Inside Saudi sneakerhead Mashari Alomari’s passion for fashion

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To date, Mashari Alomarai has amassed 450 pairs of sneakers. (Photo credit: Sultan Mutard)
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(Photo credit: Sultan Mutard)
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(Photo credit: Sultan Mutard)
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Updated 14 September 2023
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Inside Saudi sneakerhead Mashari Alomari’s passion for fashion

  • ‘There’s an itch only shoes can scratch,’ says the lawyer and fashion lover
  • Born in Riyadh but raised in Pennsylvania, education was important to him, he says, but so was style

DUBAI: For Saudi creative Mashari Alomarai, shoes are more than just an everyday article of clothing. To date, Alomarai has amassed 450 pairs of sneakers. And he says this is just the beginning.  

It started with a birthday gift from his mother: a pair of Nike Cortez shoes. From there, Alomarai quickly realized he had a passion for style and began searching for more shoes to add to his collection.  




Mashari Alomari’s Clot Cortez. (Photo credit: Sultan Mutard)

“Having more kicks meant more options to develop my own style,” he tells Arab News. “Fashion is a combination of science and art — the clothes and accessories we need, and the way we express who we are individually and socially, how we feel, how we wish to communicate. It’s how I want the world to look at me. Fashion communicates values and tastes, thoughts and ideas, form, and function, how we work, how we play… our joie de vivre,” Alomarai says. 

“I love pieces that are colorful and outspoken,” he continues — and his collection includes several bold pieces such as MSCHF red boots, Vandy The Pink Skeleton Clarks and a pair of Caveman slippers by Imran Potato, probably the weirdest shoes he owns. “I like to put together my outfits with any accessory that looks like it pops or stands out.”  




Mashari Alomari's caveman slippers. (Photo credit: Sultan Mutard)

Given his love for vibrant fashion and his enthusiasm for skateboarding, many are shocked to learn that Alomari is a lawyer. Born in Riyadh but raised in Pennsylvania, education was important to him, he says, but so was style. 

Mashari also uses fashion as a way of remaining in touch with his culture. “I own some clothing from well-known designers such as Noble&fresh and Torba Studio,” he says. “I find them highly connected to Arab culture.” 

Alomarai started a series on Instagram (his handle is @sneakershead413) called “Jummah Fits,” in which he posted outfits he wore to Friday prayers — traditional thobes that he gives a modern twist.  

The series quickly became popular online and many other Saudi and Mulsim creators have since followed suit. Social media has been good to him. 

“People use Instagram not only for communication but also for identity seeking and self-expression,” he says. “Photos are such a great way to portray who you are as a person. Spontaneous photos of your life are a strong way to connect with your audience. Communication through visual content is the new normal — visual images and photographs are becoming our primary means of communication.” 

Through social media, Alomarai has met many Saudi and Arab creatives who have become collaborators and friends.  

“I’ve met some amazing people and made friends with great ones by posting. I believe that by posting pictures you attract people who share the same interests, I actually met Sultan Mutard, the photographer who took the pictures for this piece, through Instagram.” 




Alomari is also a skateboarding enthusiast. (Photo credit: Sultan Mutard)

Alomarai believes that Saudi Arabia has the potential to become a hub for international fashion. “The Ministry of Culture’s Fashion Commission is spearheading initiatives that underscore Saudi Arabia’s determination to become a global fashion capital,” he says. “The evolution of fashion events in the Kingdom has gained momentum.”  

He also emphasizes the need for fashion to be inclusive, saying: “Fashion should not be a reason to make you feel bad about yourself. People of all ages, heights, colors, shapes and of all sizes should feel good about themselves and should be allowed to wear what makes them feel good.” 

It seems like the natural next step for Alomarai would be to launch his own brand, but he says that’s not necessarily on the cards at the moment. 

“Building a brand is like having a baby,” he says. “You need time, effort and, of course, money. However, I welcome any collaboration with brands to work together on any shoe-related projects.” 

For now, then, Alomarai is content to keep adding to his ever-growing collection. 

“Sneakerhead. Sneaker addict. Sneaker slave, call it what you want,” he says. “There’s a certain thrill, like an itch only shoes can scratch, that sneakerheads feel for their passion.” 


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
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‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”