly Martin Scorsese’s 3-1/2-hour epic “Killer of the Flower Moon” about the murders of members of the Osage Nation in 1920s Oklahoma.

“In the time it takes you to watch it, you could drive to Oklahoma and solve the murders,” Kimmel joked.

Late in the show, Kimmel read aloud from a scathing online review of his performance as host, disclosing at the end that it was written by former US President Donald Trump.

Kimmel jokingly asked the audience to guess which former president had written the post and then quipped: “Thank you, President Trump. Isn’t it past your jail time?“


 


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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