Israeli soldiers’ videos of Gazan prisoners breach international law, say legal experts

The rules of international law state that prisoners must not be exposed to unnecessary humiliation or public curiosity. (Screengrab/BBC)
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Updated 10 February 2024
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Israeli soldiers’ videos of Gazan prisoners breach international law, say legal experts

  • BBC researchers find 8 videos shared by Israeli troops on YouTube that showed detainees stripped, bound and blindfolded; others were posted on TikTok
  • Prof. Asa Kasher, lead author of the Israeli army’s Code of Ethics, confirms that filming and sharing humiliating footage of half-naked prisoners violates that code

DUBAI: Humiliating videos of Gazan detainees filmed and shared online by Israeli soldiers could be a breach of international law, legal experts said.

BBC Verify said it analyzed hundreds of videos uploaded since November by Israeli troops deployed in Gaza. Most show scenes of fighting or soldiers inside homes abandoned by the residents. One shows soldiers dressed in dinosaur costumes while launching weapons. In another, troops are seen setting up a pizza restaurant inside an empty Palestinian home.

However, the BBC team said they found eight videos showing detainees stripped, bound and blindfolded. The rules of international law state that prisoners must not be exposed to unnecessary humiliation or public curiosity.

All the videos in question were posted by men who are or were serving soldiers and they did not attempt to conceal their identities.

Mark Ellis, a leading UN advisor to international criminal tribunals, said the footage might violate the recognized international rules governing the treatment of prisoners of war.

The Israeli army told the BBC it had terminated the service of one of the reservists identified by the broadcaster, and said the videos do not represent the military’s values.

The BBC team traced one image of a Palestinian detainee, which has been circulating on social media in the past week, to the YouTube channel of Israeli soldier Yossi Gamzoo Letova.

A video he posted on Dec. 24 shows the detainee seen in the image sitting on a chair, stripped and bleeding, with his hands bound while he is interrogated.

The Israel Defense Forces said that “the photo was taken during a field questioning” and “the suspect was not injured.”

It added: “A reservist photographed and published the picture, contrary to IDF orders and values. It was recently decided to terminate his reserve service.”

Letova uploaded another video to YouTube showing hundreds of Palestinian detainees assembled in a sports field. Most were stripped to their underwear. Some were blindfolded and kneeling on the ground. Both videos were removed from Letova’s YouTube page after the BBC contacted the Israeli army.

A YouTube spokesperson said the platform has removed tens of thousands of harmful videos and shut down thousands of channels during the conflict in Gaza, and teams are working around the clock to monitor the platform for inappropriate content related to the war.

Israeli soldiers have also been sharing videos on TikTok. Two videos posted on the platform by a soldier identified as Ilya Bank featured pictures of blindfolded detainees and images of soldiers posing with guns. Both were removed after the BBC contacted the Israeli army and TikTok.

The BBC reported six other videos to TikTok and the platform confirmed that all of them violated its community guidelines, which clearly state that content “that seeks to degrade victims of violent tragedies” would not be tolerated. The videos were taken down.

Ellis said it is important that prisoners of war are not subjected to degradation or humiliation.

“The idea of walking people through in their underwear and filming that and sending it out certainly would violate that,” he said.

Prof. Asa Kasher, the lead author of the Israeli army’s Code of Ethics, said taking and sharing pictures of half-naked prisoners violated that code.

While there might be military reasons to strip a detainee to check for weapons, he said he could see no reason for “taking such a picture and sharing it with the public” other than to humiliate prisoners.

Michael Mansfield, a human rights lawyer, said the footage should be investigated and assessed by a UN court.

“There is a very severe restriction on how you deal with people who are detained, who are prisoners of war, in a time of war or conflict, which this plainly is, and that provision is really one in which you are intended to treat prisoners with respect,” he told the BBC.


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.