What We Are Reading Today: ‘The Stranger’

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Updated 09 October 2023
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What We Are Reading Today: ‘The Stranger’

“The Stranger” by Albert Camus was first published in 1942 and is considered one of the French philosopher’s best works, contributing significantly to the existentialism movement.

It tells the story of Meursault, a detached and indifferent French Algerian man living in colonial Algiers. The novel begins with the death of Meursault’s mother, whose funeral he attends.

Throughout the story, Meursault exhibits an apathetic and emotionally detached behavior, which often clashes with societal expectations and norms.

The narrative takes a dramatic turn when he commits a seemingly senseless act of violence against another person. The story then delves into Meursault’s trial and the exploration of his existential nature.

The lack of remorse for his actions and his inability to conform to societal expectations make him a “stranger” in the eyes of others.

As the story progresses, themes related to the philosophy of existentialism come to the forefront.

Meursault confronts questions about life’s meaning, the absurdity of existence, the indifference of the universe and the inevitability of death.

With 6 million copies sold, “The Stranger” is a widely studied novel, known for its exploration of existentialism and profound impact on philosophical and literary discourse.

It continues to provoke discussions about the nature of human existence, individual freedom and the search for meaning in an indifferent world.

Camus was a French philosopher, author and journalist. Among his notable works are “The Plague,” “The Myth of Sisyphus” and “The Fall.”

He was awarded the Nobel Prize in Literature in 1957 “for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times.”


What We Are Reading Today: ‘The Bell Jar’

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Updated 20 December 2025
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What We Are Reading Today: ‘The Bell Jar’

  • The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover

Author: Sylvia Plath

Sylvia Plath’s “The Bell Jar” (1963) is a raw and luminous portrait of a young woman standing at the edge of adulthood, grappling with ambition, doubt, and the suffocating weight of expectation. 

Through the eyes of the novel’s troubled protagonist Esther Greenwood, Plath reveals the loneliness that can lie hidden beneath achievement and the unease brought on by future expectations.  

The novel opens in New York, where Greenwood’s magazine internship seems the gateway to success. Yet the city’s glamor soon feels hollow, and the confidence around her thin and brittle. 

Her sense of direction begins to fade, and the life laid out before her starts to feel both too small and impossibly distant.  

The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover. 

Torn between these possibilities, she hesitates until the figs shrivel and drop. This image, perhaps more than any other, reveals how fear of choice can quietly undo a person.   

Plath’s writing is sharp and deeply humane. She exposes the subtle pressures shaping women’s lives at that time without sentiment or complaint. 

The narrative’s erratic rhythm mirrors the character’s disoriented state of mind, where thought and memory blur at the edges. 

“The Bell Jar” speaks to anyone who has felt caught between possibility and paralysis, between who they are and who they are expected to be. 

Plath writes with precision and compassion, turning confusion into clarity and despair into something almost inspiring.