Review: Netflix action-thriller ‘Heart of Stone’ lacks punch — and heart

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Updated 17 August 2023
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Review: Netflix action-thriller ‘Heart of Stone’ lacks punch — and heart

  • Latest franchise starter from streaming platform struggles to carve out niche 

LONDON: Another swing. Another miss. Netflix’s commitment to establishing the next big action-thriller franchise is commendable but, aside from a couple of examples (“Extraction” maybe, “The Old Guard”), the streaming giant’s success rate is, so far, nothing to really write home about. 

Next up off the ‘get-an-established-name-to-hang-your-new-IP-on’ conveyor belt is “Heart of Stone,” which sees Gal Gadot star as super spy Rachel Stone, part of an elite group of operatives known only as the Charter which works to maintain world peace. Her team consists of Parker (Jamie Dornan), Yang (Jing Lusi) and Bailey (Paul Ready), and there’s more than a coincidental shade of Tom Cruise/Ethan Hunt’s Impossible Mission Force about the ragtag group of spies as they fight to prevent the world’s most powerful AI computer — known as The Heart — from falling into the wrong hands. 

Despite giving the movie part of its title, The Heart is little more than a plot-driving MacGuffin — an excuse for Gadot to get into a variety of scrapes that only skydiving, motorbikes and explosions can rectify. And while “Heart of Stone” boasts some ambition in the spectacle department (even if it is let down by some questionable CGI), there’s an unavoidable sense of déjà vu about much of this movie’s plot, including its ‘twists’ and the almost-insultingly predictable final act. 

This really does seem to have been a case of gathering up a host of spy movie clichés, throwing them at the wall, and seeing what sticks. There are obvious elements lifted straight from the “James Bond,” “Jason Bourne” and “Mission: Impossible” franchises — let’s be kind and call them respectful homages, rather than flagrant rip-offs (although, seriously, IP lawyers are probably rubbing their hands together already anticipating a windfall) — but not much that feels original. Alia Bhatt’s turn as a mysterious hacker and Sophie Okonedo’s performance as Stone’s boss are decent, but the whole movie feels horribly labored, paling in comparison to its (mostly better) ‘inspirations’ and staggering under the weight of the franchise that it hasn’t yet built. 


Malika El-Maslouhi ushers in spring in Maje

Updated 22 February 2026
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Malika El-Maslouhi ushers in spring in Maje

DUBAI: Moroccan Italian model Malika El-Maslouhi is the embodiment of relaxed in Parisian label Maje’s Spring-Summer 2026 campaign.

The model took to Instagram to share shots from the campaign. Set against a minimalist concrete backdrop, El-Maslouhi is seen wearing a green and white striped knit cardigan paired with wide-leg, speckled denim and chunky black boots, creating a chic contrast between casual comfort and fashion-forward styling. The oversized brown leather bag slung under her arm adds a touch of understated luxury.

She captioned the post, “Spring renaissance.”

Meanwhile, El-Maslouhi ended 2025 on a strong note with a holiday campaign for the French luxury label Guerlain.

In a photo shared on the brand’s Instagram page, the 27-year-old model, who has become a favorite on international runways, wore the limited-edition Rouge G lipstick from Guerlain’s Tale of Wonders Holiday Collection in shade G 877. She was also pictured holding the lipstick alongside the matching limited-edition Rouge G Stellar case.

In August 2025, she was the face of Anthropologie’s 2026 resort-wear campaign. The line blended breezy elegance with playful details, including jewel-toned maxi dresses, sleek black knitted dresses, and form-fitting satin gowns that would be perfect for date night.

El-Maslouhi has previously starred in Anthropologie’s summer campaigns. The catwalk star was photographed posing pool and beachside in pieces from Anthropologie’s summer offering, which included ready-to-wear, swimwear and accessories.

Earlier in the year, El-Maslouhi starred in Saint Levant’s music video for the song “Exile,” directed by Algerian-French filmmaker Lyna Zerrouki. The video, which explores themes of longing, loss and hope, features El-Maslouhi against a striking blue backdrop, seemingly falling through the air.

El-Maslouhi, born in Milan to a Moroccan father and an Italian mother, began her modeling career at the age of 18. She has since appeared on runways for international fashion houses including Dior, Chanel, Valentino and Jacquemus, gracing the catwalks of New York, London, Milan and Paris fashion weeks. Over the years, she has walked for brands such as Ulla Johnson, Prabal Gurung, David Koma, Boss, Missoni, Messika and more.

 

She has also featured in campaigns for brands such as Calvin Klein, Off-White and Lanvin, expanding her portfolio across both luxury and contemporary fashion.

 

In 2022, she was awarded the Model of the Year in Italy title.