Royal Commission for AlUla launches Hegra Conservation Project

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The primary goal of the Hegra Conservation Project is to identify the causes of degradation in the ancient carved tombs and devise measures that ensure their long-term preservation. (SPA)
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The primary goal of the Hegra Conservation Project is to identify the causes of degradation in the ancient carved tombs and devise measures that ensure their long-term preservation. (SPA)
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Updated 23 January 2024
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Royal Commission for AlUla launches Hegra Conservation Project

  • A team of scientists, experts, and cultural heritage conservation technicians are investigating the factors leading to the deterioration of the ancient carved tombs in Hegra
  • Beyond its 110 monumental tombs, inscriptions, monuments, and rock-cut chambers, Hegra thrived as a center of trade and culture

JEDDAH: The Royal Commission for AlUla has launched the Hegra Conservation Project in collaboration with the Italian company Estia, which has 30 years of experience in the field.

Hegra is the first Saudi archeological site on UNESCO’s World Heritage List.

Led by Prof. Mauro Matteini, former director of the Italian National Research Council, a team of scientists, experts, and cultural heritage conservation technicians are investigating the factors leading to the deterioration of the ancient carved tombs in Hegra, which are over 2000 years old.

The primary goal of the project is to identify the causes of degradation and devise measures that ensure their long-term preservation; the project will end by 2025.

Hegra Conservation Project gives the chance to share the beauty of antiquities in AlUla. The technical and scientific aspects of the work to preserve them can be found in the project’s website (www.hegraconservation.com) and its social media platforms.

The Hegra Archaeological Site, a distinguished historical site in the Kingdom, features carved tombs dating back to the Nabataean era. Originating in the mid-1st century B.C., Hegra showcases the Nabataeans’ pioneering spirit and hydraulic expertise, evident in over 130 wells that preserved essential water resources for thriving communities in northern Arabia.

Beyond its 110 monumental tombs, inscriptions, monuments, and rock-cut chambers, Hegra thrived as a center of trade and culture. The Nabataeans controlled trade routes through Arabia, Jordan, the Mediterranean, Egypt, Syria, and Mesopotamia, mastering the incense and spice trades.

Hegra’s legacy intertwines the stories of the Nabataeans, Dadanites, and Lihyanites, revealing cultural exchanges in architecture, decoration, language use, and caravan trade. After becoming part of the Roman province of Arabia in 106 A.D., Hegra incorporated a Roman fort into its city wall, leaving a lasting influence on defensive structures.

Reopened to the public in 2020, Hegra attracts visitors exploring the secrets of the Nabataean Kingdom’s second principal city. It unravels the mysteries left behind by ancient civilizations, offering a mesmerizing on-site experience with Roman influences and diverse historical narratives.


Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. (Supplied)
Updated 17 January 2026
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Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

  • Artworks by Attyat Sayed and El Dessouki Fahmi will be on display until Feb. 28

JEDDAH: Hafez Gallery in Jeddah has opened an exhibition showcasing the works of influential Egyptian artists Attyat Sayed and El Dessouki Fahmi. The exhibition runs until Feb. 28.

Kenza Zouari, international art fairs manager at the gallery, said the exhibition offers important context for Saudi audiences who are becoming increasingly engaged with Arab art histories.

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

“Attyat Sayed and El Dessouki Fahmi’s decades-long practice in Cairo established foundational models for how artists across the region approach archives, press, and ultimately collective memory,” Zouari told Arab News. 

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. Their early work in press illustration “demanded speed, clarity, the ability to distill complex realities into a single, charged image,” the gallery’s website states.

Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices.

Lina Al-Mutairi, Local art enthusias

Heba El-Moaz, director of artist liaison at Hafez Gallery, said that this is the second time that the exhibition — a posthumous tribute to the artists —has been shown, following its debut in Cairo.

“By placing their works side by side, it highlights how press illustration, often considered ephemeral, became a formative ground for artistic depth, narrative power, and lasting influence, while revealing two distinct yet deeply interconnected artistic paths within modern Egyptian visual culture,” she told Arab News. 

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

Sayed’s work evolved from black-and-white illustration into “layered, dynamic compositions that translate lived emotion into physical gesture, echoing an ongoing negotiation between the inner world and its outward form,” the website states. Viewed together, the works of Sayed and Fahmi “reveal two distinct yet deeply interconnected artistic paths that contributed significantly to modern Egyptian visual culture.”

The exhibition “invites visitors into a compelling dialogue between instinct and intellect, emotion and structure, spontaneity and reflection; highlighting how artistic rigor, cultural memory, and sustained creative exploration were transformed into enduring visual languages that continue to resonate beyond their time,” the gallery states.

Lina Al-Mutairi, a Jeddah-based art enthusiast, said: “Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices. The exhibition really brings their vision and influence to life.”