Who’s Who: Reham Al-Musa, Managing Director and Country Leader for Oracle Saudi Arabia

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Updated 30 August 2023
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Who’s Who: Reham Al-Musa, Managing Director and Country Leader for Oracle Saudi Arabia

Reham Al-Musa is the vice president, cloud applications for Oracle’s public sector business in Saudi Arabia. She is also the managing director and country leader for Oracle Saudi Arabia, making her one of the first Saudi women to lead the business operations of a global information technology major in the Kingdom.

As the leader of Oracle’s cloud applications business for the public sector, Al-Musa helps Kingdom’s government entities drive strategic digital transformation initiatives that are aligned with the scope and objectives of Saudi Vision 2030.   

She is also responsible for helping accelerate innovation across Oracle’s fast-growing public sector customer portfolio in the Kingdom with latest emerging technologies including artificial intelligence, machine learning, Internet of Things and more.  

Al-Musa started her career in the IT industry as an intern and quickly proved her mettle to hold several key leadership positions across leading tech companies in Saudi Arabia and the Middle East, before assuming the role of Oracle’s country leader in the Kingdom.   

She holds a bachelor’s degree in IT from King Saud University. Being well aware of this social responsibility to Saudi youth, Al-Musa is passionate about helping young talent explore career opportunities in the IT sector to help create a strong local talent pipeline while also contributing to the Kingdom’s digital economy.   

Al-Musa regularly hosts workshops at Oracle and at leading educational institutions to share key career learnings with young Saudi students.  

She is also a diversity and inclusion advocate, and works actively to inspire more women to join the technology industry and take up leadership roles. Al-Musa is an active member of the Oracle Women’s Leadership group, a global development program with a mission to engage and empower current and future generations of women leaders at Oracle.  

Academically inclined, she also holds several leadership certifications from INSEAD.   


Misk Art Institute unveils inaugural solo shows for visual art pioneers

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Misk Art Institute unveils inaugural solo shows for visual art pioneers

  • The inaugural event features two exhibitions that pay homage to the artistic legacies of renowned Saudi masters, Taha Al-Sabban and Youssef Jaha

The Misk Art Institute, part of the Mohammed bin Salman foundation, Misk, has launched its solo exhibition series spotlighting pioneers of Saudi visual arts, the Saudi Press Agency reported. 

The initiative aims to celebrate the professional trajectories of artists and introduce their works through specialized exhibitions.

The series began this week at the Prince Faisal bin Fahd Arts Hall in Riyadh and will run until Sept. 19, 2024. 

According to SPA, the series sheds light on the distinguished careers of a cohort of Saudi art pioneers whose indelible impact has shaped the nation’s artistic landscape over decades. Each meticulously curated exhibition offers an opportunity to be immersed in the artistic journeys of these visionaries, unveiling intricate details of their innovative practices, evocative visual languages and sculptural expressions.

The inaugural event features two exhibitions that pay homage to the artistic legacies of renowned Saudi masters, Taha Al-Sabban and Youssef Jaha. These exhibitions honor their groundbreaking roles, creative endeavors that explored multifaceted social and cultural themes, and their unparalleled contributions spanning 50 years. A total of more than 70 artworks, encapsulating the artists’ visionary concepts, will be on display.

Al-Sabban’s showcase, titled “The Oasis of Imagination,” takes viewers on a transcendent journey through his poetic depictions of women as a central motif within his oeuvre. 

Concurrently, Jaha’s “Seeking Rain” exhibition reflects the rich architectural fabric of his environment, eloquently highlighting the intrinsic relationship between humans, place and the natural realm.

Through these exhibitions, the Misk Art Institute reaffirms its mission to document and preserve Saudi Arabia’s artistic heritage, ensuring the enduring legacy of these masterworks for present and future generations, according to SPA. This undertaking contributes to the exploration of art, fostering inspiration from its creative ethos.


Saudi Public Investment Fund emerges as most valuable and second-strongest sovereign wealth fund globally

Updated 14 min 30 sec ago
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Saudi Public Investment Fund emerges as most valuable and second-strongest sovereign wealth fund globally

  • Asset Management and Sovereign Wealth Funds 2024 report released

RIYADH: Saudi Arabia’s Public Investment Fund has topped the list of the most valuable brands among global sovereign wealth funds, according to a report by UK-based brand valuation and strategy consultancy Brand Finance.

The list includes 50 of the largest asset management companies and sovereign wealth funds in the world.

The inaugural Asset Management and Sovereign Wealth Funds 2024 report, which was released on Wednesday, was based on a survey of more than 4,400 entities around the world, including companies, individuals and media from the investment and financial sectors.

