Outspoken Ayesha Omar says actors who raise ‘taboo’ topics risk losing work in Pakistan

Ayesha Omar attends the Monse launch party during New York Fashion Week on February 13, 2018 in New York City. (AFP/File)
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Updated 22 June 2023
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Outspoken Ayesha Omar says actors who raise ‘taboo’ topics risk losing work in Pakistan

  • Omar recently opened up about her experience of facing sexual assault from someone in the industry 
  • Known for comedic roles, Omar has recently turned to more serious roles in Kukri and Taxali Gate 

KARACHI: Renowned actor Ayesha Omar, who recently opened up about her experience with sexual harassment in a rare admission for Pakistan’s entertainment industry, has said artists faced the risk of losing work if they spoke about “taboo” issues.

Omar, who stars in Pakistan’s longest-running sitcom Bulbulay and is also a singer and entrepreneur, has long been vocal about topics such as abuse, harassment, and women’s rights. In 2020, during an interview with a local news channel, she spoke about her experience of being assaulted by someone twice her age when she had entered the industry as a 22-year-old. 

“There are a lot of limitations, you do lose out on work if you start raising your voice about things which are either taboo or will lead to a controversy,” Omar, who has recently starred in the films Kukri and Money Back Guarantee, told Arab News in an exclusive interview in Karachi this week.

She said she was in talks with a big brand for a two-year-campaign when she spoke about her experience with abuse from someone in the industry. The brand asked her if she would name the person and she communicated that she might one day, but for now feared the backlash.

“And the brand said, ‘Because if you do [name], we’ll not be able to sign you. We don’t want any controversies attached to anybody who’s representing our brand’,” Omar said.

Known for essaying the comedic character of Khoobsurat in the family series Bulbulay and starring in the road romcom Karachi se Lahore, Omar has now moved on to playing more serious roles, including recently of the lead investigator in Kukri, which is about the Pakistani serial killer Javed Iqbal who sexually abused and killed more than 100 children in Lahore in the 1990s. The film, which was initially banned, released this month after its name was changed and certain edits were introduced by the censor board.




The photo posted on April 16, 2023 shows poster of Ayesha Omar's film 'Kukri'. (Photo courtesy: Ayesha Omar/Instagram)

“Our intention was to create awareness about characters like this [Iqbal]. People like this exist around us, [so] how to protect yourself and your children, how to empower your children to protect their own selves because you can’t be around them all the time,” Omar said.

The actor added that though she understood how the film could have “triggered” people and the months-long ban had been “painful,” she was grateful the movie was finally in cinemas in Pakistan.

“Even if it’s edited and cut and chopped up and yes, a lot of the sentiment is not there anymore, but at least people are getting to watch a part of it,” Omar said. “And the rest of the world has watched the uncensored version.”

Prior to its release in Pakistan, Kukri played at the UK Asian Film Festival and the Berlin Biennale. It will next play at the Indian Film Festival in Melbourne in August.

Omar’s next film, Taxali Gate, also covers difficult topics and was pushing her out of her “comfort zone,” she said: 

“It is shot in the inner city [of Lahore] in the Shahi Mohalla which was known as Heera Mandi [red light district] before, and my character is based there ... It is around a rape incident… It is sort of shedding light on our judicial system.”

Working on such intense topics and also single handedly running her own campaigns, social media accounts and organic skincare brand, Omar said she did face exhaustion and burnout, which prompted her recently to announce a two-week digital detox in which she went off the grid and traveled to the Barberyn Reef Ayurveda Resort in Sri Lanka. 

As an actress, model and businesswoman, Omar said she had to be “constantly available for people,” whether in person or over the phone and social media.

“And this availability is very taxing on human beings, we are not meant to be constantly at everyone’s beck and call, right?” she said.

“So, I needed a break from that. And I also wanted a break from talking to people … I wanted to just be in a space where I don’t need to wear makeup, where I don’t need to dress up every day, where I can get up and roam around and just be me, a person who is not recognized.”

The break has been fruitful, Omar said. 

“Social media is probably the one thing that is creating the most amount of anxiety in people,” the actress said. 

“And I just wanted to disconnect, and it was lovely. And I wish I could do it for longer.”


