Al Jazeera says journalist severely wounded, another has leg amputated after Israeli strike on Gaza

Reporter Ismail Abu Omar's life is at risk after he had his right leg amputated, while doctors are attempting to save the left one, Al Jazeera said quoting an emergency physician. (X/@Palestinecapti1)
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Updated 13 February 2024
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Al Jazeera says journalist severely wounded, another has leg amputated after Israeli strike on Gaza

  • The broadcaster’s bureau chief Wael Al-Dahdouh was wounded earlier, and his son and fellow journalist Hamza was killed last month
  • Reporter Ismail Abu Omar’s life is at risk after he had his right leg amputated

GAZA STRIP, Palestinian Territories: Qatar-based broadcaster Al Jazeera said Tuesday two of its journalists were severely wounded in an Israeli strike in Gaza’s southern city of Rafah.
Reporter Ismail Abu Omar’s life is at risk after he had his right leg amputated, while doctors are attempting to save the left one, Al Jazeera said quoting an emergency physician.
Cameraman Ahmad Matar was described by Al Jazeera as being in a “serious condition” after being targeted by an Israeli drone in northern Rafah.
The two journalists have been admitted to the European Hospital, on the southern edge of Khan Yunis city.
The health ministry in Hamas-run Gaza said the two were hit in a strike from an Israeli warplane in the Moraj area.
Hamas’s government media office said it “condemns in the strongest terms the Israeli occupation army’s targeting of the Al Jazeera crew.”
The Israeli military did not immediately comment on the strike when contacted by AFP, saying only it would check the details of the incident.
Two other journalists with the broadcaster have been killed during Israel’s war against Hamas in Gaza, while bureau chief Wael Al-Dahdouh was wounded.
His son and fellow journalist Hamza Wael Al-Dahdouh was killed when Israeli forces targeted a car last month, along with another video journalist, Mustafa Thuria.
The network’s cameraman Samer Abu Daqqa was killed in a separate strike in December.
The Committee to Protect Journalists has recorded the deaths of at least 85 journalists and media workers — 78 of them Palestinian — since the war erupted on October 7.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.