The Brand Finance report estimated the value of the PIF’s brand at $1.1 billion (more than SR4.1 billion), making it the highest among the regional and international sovereign funds included in the list.

It said the PIF emerged as the world’s second-strongest SWF brand in terms of brand strength, with a score index of 62.1 out of 100, and is “one of only three SWF brands to earn an A+ brand strength rating.”

The report added that the PIF had ambitious growth prospects in light of its targets for the year 2030, which contributed to enhancing the value of its brand, especially as it distinguished itself among other sovereign funds in its focus on investing in the local economy, unlocking the capabilities of new sectors and creating job opportunities, the Saudi Press Agency reported.

“Through this unique approach to ranking asset managers and SWF funds, Brand Finance has revealed a novel and useful new insight: actively managed asset managers tend to have higher brand value to AUM (assets under management) rations,” the report said.

“As the most active SWF by a large margin, PIF epitomizes this trend with a brand value to AUM ratio that is almost double that of its nearest SWF competitor,” it added.

The report stated that the advanced position of the fund’s brand was due to its influential economic activity and investment performance.

Those surveyed expressed a positive outlook toward the PIF’s innovative strategy and its role as a catalyst for promoting growth and development.

The report added: “Looking ahead, PIF has ambitious growth prospects, aiming to reach USD2 trillion in AUM by 2030. This ambition has also turbocharged PIF’s brand value and brand strength as it has adopted bold investment strategies that contract other SWF brands.

“PIF is also the 15th most valuable brand in a combined ranking of both asset managers and SWFs, a reflection of how PIF leadership envisions the fund as an asset manager, SWF, and a national development entity.”

The value of assets under management at the PIF has reached more than $930 billion, and the fund works to develop strategic sectors and opportunities that will contribute to shaping the future of the global economy, the SPA reported.

The fund is an active investor and a major driver of economic transformation in the Kingdom, and since 2017 it has launched 94 new companies and contributed to creating more than 644,000 job opportunities at the local level, the SPA added.

Brand Finance has been working for more than 25 years to evaluate the strength of brands and determine their financial value, and publishes more than 100 reports classifying brands in all sectors and countries.


Saudi Arabia and Qatar sign tax rules agreement

Updated 36 min 22 sec ago
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Saudi Arabia and Qatar sign tax rules agreement

  • The aim of the accord is to avoid the possibility of double taxation and prevent tax evasion

RIYADH: Saudi Arabia’s minister of finance, Mohammed Al-Jadaan, and his Qatari counterpart, Ali Al-Kuwari, signed an agreement on Thursday designed to avoid the possibility of double taxation and prevent tax evasion.

During the signing ceremony in Doha, Al-Jadaan said the agreement is part of efforts to strengthen legislative coordination between the two countries, to encourage bilateral trade and attract investment to the region, the Saudi Press Agency reported.

Al-Kuwari highlighted the important nature of the agreement and the effective role it will play in these efforts, adding that it will help to ensure international standards of transparency are in place, through the exchange of financial information as the nations work together on taxation and economic relations.


Indonesian pilgrim receives open-heart surgery

Updated 46 min 14 sec ago
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Indonesian pilgrim receives open-heart surgery

  • The Madinah Health Cluster said that the man, aged in his 60s, arrived to the ER with sharp chest pain
  • Medical staff performed open-heart surgery and placed new arteries taken from the patient’s chest and leg

MADINAH: Medical staff at Madinah’s Cardiac Diseases and Surgery Center of Madinah performed open-heart surgery on an Indonesian Hajj pilgrim.

The Madinah Health Cluster said that the man, aged in his 60s, arrived to the center’s ER with sharp chest pain. Medical examinations showed he had suffered a cardiac stroke. Staff used a diagnostic catheter to discover severe blockages in three coronary arteries.

Medical staff performed open-heart surgery and placed new arteries taken from the patient’s chest and leg.

He was transferred to the intensive care unit, then to the inpatient department for rehabilitation. After being discharged, the pilgrim left the center in good health to complete the Hajj rituals.
 


How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images

Updated 49 min 26 sec ago
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How a Saudi artist combines AI with conventional artistic techniques to create nostalgia-infused images

  • Hadeel Mohammed uses generative AI to create images that depict daily life in Saudi Arabia during the 1990s
  • Rather than replace human creativity, Saudi artist believes AI will augment and improve the creative process

RIYADH: Artificial intelligence technologies have already found new and exciting applications in the workplace, health, education and business. Now, creative industries are finding novel ways to employ these mold-breaking tools.

Hadeel Mohammed, a Saudi AI artist, has used the technology to create nostalgia-infused images that depict various aspects of daily life in Saudi Arabia during the 1990s.

