BEIJING: China’s cyberspace regulator said 1.4 million social media posts have been deleted following a two-month probe into alleged misinformation, illegal profiteering, and impersonation of state officials, among other “pronounced problems.”
The Cyberspace Administration of China (CAC) said in a statement on Friday it had closed 67,000 social media accounts and deleted hundreds of thousands of posts between March 10 and May 22 as part of a broader “rectification” campaign.
Since 2021, China has targeted billions of social media accounts in a bid to “clean” its cyberspace and make it easier for authorities to control.
The latest crackdown targeted accounts on popular Chinese social media apps including WeChat, Douyin, and Weibo that fall under the category of “self media,” a term that broadly refers to accounts that publish news and information but are not government-run or state-approved.
Beijing frequently arrests citizens and censors accounts for publishing or sharing factual information considered sensitive or critical of the Communist Party, the government or the military, especially when such information goes viral.
Of the 67,000 accounts that were permanently closed, almost 8,000 were taken down for “spreading fake news, rumors, and harmful information,” according to CAC.
Around 930,000 other accounts received less severe punishments, from being removed of all followers to the suspension or cancelation of profit-making privileges.
In a separate campaign, the regulator recently closed over 100,000 accounts that allegedly misrepresented news anchors and media agencies to counter the rise of online fake news coverage aided by AI technologies.
The CAC on Friday said its latest campaign had targeted almost 13,000 counterfeit military accounts, with names such as “Chinese Red Army Command,” “Chinese Anti-terrorist Force” and “Strategic Missile Force.”
Some 25,000 other accounts were targeted for impersonating public institutions, such as disease and prevention control centers and state-run research institutes.
Almost 187,000 were punished for impersonating news media businesses, while over 430,000 allegedly offered professional advice or educational services without having relevant professional qualifications.
Around 45,000 accounts were closed for “hyping hot issues, clout-chasing and illegal monetization.”
The regulator said it had “actively coordinated with public security, market supervision and other departments, to deliver a heavy blow and rectify illegal ‘self-media’.”
“At the same time, (we) also call on the majority of netizens to actively participate in monitoring and reporting (illegal ‘self-media’), provide clues ... and jointly maintain a clean cyberspace,” it added.
China deletes 1.4 million social media posts in crack down on ‘self-media’ accounts
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China deletes 1.4 million social media posts in crack down on ‘self-media’ accounts
- About 67,000 social media accounts closed and hundreds of thousands of posts between March 10 and May 22 deleted
- Beijing frequently arrests citizens and censors accounts for publishing or sharing factual information considered sensitive or critical
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
