Award-winning Pakistani filmmaker hails Saudi Arabia for revolutionizing cinema

The picture taken on May 9, 2023, shows Pakistani filmmaker Ahsan Minhas (right) at the 9th Saudi Film Festival in Riyadh, Saudi Arabia. (Photo courtesy: Ahsan Minhas)
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Updated 04 June 2023
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Award-winning Pakistani filmmaker hails Saudi Arabia for revolutionizing cinema

  • Ahsan Minhas's Arabic short-film 'Sukoon: Addiction of Silence' was screened at the Saudi Film Festival last month
  • Pakistani filmmakers can pitch ideas as Saudi film industry is accepting people experimenting with films, he says

ISLAMABAD: For many aspiring filmmakers like Pakistan’s Ahsan Minhas, Saudi Arabia’s expansion into cinema was a distant thought until a few years ago. But in 2018, he witnessed the renaissance begin in the Kingdom with the screening of Hollywood flick ‘Black Panther,’ a first in over 35 years that relaunched the local market for films.  

The move to reopen cinemas in the Kingdom was part of Crown Prince Mohammed bin Salman’s Vision 2030, an ambitious plan to diversify the Saudi economy, outside of its core business of oil production, for economic growth and national development through more entertainment options.  

Minhas, whose Arabic short film ‘Sukoon: Addiction of Silence’ was screened at the Saudi Film Festival last month, says he is a witness to the “revolution” in the Kingdom.  

“I have seen this country (Saudi Arabia) being more closed in to now suddenly opening up to such scale as per its Vision 2030 which is the pride of this country,” he told Arab News over the phone this week.  

“They have not been just investing in foreign projects, but they are taking themselves to a whole new level.” 

Minhas has been living in the Kingdom with his family since he was eight years old. The 29-year-old, New York Film Academy qualified, wrote, produced and co-directed Sukoon with a Syrian filmmaker, Marwan Bakri.  

The 32-minute fiction-drama, backed by a Riyadh-based production house Manthour Productions, revolves around a couple that experiences “all the doubts and heartbreak that exist, bringing in a violent, tragic and imaginary incident,” according to the synopsis of the short-film.  

The film has won several awards for its story and screenplay at the Independent Short Awards and the Anatolian Awards in the United States and Turkiye, respectively. The short-film is also an official selection of the Hollywood Boulevard Film Festival in Los Angeles, slated for November this year.  

Bakri, who co-directed Sukoon, shared that he focused on Hollywood-style filming to give the audience the change they were looking for.  

“This film opened our eyes in the industry, how it works and what the future is about,” he told Arab News.  

The Syrian filmmaker said working with people from different backgrounds added “creative depth” to the film and their collaboration with Minhas encouraged them to look forward to talent from Pakistan.  

Asked about his plans for the screening of Sukoon in Pakistan, Minhas said he was “dreaming” of a platform where he could show his work to his home audience and hoping for the Pakistani film industry to be more “adaptive” toward the filmmakers’ vision.  

“The art of filmmaking is not clearly accessible [in Pakistan],” he lamented. “I want to be able to know about the kind of a platform [like Red Sea and Ithra] where film festivals happen in Pakistan but it’s a dream right now.”  

Minhas is currently working on a dark comedy both in English and Urdu languages, and intends to submit it for the Red Sea International Film Festival this year. His upcoming venture narrates the story of a Pakistani girl in Riyadh who goes through a midlife crisis.  

“I’m planning a short film right now which is my passion project and will be submitting for Red Sea 2023,” he maintained. “Though the film is still on my laptop and I’m working on the music sequences now.”  

About finding his way into the Saudi film industry being a non-native, the award-winning director said the industry was “accepting people who like to experiment with films,” with support from Saudi Arabia’s Public Investment Fund and its Neom initiative.  

The Neom project offers funding to attract filmmakers to promote the domestic movie industry in the Kingdom. Its latest offerings included Johnny Depp’s ‘Jeanne du Barry’ and five other movies that made it to the latest edition of the Cannes Film Festival.  

“The Saudi film industry is inching toward a balanced mix which is bringing people together, creating a diverse and inclusive space,” Minhas said.  

He said Pakistani filmmakers could come up with ideas and pitch them under the Red Sea Labs program, which aims to help filmmakers, writers and industry professionals realize their vision and projects from “inception to production.” 


Karachi mall inferno came after ignored warnings, delayed response

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Karachi mall inferno came after ignored warnings, delayed response

  • Documents show Gul Plaza violated building regulatory standards ‌for over a decade
  • Authorities warned the situation was dire in the last review happened two years ago

KARACHI: Muhammad Imran did not take the fire seriously at first, thinking it was another small spark at the Karachi mall that would be quickly extinguished by fellow shop owners.

But smoke seeped through ducts and blackened the air in seconds. The lights went out soon after and phone flashlights turned useless, people could no longer see their own hands, he said.

Imran, who has diabetes and has undergone heart surgery, managed only a few steps before nearly giving up. “It felt like doomsday,” he said. “You couldn’t see ​the person next to you.”