About a year ago, Mohammed took an interest in how technology and creativity can combine to make something entirely new, and began experimenting with AI to create bold visuals plucked from her imagination.

After earning a certificate in AI art, she was able to blend various digital editing methods with more conventional artistic techniques.

“Every artwork I create is quite personal and reflects my vision and personal growth to visualize ways to express myself,” she told Arab News.

Mohammed begins with a nostalgic memory or an old song. She then uses AI algorithms to generate artworks that reflect the ideas and emotions that these evoke.

“This is only the beginning of what you see in my work,” she said. “I then spend time refining, editing, changing details and improving compositions using different art software to reach the final photo, while also adding my personal touch to it.

“The end photo is a piece that tells a story and connects with viewers on a deeper level.”

Mohammed says she draws her inspiration from “how life was as a child living in the ‘90s.

“This is my vision of the past, and I try to use my imagination to produce unique art, particularly in the fashion, interiors, retro patterns, styles, colors used, music and way of life during that time. This might not reflect everyone’s lifestyle. I produce what evokes certain emotions.

“I remember my mother would often bring me to gatherings and I was fascinated by the lovely clothing worn by women at that time. To this day, I still enjoy looking at old photos to relive the beauty of that time and through my graphics, I hope to celebrate Saudi nostalgic fashion and lifestyle from the 1990s.”

Mohammed says that artworks that reflect the Saudi or Arab ‘90s can be difficult to produce “because AI’s knowledge of ‘female’ features is so limited,” resulting in her having to edit the photos to depict accurate features.

When curating an image, Mohammed focuses on the “mood and vibe” she is looking to convey.

“I love classic styles and use them a lot in my photos. They are timeless and full of elegance and nostalgia. For the color palette, I use earthy tones to bring a sense of coziness and warmth like shades of brown and beige. I remember them being called ‘royalty colors’ back in the ‘90s, while in the ‘80s, pastel colors and metallic accents were more used.”

She draws particular inspiration from the style of Saudi American businesswoman and editor Princess Deena Al-Juhani Abdulaziz for her fashion and her image as a modern and elegant Saudi woman.

Despite its game-changing applications, AI can be unpredictable. Mohammed says there are occasionally issues with photo resolution challenges in post-processing.

“Most of the time, I have to use editing software to change the composition and enhance the photos, as AI’s results sometimes are unpredictable and inaccurate,” she said.

“Photos generated by AI might be good for the screen, but they are not suitable for printing large-sized photos.

“AI is still limited by the data it is trained on. It only reproduces the same existing styles and techniques unless guided and edited by a human artist. This is where creativity comes in.”

Instead of being restricted by the curbs that come with AI, Mohammed sees these limitations as an opportunity to learn new methods for generating and refining art.

“It is a fun journey that I enjoy and embrace with all its constraints. However, in order to produce beautiful work that represents my vision, I also combine AI technologies with standard art design.

“For art to be meaningful, it should reflect an emotional feeling and this cannot be done by a machine alone. Only a human can add real purpose and cultural insight to any type of art. Machines just make random pictures without understanding.”

Mohammed says AI still requires “the right people to choose the best art and know good art when they see it, as machines make many random photos. Not all of it is appealing.

“In summary, AI alone cannot substitute human vision, guidance, experience, and emotions to make art with true meaning and impact.”

As with all AI tools, advances are occurring rapidly.

“As technology develops, Al will create a greater variety of creative mediums and aesthetics and other fields like music and animation will be incorporated into technology,” said Mohammed.

“Also, algorithms will become more advanced and accessible and will not require much effort to meet our standards or ideas.”

And as AI tools become more widely used, their acceptance in the creative industries among artists is likely to grow.

“I think in the next few years, artists will be more accepting of AI-generated art, and it will also change the way that artists create their own work. I see that AI will probably become a common tool for artists, content creators and graphic designers.”

Rather than replace human creativity, Mohammed believes AI will augment and improve artworks.

“AI-generated art can become a major force in the art world and artists will experiment with new techniques to reach broader audiences. As people become more comfortable with AI’s capabilities, its influence in the art world will grow, leading to a rich and diverse landscape of artistic expression.

“I see a future where AI and human creativity work hand in hand.”

Evidence of this growing acceptance of AI-generated art can be found on Mohammed’s TikTok and Instagram accounts, where she has received positive feedback from her followers.

“I mostly receive a lot of positive feedback, both in comments and private messages,” she said.

“People regularly express their appreciation and thank me for bringing back old memories and feelings. They say that they enjoy and love my content. It makes me happy that, through visualizing memories through art, I can provide positivity and happiness to others.”