Google Doodle celebrates the late Saudi novelist Abdelrahman Munif

His best known work is the quintet, Mudan al-Milh (Cities of Salt) which describes the Arab world during the oil era. (Google Doodle)
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Updated 29 May 2023
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Google Doodle celebrates the late Saudi novelist Abdelrahman Munif

  • Since childhood, Munif developed an interest in writing and believed “the mission of literature is to increase awareness”

DUBAI: Google Doodle on Monday celebrated what would have been the 90th birthday of Saudi novelist, journalist and cultural critic Abdelrahman Munif. 

Munif was born on May 29, 1933 in Amman, Jordan. In 1952, he moved to Iraq to study law at the University of Baghdad.

Years later he graduated from Cairo University in Egypt before earning his PhD in petroleum economics at the University of Belgrade in 1961.  

Munif had a career in the oil industry as an economist in Iraq, and later for the Oil Ministry in Syria and OPEC. 

Since childhood, Munif developed an interest in writing and believed “the mission of literature is to increase awareness”.

While living in Baghdad, he worked as an editor at the monthly periodical Al-Naft wa Al-Tanmiyya (Oil and Development). 

He published short stories and eventually his first book during his time as an editor. 

His first novel, Al Ashjar wa-ightiyal Marzuq (Trees and the Assasination of Marzooq) was published in 1973. 

His best known work is the quintet, Mudan al-Milh (Cities of Salt) which describes the Arab world during the oil era.

Other notable works by Munif included Al-Nihayat (Endings), Sharq al-Mutawassit (East of the Mediterranean) and historical novel trilogy Ard Al-Sawad (Land of Darkness).

In 1989, Munif was awarded the Al-Owaist Cultural Award for his distinction in writing and the Award of Cairo Gathering for Arab Creativity in Novel Writing in 1998. 

“Thank you for your contributions to Arab literature and your analysis of sociopolitical issues,” read Google’s description of the novelist.  

The doodle was seen across the Middle East on Monday.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.