The blaze would rage for nearly two days and reduce Gul Plaza, a multi-story complex of 1,200 family-run shops selling children’s clothes, toys, crockery and household goods, to ash.

At least 67 people were killed, with 15 still missing and feared dead, police official Asad Ali Raza said, in the January 17 blaze, the Pakistani port city’s largest in over a decade.

Imran’s escape from the inferno, along with more than a dozen others who spoke to Reuters, was hampered by locked doors, poor ventilation, and crowded corridors. When they eventually got out, the survivors watched Gul Plaza crumble as rescue efforts faced delays and poor resources.

Police said the fire appeared to have started at an artificial flower shop and may have been caused by children playing with matches. They added that all but three of the 16 exits were locked, which was routine practice after 10 p.m.

Documents reviewed by Reuters showed Gul Plaza, located on a major artery in Karachi’s historic city center and built in the early 1980s, ‌had violated building regulatory standards ‌for over a decade, with authorities warning the situation was dire in the last review two years ago.

Gul Plaza’s ‌management ⁠did ​not respond to ‌repeated requests for comment.

LONG PAPER TRAIL

Records from the provincial Sindh Building Control Authority showed court cases filed over Gul Plaza’s lack of safety compliance in 1992, 2015 and 2021, as well as records of unauthorized construction.

The files reviewed by Reuters do not detail the outcomes of those cases, including whether fines were imposed or whether violations were fully remedied. SBCA did not respond to queries on enforcement action taken.

A Nov. 27, 2023, survey by the fire department, covering more than 40 commercial buildings in the area, cited inadequate firefighting equipment, blocked escape routes, faulty alarms, poor emergency lighting and a lack of fire safety training for occupants and staff.

A follow-up audit by the fire department in January 2024 placed Gul Plaza among buildings that failed to meet regulations, with inspectors marking key safety categories, including access to firefighting equipment, alarm systems and electrical wiring conditions, as “unsatisfactory.”

Separately, documents describing inspections by Karachi’s Urban Search and Rescue teams in ⁠late 2023 and early 2024 that were reviewed by Reuters also showed Gul Plaza was among several markets and commercial buildings flagged for deficiencies in one or more fire safety categories.

‘PEOPLE WERE PANICKING’

“Young boys were crying. People were panicking,” ‌Imran said, when they were confronted by locked exits.

Others smashed doors and locks as they moved through ‍the darkness, holding hands and forming human chains to avoid getting lost.

With no way ‍down, they ran to the roof, where 70 people, including families and children, were trapped for nearly an hour, survivors said. The smoke was even worse there, ‍funnelled upward by the building’s design, making it impossible to see even the neighboring buildings.

Then the wind changed.

A sudden gust pushed the smoke aside, revealing Rimpa Plaza next door. Young men crossed first, found a broken ladder and began ferrying people across one by one.

“I was the last to leave. I wanted to make sure everyone was safe,” Imran said. An ambulance from the Edhi Foundation charity was waiting on the other side.

WATCHED IT BURN

Many survivors said the response by the fire brigade was delayed and inadequate. Imran and other shop owners said they had escaped ​from the building and watched Gul Plaza turn into a molten inferno as the first firefighters arrived.

The first emergency call came at 10:26 p.m. from a teenager, with two fire vehicles reaching the site within 10 minutes and classifying the blaze as a Grade 3 fire, “the ⁠highest category for an urban area,” said a provincial government spokesperson Sukhdev Assardas Hemnani.

A citywide emergency was declared by 10:45 p.m., triggering the mobilization of resources from across Karachi, he said.

Shopkeepers said the first engine soon ran out of water and left to refill but Hemnani said those allegations were inaccurate.

Firefighters used “water, foam, chemicals and sand,” he said, adding the blaze was difficult to control because the building contained more than 50 gas cylinders and flammable material such as perfumes, generator fuel and car batteries.

Many of the shops were stocked to the brim because of the holy month of Ramadan in February-March, Pakistan’s biggest shopping season.

The first fire truck was not delayed, Hemnani said, but later arrivals were slowed by heavy traffic on a busy Saturday night and a crowd of over 3,000 people that had gathered outside the mall.

The fire department did not respond to requests for comment.

‘NO LONGER AMONG US’

Survivors said many of the missing were shop employees and traders who tried to help others escape — or went back inside looking for family members.

Abdul Ghaffar, a toy store employee who had worked in Gul Plaza for two decades, said one of his cousins was among those still unaccounted for after helping others flee.

His cousin’s mobile phone voice message, in which he can be heard apologizing to his family, was circulated widely on social media.

“He was helping people escape,” Ghaffar said. “That’s how he died.” Three other relatives remain missing, he said, with the family still waiting ‌for identification through DNA testing.

Several shopkeepers said the losses have scarred the market’s tightly knit community.

“All of this keeps replaying in front of my eyes. People we saw daily are no longer among us. God was kind to us — our lives were saved — but I still cannot understand what kind of fire this was,” said Imran.