Kashmiri chai, a winter staple, travels from Himalayan homes to city cafés across Pakistan

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Kashmiri chai, a winter staple, travels from Himalayan homes to city cafés across Pakistan

  • Once confined to Kashmiri households or consumed at winter weddings, the pink tea is now a seasonal fixture in Pakistan’s café culture
  • Slow, labor-intensive preparation, generous use of milk and dry fruits make Kashmiri chai costlier than other teas but demand continues to grow

ISLAMABAD: On a chilly winter evening in Pakistan’s capital this January, friends and families gathered around steaming mugs of a pale pink tea, its surface dotted with almonds and pistachios, as conversations stretched late into the night at a popular café.

The drink is Kashmiri chai: a slow-cooked tea known for its creamy texture, delicate saltiness or sweetness, and distinctive pink hue. Made from special tea leaves, milk and warming spices, and finished with dry fruits, it has long been prized as a winter beverage in colder regions of the Himalayas.

Once closely tied to homes in northern Kashmir and to ceremonial winter weddings, Kashmiri chai is now steadily becoming part of Pakistan’s urban café culture.

“Earlier, people used to drink Kashmiri chai at home, mostly in Kashmir,” said Muhammad Safeer, a Pakistani government employee from Azad Kashmir who works in Islamabad. “Now it’s common in big cafés too, and warm dry fruits are used in this. Its taste is very different and the toppings give you warmth naturally.”

Kashmir is a mountainous region in the northern Himalayas, disputed between Pakistan and India since the partition of British India in 1947. Known for its harsh winters, the region has developed food traditions centered on warmth and nourishment, with Kashmiri chai occupying a central place in daily life during colder months.

Traditionally consumed in winter, the tea has long been associated with hospitality and sustenance. Its preparation is time-consuming, and for decades it remained largely confined to Kashmiri households or served to guests on special occasions.

“This beverage is consumed in Kashmir during winters because it brings warmth,” Safeer said. “I also believe natural and traditional foods are better for us than artificial juices and colas.”

Beyond homes, winter weddings played a key role in introducing Kashmiri chai to wider audiences across Pakistan. Served in large quantities, its creamy texture and generous garnish of dry fruits made it a symbol of generosity and celebration.

“I have been working in wedding catering business since 1990 and Kashmiri chai has always been popular,” said Naeem Abbasi, a wedding caterer. “It is a staple winter beverage, especially in colder areas of Khyber Pakhtunkhwa and Punjab.”

VARIETY AND TRADITION

As Pakistan’s café culture expanded over the past decade, particularly in major cities such as Islamabad and Lahore, Kashmiri chai followed. Its unusual color, rich preparation and seasonal appeal helped it stand out on menus otherwise dominated by black tea, green tea and coffee.

The shift is noticeable even in regions with deeply rooted tea traditions. In Swabi, a district in northwestern Khyber Pakhtunkhwa historically known for green tea, Kashmiri chai has become increasingly available.

“If you look at Swabi’s history, we’ve always had a culture of drinking green tea,” said Syed Sadeeq, a doctor from the district who practices medicine in Islamabad.

“But now I’m observing changes, people are considering other beverages too, like Kashmiri chai. It wasn’t as readily available a few years ago, but now it’s easily available in Swabi too.”

Behind its growing popularity is a preparation process far more demanding than that of regular tea, café workers say.

“There’s a lot of difference between how you make black tea and Kashmiri chai,” said Mubashar, a barista at an Islamabad café who gave only one name.

“First, you prepare the qehwa by adding Kashmiri tea leaves, star anize, nutmeg, black cardamom, cinnamon and fennel. Then you cook it for at least three to four hours.”

Once the concentrated brew is ready, it is strained, milk is added, and the tea is topped with chopped dry fruits. Traditionally prepared with salt, many cafés now also offer sweetened versions to suit modern tastes.

“Earlier, it was popular only at weddings,” Mubashar said, adding that cafés in Islamabad began introducing Kashmiri chai to their menus about six to seven years ago as demand grew. “Now cafés have it because customers are actively asking for it.”

The labor and ingredients involved come at a cost. Compared to black or green tea, Kashmiri chai requires significantly more milk and dry fruits, making it noticeably more expensive.

“If you compare it with green tea, pink tea costs almost 50 percent more,” Abbasi said. “But despite being more expensive, people still prefer it in winters.”

For younger consumers, the appeal lies in variety as much as tradition.

“Pakistanis love tea but drinking the same kind every day can get a bit boring,” student Amna Abbasi said as she sipped a piping hot cup of pink tea at an Islamabad café.

“Kashmiri chai is different because it’s garnished with dry fruits, so people are moving toward it.”