Inside Saudi sneakerhead Mashari Alomari’s passion for fashion

1 / 3
To date, Mashari Alomarai has amassed 450 pairs of sneakers. (Photo credit: Sultan Mutard)
2 / 3
(Photo credit: Sultan Mutard)
3 / 3
(Photo credit: Sultan Mutard)
Short Url
Updated 14 September 2023
Follow

Inside Saudi sneakerhead Mashari Alomari’s passion for fashion

  • ‘There’s an itch only shoes can scratch,’ says the lawyer and fashion lover
  • Born in Riyadh but raised in Pennsylvania, education was important to him, he says, but so was style

DUBAI: For Saudi creative Mashari Alomarai, shoes are more than just an everyday article of clothing. To date, Alomarai has amassed 450 pairs of sneakers. And he says this is just the beginning.  

It started with a birthday gift from his mother: a pair of Nike Cortez shoes. From there, Alomarai quickly realized he had a passion for style and began searching for more shoes to add to his collection.  




Mashari Alomari’s Clot Cortez. (Photo credit: Sultan Mutard)

“Having more kicks meant more options to develop my own style,” he tells Arab News. “Fashion is a combination of science and art — the clothes and accessories we need, and the way we express who we are individually and socially, how we feel, how we wish to communicate. It’s how I want the world to look at me. Fashion communicates values and tastes, thoughts and ideas, form, and function, how we work, how we play… our joie de vivre,” Alomarai says. 

“I love pieces that are colorful and outspoken,” he continues — and his collection includes several bold pieces such as MSCHF red boots, Vandy The Pink Skeleton Clarks and a pair of Caveman slippers by Imran Potato, probably the weirdest shoes he owns. “I like to put together my outfits with any accessory that looks like it pops or stands out.”  




Mashari Alomari's caveman slippers. (Photo credit: Sultan Mutard)

Given his love for vibrant fashion and his enthusiasm for skateboarding, many are shocked to learn that Alomari is a lawyer. Born in Riyadh but raised in Pennsylvania, education was important to him, he says, but so was style. 

Mashari also uses fashion as a way of remaining in touch with his culture. “I own some clothing from well-known designers such as Noble&fresh and Torba Studio,” he says. “I find them highly connected to Arab culture.” 

Alomarai started a series on Instagram (his handle is @sneakershead413) called “Jummah Fits,” in which he posted outfits he wore to Friday prayers — traditional thobes that he gives a modern twist.  

The series quickly became popular online and many other Saudi and Mulsim creators have since followed suit. Social media has been good to him. 

“People use Instagram not only for communication but also for identity seeking and self-expression,” he says. “Photos are such a great way to portray who you are as a person. Spontaneous photos of your life are a strong way to connect with your audience. Communication through visual content is the new normal — visual images and photographs are becoming our primary means of communication.” 

Through social media, Alomarai has met many Saudi and Arab creatives who have become collaborators and friends.  

“I’ve met some amazing people and made friends with great ones by posting. I believe that by posting pictures you attract people who share the same interests, I actually met Sultan Mutard, the photographer who took the pictures for this piece, through Instagram.” 




Alomari is also a skateboarding enthusiast. (Photo credit: Sultan Mutard)

Alomarai believes that Saudi Arabia has the potential to become a hub for international fashion. “The Ministry of Culture’s Fashion Commission is spearheading initiatives that underscore Saudi Arabia’s determination to become a global fashion capital,” he says. “The evolution of fashion events in the Kingdom has gained momentum.”  

He also emphasizes the need for fashion to be inclusive, saying: “Fashion should not be a reason to make you feel bad about yourself. People of all ages, heights, colors, shapes and of all sizes should feel good about themselves and should be allowed to wear what makes them feel good.” 

It seems like the natural next step for Alomarai would be to launch his own brand, but he says that’s not necessarily on the cards at the moment. 

“Building a brand is like having a baby,” he says. “You need time, effort and, of course, money. However, I welcome any collaboration with brands to work together on any shoe-related projects.” 

For now, then, Alomarai is content to keep adding to his ever-growing collection. 

“Sneakerhead. Sneaker addict. Sneaker slave, call it what you want,” he says. “There’s a certain thrill, like an itch only shoes can scratch, that sneakerheads feel for their passion.” 


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
Follow

At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.